Ma Rainey
Gertrude "Ma" Rainey (née Pridgett; April 26, 1886 – December 22, 1939)[1][2][3] was an American blues singer and influential early-blues recording artist.[4] Dubbed the "Mother of the Blues", she bridged earlier vaudeville and the authentic expression of southern blues, influencing a generation of blues singers.[5] Rainey was known for her powerful vocal abilities, energetic disposition, majestic phrasing, and a "moaning" style of singing. Her qualities are present and most evident in her early recordings "Bo-Weevil Blues" and "Moonshine Blues".
Ma Rainey
Gertrude Pridgett
April 26, 1886
Columbus, Georgia, U.S.
December 22, 1939 (aged 53)
Columbus, Georgia, U.S.
Singer
1899–1939
Gertrude Pridgett began performing as a teenager and became known as "Ma" Rainey after her marriage to Will "Pa" Rainey in 1904. They toured with the Rabbit Foot Minstrels and later formed their own group, Rainey and Rainey, Assassinators of the Blues. Her first recording was made in 1923. In the following five years, she made over 100 recordings, including "Bo-Weevil Blues" (1923), "Moonshine Blues" (1923), "See See Rider Blues" (1925), the blues standard "Ma Rainey's Black Bottom" (1927), and "Soon This Morning" (1927).[6]
Rainey also collaborated with Thomas Dorsey, Tampa Red, and Louis Armstrong, and toured and recorded with the Georgia Jazz Band. Touring until 1935, she then largely retired from performing and continued as a theater impresario in her hometown of Columbus, Georgia, until her death four years later.[1] She has been posthumously inducted into the Blues Hall of Fame, as well as the Rock and Roll Hall of Fame. Rainey has been portrayed in several films including the 2020 Academy Award-winning film Ma Rainey's Black Bottom. In 2023, she was honored with the Grammy Lifetime Achievement Award.
Early life[edit]
There is uncertainty about the birth date of Gertrude Pridgett. Some sources indicate that she was born in 1882, while most sources assert that she was born on April 26, 1886.[2] Pridgett claimed to have been born on April 26, 1886 (beginning with the 1910 census, taken April 25, 1910), in Columbus, Georgia.[7] However, the 1900 census indicates that she was born in September 1882 in Alabama, and researchers Bob Eagle and Eric LeBlanc suggest that her birthplace was in Russell County, Alabama.[8][9] She was the second of five children of Thomas and Ella (née Allen) Pridgett, from Alabama. She had at least two brothers and a sister, Malissa Pridgett Nix.[7]
In February 1904, Ma Rainey married William "Pa" Rainey.[10] She took on the stage name "Ma Rainey", which was "a play on her husband's nickname, 'Pa'".[11]
Early career[edit]
Pridgett began her career as a performer at a talent show in Columbus, Georgia, when she was approximately 12 to 14 years old.[1][12] A member of the First African Baptist Church, she began performing in black minstrel shows. She later claimed that she was first exposed to blues music around 1902.[13] She formed the Alabama Fun Makers Company with her husband, Will Rainey, but in 1906 they both joined Pat Chappelle's much larger and more popular Rabbit's Foot Company, where they were billed together as "Black Face Song and Dance Comedians, Jubilee Singers [and] Cake Walkers".[14] In 1910, she was described as "Mrs. Gertrude Rainey, our coon shouter".[14] She continued with the Rabbit's Foot Company after it was taken over by a new owner, F. S. Wolcott, in 1912.[1]
Rainey said she found "Blues Music" when she was in Missouri one night performing, and a girl introduced her to a sad song about a man leaving a woman. Rainey said she learned the lyrics of the song and added it to her performances.
