Klangfarbenmelodie
Klangfarbenmelodie (German for "sound-color melody") is a musical technique that involves splitting a musical line or melody between several instruments, rather than assigning it to just one instrument (or set of instruments), thereby adding color (timbre) and texture to the melodic line. The technique is sometimes compared to "pointillism",[1] a neo-impressionist painting technique.
Hocket
Klang (music)
Melodic fission
(1898). Beethoven and His Nine Symphonies. London: Novello. Reprinted, New York: Dover Publications, 1962.
Grove, George
, ed. (1999). The Cambridge Companion to Ezra Pound. Cambridge and New York: Cambridge University Press. ISBN 978-0-521-64920-9.
Nadel, Ira B.
Rogers, Michael R. (2004). Teaching Approaches in Music Theory: An Overview of Pedagogical Philosophies. . 9780809388790.
ISBN
(2014). Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach. London: Allen Lane.
Gardiner, John Eliot
(2001). "Klangfarbenmelodie", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
Rushton, Julian
Samson, Jim (1977). Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920. New York: W. W. Norton & Company. 0-393-02193-9.
ISBN
(1966). Harmonielehre (seventh ed.). Vienna: Universal-Edition. [First edition, Leipzig and Vienna: Verlagseigentum der Universal-Edition, 1911.]
Schoenberg, Arnold
Schoenberg, Arnold (1978). Theory of Harmony. translated by Roy E. Carter. Berkeley and Los Angeles: University of California Press.
Swenson, Milton, ed. (1978). Annibale Padovano, Cristofano Malvezzi, Jacopo Peri and Annibale Padovano: Ensemble Ricercars, A-R Editions. 9780895790897.
ISBN
A streaming MP3 recording of Webern's orchestration of the Ricercar a 6 from Bach's Musical Offering.
(in French)