Lisa Kron
Elizabeth S. "Lisa" Kron (born May 20, 1961) is an American actress and playwright. She is best known for writing the lyrics and book to the musical Fun Home for which she won both the Tony Award for Best Original Score and the Tony Award for Best Book of a Musical. Fun Home was also awarded the Tony Award for Best Musical in 2015 and the 2014 Obie Award for writing for musical theater.[1]
Lisa Kron
Early life[edit]
Kron was born in Ann Arbor, Michigan. She jokes in one of her plays that her life began on her parents' trip to Europe: "I was conceived in Venice, you know. (Well, not actually in Venice, but in the nearby town of Mestra where hotels are a lot cheaper.)"[2]: 21
Her mother is Ann Kron, born in 1932. Ann is a former antiques dealer and community activist. In the 1960s she founded the Westside Neighborhood Organization in Lansing, Michigan. In a time when neighborhood segregation was the norm, the WNO helped to bring people from diverse racial and socioeconomic backgrounds together. Ann converted to Judaism when she married Lisa's father.[3]
Her father is Walter Kron, a retired lawyer born in Germany in 1922. He was born to a Jewish family, and is a Holocaust survivor. In 1937 as the Nazi persecution of the Jews escalated, his parents sent him out of Germany via the Kindertransport program. He went back to Germany after World War II, serving as a US army interrogator of Nazi war criminals. In the 1990s Kron and her father visited Auschwitz, where he believed his parents were murdered by the Nazis in the 1940s. She later found out that her father's parents were actually killed in Chelmno.
Her brother is David Kron, born in 1963. He is a sound engineer and is married with a son. He says of his sister: "She is very funny, with a very sharp wit...And she always had her own way of looking at things."[4]
In her play Well Kron says that she felt like an outsider even in her own family because she, her parents and her brother David were the only Jews. Her maternal family is Christian and none of her Jewish paternal family survived the Holocaust. Her play 2.5 Minute Ride describes this contradiction as she recalls her mother asking her to come home for the holidays:
"...she asks me every year, 'Are you going to make it home for Christmas this year?' And I say ' I don't come home for Christmas Mom. I have never come home for Christmas. We are not Christians. Stop trying to trick me!"[2]: 10–11
Kron's family moved to Lansing, Michigan in 1965. One of the main story lines in her play Well recounts her experiences attending a predominantly African American elementary school in that city. Kron's parents sent her to the school in an effort to help integrate it. Lansing began mandatory racial integration in its schools three years later.
Kron became interested in theatre at an early age. She traces her acting roots to the Purim plays that she performed as a child at her synagogue in Lansing. In junior high she was determined to be the funniest girl that people knew. "Her avenue for that was telling humorous stories, something that everyone in her family did…"[5]
She graduated from Everett High School as a valedictorian in 1979. In her senior year she attended special theater classes at Lansing School District's Academic Interest Center. An early mentor was her theater teacher at the Center, the late Robert L. Burpee.
She attended Kalamazoo College, where she majored in theatre. At Kalamazoo College theater professor Lowry Marshall mentored her and helped her land a role with a national touring theater company.[5]
She furthered her studies at Chautauqua Professional Actors Studio and the British European Studies Group in London.
Career in theatre[edit]
Kron's works are humorous and poignant looks at life by someone who has often described herself an outsider. Her experiences as a Jewish woman living in a predominantly Christian Midwestern city or life as a lesbian working in traditional theatre provide rich material for her plays. Her reflections from the outside looking in are insightful but not bitter. The critic Ben Brantley says of her: "…there is never condescension in her humor. It is simply a crucial part of her navigational equipment in finding her way through life's absurd course of non sequiturs."[9]
She describes her creative process in her usual humorous and self-deprecating way: "I wish I had more of a technique for constructing these things. I keep banging my head against the wall until it pops through on the other side…"[13]
She arrived in New York City in 1984. She worked as an office temp and various other jobs while pursuing an acting career. Some of her adventures during her early days in New York are chronicled in her play 101 Humiliating Stories. She was soon performing at the WOW Café, a creative venue for women in the performing arts in the East Village, Manhattan.[14]
In 1989 Kron, Maureen Angelos, Dominique Dibbell, Peg Healey and Babs Davy founded the theater company The Five Lesbian Brothers. The group writes and performs witty satiric works from a feminist and lesbian perspective. "Five Lesbian Brothers was chosen, in part, to refute the perception of lesbian theatre as combative and didactic."[15] Their plays have been produced by the New York Theatre Workshop, the Joseph Papp Public Theater, the WOW Café Theatre and others. The Brothers have also toured all over the United States. The Brothers have won the Obie Award as well as other awards and have published The Five Lesbian Brothers' Guide to Life[16] and Five Lesbian Brothers Four Plays.[17]
She also would star in Paul Rudnick's 1998 play The Most Fabulous Story Ever Told playing a multitude of characters, one of her most memorable, according to Ben Brantley, was as Rabbi Sharon, a lesbian wheelchair-bound rabbi.[18]
Kron developed stories about her family into autobiographical plays and performed them in New York and London. Her work was critically well received. New York Times critic Ben Brantley said in his review: "…Fans of that beleaguered literary form, the memoir, can breathe a little more easily this morning. Kron's sparkling autobiographical play Well has arrived on Broadway…to restore the honor of a genre that was slipping into disgrace...[19] Well opened on Broadway March 10, 2006, to critical acclaim and received two Tony nominations. Kron was nominated for Actress in a Play and Jayne Houdyshell was nominated for Featured Actress in a Play. In spite of good reviews, Well had low attendance and closed on May 14, 2006. It has since been performed in Boston in 2007.
While Kron's musical Fun Home was having its premiere run at The Public Theater, Kron was simultaneously performing in a production of Good Person of Szechwan at the same theater. Kron's unusual experience of working on the final touches of one play as a writer while rehearsing to act in another was discussed in a New York Times article "A Quick Trip From Playwright to Player, Lisa Kron Juggles Two Shows at Public Theater."[20]
Kron received the 27th Annual Kleban Prize in 2017 for the most promising musical theatre librettist; the award includes a $100,000 prize.[21]
Personal life[edit]
Kron has lived in New York City since 1984 and is a full-time actress. She also teaches playwriting part-time at Yale University and New York University. She is married to fellow Pulitzer Prize-nominated playwright Madeleine George.[22][23] She is a lesbian.[24]
Quotes[edit]
"Bizarre Murder!! Lesbian Forces Blind Holocaust Victim on Roller Coaster!" - 2.5 Minute Ride And 101 Humiliating Stories
"…Judaism, you know, is viewed in the Midwest as kind of an accessory that you wear on top of your Christianity." - Well
"I come from a family with a deep distrust of the body. I believe my family would have their bodies surgically removed from their heads if they could figure out a way to still get to the mall." - "Lithe I'm Not. And Trained I'm Not. But I Danced."