Lady in the Water
Lady in the Water is a 2006 American fantasy psychological thriller film written and directed by M. Night Shyamalan, who produced with Sam Mercer. The film features the starring cast of Paul Giamatti and Bryce Dallas Howard with Bob Balaban, Jeffrey Wright, Sarita Choudhury, Freddy Rodriguez, Bill Irwin and Jared Harris in supporting roles. Produced by Legendary Pictures and Blinding Edge Pictures and distributed by Warner Bros. Pictures, the film's plot concerns the superintendent of a Philadelphia apartment complex who discovers a young woman in the swimming pool. Gradually, he and his neighbors learn that she is a water nymph (or Narf) whose life is in danger from a vicious, wolf-like, mystical creature called a Scrunt that tries to keep her from returning to her watery "blue world." Lady in the Water was released on July 21, 2006. It is Shyamalan's first film not distributed by Walt Disney Studios under their Touchstone Pictures and Hollywood Pictures labels since Wide Awake.
Not to be confused with Lady of the Lake or Lady in the Lake.Lady in the Water
M. Night Shyamalan
Sam Mercer
M. Night Shyamalan
Barbara Tulliver
- July 21, 2006
109 minutes[1]
United States
English
$70 million[2]
$72.8 million[2]
The film received negative reviews, with criticism revolving around the self-indulgence with which Shyamalan cast himself in the film, the lack of consistency, and the film's characterization. The film was also a financial failure grossing $72 million against a $70 million production budget. At the 27th Golden Raspberry Awards, Lady in the Water received four nominations for Worst Picture and Worst Screenplay, and won two for Worst Director, and Worst Supporting Actor for Shyamalan.
Plot[edit]
One evening, Cleveland Heep, who became the superintendent of a Philadelphia apartment complex after his family was murdered, discovers Story, a Narf (a naiad-like being) from the Blue World, in his building's pool, immediately rescuing her from an attack by a Scrunt, a grass-covered, wolf-like creature that hides by flattening its body against the turf.
Story explains she has arrived to find the Writer, the "vessel" who will be magically awakened when he meets her, and then write a book that will save humanity in the future. When Heep mentions the word "Narf" to tenant Young-Soon, she recognizes it from stories told by her mother, Mrs. Choi, then summarizes the stories for him.
After questioning residents Farber, Bell, Dury, and five smokers, Heep discovers the Writer is tenant Vick Ran, who is struggling to complete The Cookbook. Heep brings Vick to Story; their meeting eliminates his fear and sharpens his inner voice. She later explains that The Cookbook will contain views and ideas so significant they will inspire a future President, a great Midwestern orator, to greatly change the world for the better. Vick later deduces, and Story confirms, that he will be killed because of the controversial nature of his ideas.
As Mrs. Choi remembers more details of the Narf legend, Heep better understands the situation. The Tartutic, an invincible simian-like quartet that serve as the Blue World's peacekeeping force, have forbidden any attack on Story while she travels home. Nonetheless, the Scrunt does just that because they know that Story is destined to be a great Narf leader, the once in a generation Madam Narf who will let all of humanity know they are on the right path.
For Story to recover from her wounds and return safely, she foresees that she will need the help of a Guardian, a Symbolist, a Guild, and a Healer. Story believes Heep to be her Guardian; Heep asks Farber, an abrasive film critic, to help him figure out the others' identities. Working off movie tropes, Farber misadvises Heep, leading him to a flawed conclusion that a resident named Dury is the Symbolist, the smokers are the Guild, and a kindly woman named Bell is the Healer.
Heep confronts the Scrunt, but nearly dies in the process, convincing him he is not the Guardian. The next night, Farber's bad advice leads to their plan's immediate failure. In the confusion, Farber is killed and Story is mortally wounded by the Scrunt. Dury suddenly realizes his son Joey is the real Symbolist. Interpreting the information on cereal boxes, Joey deduces the true Guild is composed of seven sisters, that two new men must be present, and that the Healer is a man, soon revealed to be Heep. Heep goes about healing Story by bringing forth his repressed grief: Story's wounds heal when he confesses to her that he does not want to lose her too.
