Madonna and contemporary arts
The contributions and influence of American artist Madonna (born 1958) in the landscape of underground and contemporary arts have been documented by a variety of sources such as art publications, scholars and art critics. As her footprints in the arts are lesser-known compared to her other roles, this led a contributor from W to conclude that both her impact and influence in the art world have been "made almost entirely behind the scenes". She is noted for taking inspiration from various painters in her career. Once called a "continuous multi-media art project" by Jon Pareles in 1990, art critics and academics have noted she condenses fashion, dance, photography, sculpture, cinema, music, video and painting in her own artwork.
Not to be confused with Madonna (art).
Madonna's interest in the arts began in her early life. When she moved to New York City to pursue a career in modern dance, she befriended and dated various plastic artists, including Andy Warhol, Martin Burgoyne, Keith Haring and her boyfriend Jean-Michel Basquiat. Around that time, Madonna's graffiti tag was "Boy Toy", which later used in her professional career, and immortalized their friendship in the song "Graffiti Heart".
Madonna is an art collector, included among Art & Antiques' 100 Biggest Collectors. She has been also known as an "art supporter" and has used art for charity. In 2001, Madonna lent her Self-Portrait with Monkey by Frida Kahlo at the Tate Modern, which was the first British exhibition dedicated to Kahlo. Madonna sponsored various art exhibitions of contemporary artists such as Basquiat, Cindy Sherman and Tina Modotti. Her other activities include to co-initiate "Art for Freedom" in 2012, runs the artistic installation X-STaTIC Pro=CeSS (2003) and create the NFT digital artworks, "Mother of Creation" along with Mike Winkelmann ("Beeple") in 2022.
Throughout her career, her visuals and artistry have attracted both celebratory and derogatory commentaries. Late-twentieth-century views on Madonna were a constant amid low and high culture, with some labeling her a modernist. By the next century, Dahlia Schweitzer said that many critics have long resisted using the words "Madonna" and "artistic" in the same sentence, and for supporters like art historian Kyra Belán, she is a "symbol for female achievement" in different art forms. She was referred to as a contemporary gesamtkunstwerk and the art-pop queen, while American performing artist David Blaine said that perhaps she "is herself her own greatest work of art". Her influence has been noted in a number of contemporary artists, including Silvia Prada, Trisha Baga and Pegasus. Various artists have depicted Madonna either once or multiple times, including Peter Howson, Andrew Logan, Sebastian Krüger and Al Hirschfeld. Madonna's likeness and some of her own works have also been displayed in museums and art galleries exhibitions around the world, including the video of "Bedtime Story", which became part of Museum of Modern Art's permanent collection.
Artistic reception[edit]
Postmodernism[edit]
Postmodernism encompasses a variety of approaches and movements, including aesthetics. In the early 2000s, Arthur Asa Berger noted how it was popular in academic circles discussing her within postmodernism and further explains that a "simple way" of thinking about postmodernism is the way in which "our contemporary artists and culture produce art".[207]
She has been estimated both inmediate and retrospectively. Some, including author Shara Rambarran in 2021, labeled her both icon and "Queen of Postmodernism".[208] In the 1990s, American philosopher Susan Bordo described her as a "postmodern heroine".[209] In 2007, O'Brien held that "much has been made of Madonna as a postmodern icon", as well as that her reference points have been resolutely modernist.[210] According to Glenn Ward, "Madonna has been important to postmodernism for her ability to plunder the conventions".[211] Academics Sudhir Venkatesh and Fuat Firat described her as "representative of postmodern rebellion".[212] She epitomizes posmodernism said Olivier Sécardin from Utrecht University.[212] In similar remarks, Graham Cray once considered her as perhaps "the most visible example", while Martin Amis said she was "perhaps the most postmodern personage on the planet".[213]
