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Liturgical drama

Liturgical drama refers to medieval forms of dramatic performance that use stories from the Bible or Christian hagiography.

The term was widely disseminated by well-known theater historians like Heinrich Alt (Theater und Kirche, 1846),[1] E.K. Chambers (The Mediaeval Stage, 1903) and Karl Young. Young's two-volume monumental work[2] about the medieval church was especially influential. It was published in 1933 and is still read today, even though his theories have been rejected for more than 40 years. Many college textbooks, among them the popular books by Oscar Brockett, propagated the theory of "liturgical drama" even into the 21st century.[3]

Critique[edit]

Evolution model[edit]

In his 1955 book on the origins of theater, Benjamin Hunningher refuted the notion that plays developed out of the liturgy. He noted that the church setting of the Mass does not allow for entertainment, and Christian theologians had severely criticized theater artists for centuries.[4] As McCall wrote in 2007:

medieval theatre

Olivia Robinson and Aurélie Blanc, 'The Huy Nativity from the Seventeenth to the Twenty-First Century: Translation, Play-Back, and Pray-Back', Medieval English Theatre 40 (2019)

[1]

Benjamin Hunningher, The Origin of the Theater (The Hague, 1955).

Michael Norton, Liturgical Drama and the Reimagining of Medieval Theater (Kalamazoo, 2017).