Story again prepares to depart, but the Scrunt attacks. It is stopped by the gaze of Reggie, a lopsidedly muscled tenant who clearly is the Guardian. Reggie's intense stare and stalking approach intimidate the Scrunt into a slow retreat, but Reggie is distracted by the cry of the giant eagle arriving to transport Story back to the Blue World. When Reggie momentarily breaks eye contact, the Scrunt leaps, but the concealed Tartutic leap out of hiding, grab it, and drag it away.
Story hugs Heep goodbye; he thanks her for saving his life. The eagle lands, enfolds Story in one of its wings, and as the residents gaze on, it carries Story up into the night sky.
Lady in the Water
Reception[edit]
Box office[edit]
In its opening weekend (July 21–23, 2006), the film grossed a total of $18.2 million, placing third in the U.S behind Pirates of the Caribbean: Dead Man's Chest and Monster House. It was Shyamalan's lowest opening for any of his five major films. As a result of the negative reviews and poor word-of-mouth, its second week fell sharply to $7.1 million, pushing its total to only $32.2 million. Its third weekend was no better, falling another 62.1% to $2.7 million. As of 2011, its total was $42.285 million. In addition, the film made only $30.5 million in other territories, bringing its tally to approximately $72.785 million internationally.[2]
Critical reaction[edit]
Lady in the Water received mostly negative reviews around the time of its release. On review aggregation website Rotten Tomatoes, the film has an approval rating of 25% based on 212 reviews, with an average rating of 4.30/10. The site's critical consensus reads, "A far-fetched story with little suspense and unconvincing scenarios, Lady in the Water feels contrived, pretentious, and rather silly."[11] On Metacritic, the film has a weighted average score of 36 out of 100 based on reviews from 36 critics, indicating "generally unfavorable reviews".[12] Audiences surveyed by CinemaScore gave the film a grade B− on scale of A to F.[13]
Brian Lowry of Variety magazine wrote a scathing advance review that appeared on July 16, 2006.[5] Common complaints about the film were that little effort was put into getting the viewer to believe in the world, that few moments of the film could be taken seriously, and that Shyamalan was using the film as a form of self-indulgence; instead of having a minor cameo, as in most of his films, Shyamalan cast himself as a visionary whose writing changes the world, and another character included a film critic—portrayed by actor Bob Balaban as arrogant, self-assured, and passive—who comes to a violent end. Many reviewers attacked this perceived self-indulgence: Manohla Dargis of The New York Times wrote of the story, "Apparently those who live in the water now roam the earth trying to make us listen, though initially it's rather foggy as to what precisely we are supposed to hear—the crash of the waves, the songs of the sirens, the voice of God—until we realize that of course we're meant to cup our ear to an even higher power: Mr. Shyamalan."[14] Of Shyamalan's role in the film, Mark Kermode said, "It's like someone pouring petrol over their heads and setting fire to themselves."[15]
Frank Lovece of Film Journal International said, "Fans of actor Paul Giamatti or of filmmaker M. Night Shyamalan may get something out of Lady in the Water, a fractured fairy tale about a water nymph who comes to a Philadelphia apartment house to deliver an important message. Anyone else is likely to be perplexed by the muddled mythmaking or actively astonished at the self-indulgent ego of a writer-director-producer who casts himself in the role of a visionary writer whose martyrdom will change the world."[16] Michael Medved gave Lady in the Water one-and-a-half stars (out of four) calling it, "…a full-out, flamboyant cinematic disaster, a work of nearly unparalleled arrogance and vapidity", adding, "…Lady in the Water is all wet…"[17] Also panned was the fact that the film was based on a bedtime story Shyamalan told to his children; Pete Vonder Haar of Film Threat commented: "If Shyamalan is going to use his kids as a focus group for future projects, maybe he should start making movies for Nickelodeon already and stop wasting our time."[18]
CNN's Tom Charity, among others, has called Lady in the Water the worst film of 2006.[19] It was listed by Variety as one of the ten "biggest (financial) losers" of 2006.[20][21] Wesley Morris of The Boston Globe wrote that though the film is "built on too much ponderous self-regard…[t]here is a good chunk of Lady in the Water that is simply too well made and affectingly acted to dismiss as a mere exercise in arrogance."[22]
The film was ranked sixth in the influential film magazine Cahiers du cinéma's top ten films of 2006, above films such as Terrence Malick's The New World.[23]