Rainey claimed she created the term "blues" when asked what kind of song she was singing.[10]
Beginning in 1914, the Raineys were billed as Rainey and Rainey, Assassinators of the Blues. Wintering in New Orleans, she met numerous musicians, including Joe "King" Oliver, Louis Armstrong, Sidney Bechet and Pops Foster. As the popularity of blues music increased, she became well known.[15] Around this time, she met Bessie Smith, a young blues singer who was also making a name for herself.[A] A story later developed that Rainey kidnapped Smith, forced her to join the Rabbit's Foot Minstrels, and taught her to sing the blues; the story was disputed by Smith's sister-in-law Maud Smith.[16]
Personal life and death[edit]
Ma Rainey and Pa Rainey adopted a son named Danny who later joined his parents' musical act. Rainey developed a relationship with Bessie Smith. They became so close that rumors circulated that their relationship was possibly also romantic in nature.[10] It was also rumored that Smith once bailed Ma Rainey out of jail.[29]
The Raineys separated in 1916.[36][3]
In 1935, Rainey returned to her home town, Columbus, Georgia, and became the proprietress[37] of three theaters, the Liberty in Columbus, and the Lyric and the Airdrome in Rome, Georgia,[38] until her death. She died of a heart attack in 1939.[39][40][3]
Legacy and honors[edit]
Ma Rainey created what is now known as "classic blues" while also portraying black life like never before. As a musical innovator she built on the minstrelsy and vaudeville performative traditions with comedic timing and a hybrid of American blues traditions she encountered in her vast tours across the country. She helped to pioneer a genre that appealed to North and South, rural and urban audiences.[31]
Her signature low and gravelly voice sung with Rainey's gusto and authoritative style inspired imitators from Louis Armstrong, Janis Joplin and Bonnie Raitt among others.[31]
In her lyrics, Rainey portrayed the black female experience like few others of the time reflecting a wide range of emotions and experiences. In her 1999 book Blues Legacies and Black Feminism, Angela Davis wrote that Rainey's songs are full of women who "explicitly celebrate their right to conduct themselves as expansively and even as undesirably as men".[41] In her songs, she and other black women sleep around for revenge, drink and party all night and generally live lives that "transgressed these ideas of white middle class female respectability".[42] The portrayals of black female sexuality, including those bucking heteronormative standards, fought ideas of what a woman should be and inspired Alice Walker in developing her characters for The Color Purple.[43] Bragging about sexual escapades was popular in men's songs at the time but her use of these themes in her works established her as both fiercely independent and fearless and many have drawn connections between her use of these themes and their modern use in Hip-Hop.[44]
Rainey was also a fashion icon who pioneered flashy, expensive costuming in her performances, wearing ostrich plumes, satin gowns, sequins, gold necklaces, diamond tiaras, and gold teeth.[31]
Rainey was inducted into the Blues Foundation's Hall of Fame in 1983 and the Rock and Roll Hall of Fame in 1990.[45] In 1994, the U.S. Post Office issued a 29-cent commemorative postage stamp honoring her. In 2004, "See See Rider Blues" (performed in 1924) was inducted into the Grammy Hall of Fame and was added to the National Recording Registry by the National Recording Preservation Board of the Library of Congress.[46]
There was also a small museum opened in Columbus in 2007 to honor Ma Rainey's legacy. It is in the very house that she had built for her mother and later lived in from 1935 until her death in 1939.[47]
The first annual Ma Rainey International Blues Festival was held in April 2016 in Columbus, Georgia, near the home that Rainey owned and lived in at the time of her death.[48][49] In 2017, the Rainey-McCullers School of the Arts opened in Columbus, Georgia, named in honor of Rainey and author Carson McCullers.[50]
In 2023, she was awarded a posthumous Grammy Lifetime Achievement Award. The announcement noted her "deep voice and mesmerizing stage presence" and that she, "recorded almost 100 records, many of them national hits that are now part of the American musical canon".[51]
In popular culture[edit]
Sterling A. Brown wrote the poem "Ma Rainey" in 1932, about how "When Ma Rainey / comes to town" people everywhere would hear her sing. In 1981, Sandra Lieb wrote the first full-length book about Rainey, Mother of the Blues: A Study of Ma Rainey.[52]
Ma Rainey's Black Bottom, a 1982 play by August Wilson, is a fictionalized account of a recording of her song of the same title set in 1927. Theresa Merritt and Whoopi Goldberg starred as Rainey in the Original and Revival Broadway productions, respectively. Viola Davis portrayed Rainey in the 2020 film adaptation of the play and was nominated for the Academy Award for Best Actress.[53]
Mo'Nique played Rainey in the 2015 television film Bessie about the life of Bessie Smith, for which she earned a nomination for Primetime Emmy Award for Outstanding Supporting Actress in a Limited Series or Movie.[54]
This sortable table presents all 94 titles recorded by Rainey.[55]