Maria Full of Grace
Maria Full of Grace (Spanish title: María, llena eres de gracia, lit., "Maria, you are full of grace") is a 2004 Spanish-language drama film written and directed by Joshua Marston. The film was a US-Colombia co-production. The story follows a Colombian girl who becomes a drug mule for a trafficking ring. Lead actress Catalina Sandino Moreno won Best Actress at the Berlin Film Festival, and was nominated for the Academy Award for Best Actress in the 77th Academy Awards.
Maria Full of Grace
Joshua Marston
Catalina Sandino Moreno
Yenny Paola Vega
John Álex Toro
Guilied Lopez
Patricia Rae
Anne McCabe
Lee Percy
Leonardo Heiblum
Jacobo Lieberman
Journeyman Pictures
Tayrona Entertainment Group (Colombia)
Fine Line Features (United States)
- 18 January 2004 (Sundance)
- 2 April 2004 (Colombia)
- 8 June 2004 (USA)
101 minutes
Colombia
United States
Spanish
$3.2 million[1]
$12.6 million[2]
Plot[edit]
Seventeen-year-old Colombian girl Maria Álvarez works in sweatshop-like conditions at a flower plantation. Her income helps support her family, including an unemployed sister who is a single mother, but after unjust treatment from her boss, she quits her job de-thorning roses, despite her family's vehement disapproval. Shortly thereafter, Maria discovers she is pregnant by her boyfriend, and he suggests marriage, but she declines because she does not feel she loves him, although he loves her. On her way to Bogotá to find a new job, she is offered a position as a drug mule. Desperate, she accepts the risky offer, and swallows 62 wrapped pellets of drugs, and flies to New York City with her friend Blanca, who has also been recruited as a drug mule.
Maria is almost caught by U.S. customs who are suspicious after finding Maria's $800 in cash and wanting to make a surprise visit to a sister she "hasn't seen in years", but not knowing anywhere else to go if she isn't home. She tells them that the father of her child paid for her plane ticket. She avoids being X-rayed due to her pregnancy, and is released. The traffickers collect Maria, Blanca, and Lucy, another more experienced mule that Maria had befriended during her recruitment. The mules are held in a motel room until they pass all the drug pellets. Lucy falls ill when a drug pellet apparently ruptures inside her. Unknown to the traffickers, Maria witnesses them carrying Lucy out of the hotel room, and she sees blood stains in the bathtub. She comes to the conclusion that the traffickers cut her open to retrieve the other drug pellets inside her body. Scared, Maria convinces Blanca to escape with her while the traffickers are gone. They leave with the drugs they have passed.
Maria has nowhere to sleep, and goes to Lucy's sister's house, but doesn't reveal to the sister that Lucy is dead. Blanca soon joins her there. Eventually the sister unexpectedly hears of their involvement in her sister's death and throws them out. Blanca and Maria make an agreement to return the drugs to the traffickers and receive their money. Maria uses some of her drug money to send Lucy's body home to Colombia for a proper burial. Maria and Blanca are ready to board the plane back to Colombia when Maria decides to stay in the United States. Blanca returns home without Maria.
Production[edit]
Writing[edit]
Writer and director Joshua Marston was inspired to write the film after a conversation he had with a real-life drug mule who transported illegal drugs inside her body.[3] He first attempted to write a script about the drug war, but decided to abandon a more polemical, broader approach in favor of a more personal one.[4][5] For research, he interviewed prisoners, flower plantation workers in Colombia, U.S. Customs inspectors, and Colombian immigrants living in Queens, New York.[3][5] When Marston showed his finished script to potential producers, they resisted his decision to shoot the film in Spanish and suggested big-name actresses like Penélope Cruz or Jennifer Lopez for Maria.[4] Marston gave the script to producer Paul Mezey, who loved it and took it to HBO. Marston said, "HBO told Paul to just make it. In Spanish. With a first-time filmmaker. With an unknown cast. I think I owe my first-born child to HBO."[4][6]
Release[edit]
Maria Full of Grace was first shown on 18 January 2004 at the Sundance Film Festival in the United States. On 11 February 2004, it was shown at the Berlin Film Festival. It premiered in Colombia on 2 April, 2004. The film was originally going to premiere on HBO, but the film’s success at Sundance, as well as the success of Latina film Real Women Have Curves,[3] prompted Fine Line Features to release the film theatrically.[7] The film had a limited release on 16 July 2004,[4] before going wide in the United States on 6 August 2004.[2]
Reception[edit]
Critical response[edit]
The film was critically acclaimed. It garnered a 97% approval rating on the aggregator site Rotten Tomatoes, based on 146 reviews, and an average rating of 8/10. The website's critical consensus states, "In a striking debut, Moreno carries the movie and puts a human face on the drug trade".[12] On Metacritic, the film has a weighted average score of 87 out of 100, based on 39 critics, indicating "universal acclaim".[13]
According to Desson Thomson from The Washington Post, "Catalina Sandino Moreno is a Colombian Mona Lisa, a delicate, unforgettable force majeure. Add to her luminous demeanor a story that rips fleshy holes through your heart and you've got yourself a stunner of a film".[14] Roger Ebert awarded the film 3 and a half stars out of 4 and said, "Like [Ken] Loach, Marston has made a film that understands and accepts poverty without feeling the need to romanticize or exaggerate it. Also like Loach, he shows us how evil things happen because of economic systems, not because villains gnash their teeth and hog the screen. Hollywood simplifies the world for moviegoers by pretending evil is generated by individuals, not institutions; kill the bad guy, and the problem is solved."[9]
Writing for Rolling Stone, Peter Travers gave the film 3 out of 4 stars, praising Moreno's performance, the screenplay, and Maston's direction, saying: "Remember the name Catalina Sandino Moreno. The heartfelt and harrowing performance she gives here should put her in line for a heap of year-end awards."[15]
The film was nominated to the Golden Bear at the 54th Berlin Film Festival.[16]
The film had originally been selected by Colombia to be its official choice for Best International Feature at the 77th Academy Awards. However, it was rejected because it was considered to be not Colombian enough; the film El Rey was submitted instead.[17]