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Marshall McLuhan

Herbert Marshall McLuhan[a] CC (July 21, 1911 – December 31, 1980) was a Canadian philosopher whose work is among the cornerstones of the study of media theory.[7][8][9][10] He studied at the University of Manitoba and the University of Cambridge. He began his teaching career as a professor of English at several universities in the United States and Canada before moving to the University of Toronto in 1946, where he remained for the rest of his life. He is known as the "father of media studies".[11]

Marshall McLuhan

McLuhan coined the expression "the medium is the message"[12] in the first chapter in his Understanding Media: The Extensions of Man[13] and the term global village. He predicted the World Wide Web almost 30 years before it was invented.[14] He was a fixture in media discourse in the late 1960s, though his influence began to wane in the early 1970s.[15] In the years following his death, he continued to be a controversial figure in academic circles.[16] However, with the arrival of the Internet and the World Wide Web, interest was renewed in his work and perspectives.[17][18][19]

Thunder 1: Paleolithic to Neolithic. Speech. Split of East/West. From herding to harnessing animals.

Thunder 2: Clothing as weaponry. Enclosure of private parts. First social aggression.

Thunder 3: Specialism. via wheel, transport, cities: civil life.

Centralism

Thunder 4: Markets and truck gardens. Patterns of nature submitted to greed and power.

Thunder 5: Printing. Distortion and translation of human patterns and postures and pastors.

Thunder 6: Industrial Revolution. Extreme development of print process and individualism.

Thunder 7: Tribal man again. All characters end up separate, private man. Return of choric.

Thunder 8: Movies. , pop Kulch via tribal radio. Wedding of sight and sound.

Pop art

Thunder 9: Car and Plane. Both centralizing and at once create cities in crisis. Speed and death.

decentralizing

Thunder 10: Television. Back to tribal involvement in tribal mood-mud. The last thunder is a turbulent, muddy wake, and murk of non-visual, tactile man.

What does the medium enhance?

What does the medium make obsolete?

What does the medium retrieve that had been obsolesced earlier?

What does the medium flip into when pushed to extremes?

The Mechanical Bride: Folklore of Industrial Man

The Gutenberg Galaxy: The Making of Typographic Man

Understanding Media: The Extensions of Man

The Medium Is the Massage: An Inventory of Effects

War and Peace in the Global Village

1970. , with Wilfred Watson. New York: Viking. ISBN 978-0-670-33093-5.

From Cliché to Archetype

1988. Laws of Media, edited by . Toronto: University of Toronto Press. ISBN 978-0-8020-5782-2.

Eric McLuhan

2016 The Future of the Library: From Electronic Media to Digital Media, edited by . Peter Lang. ISBN 978-1-4331-3264-3.

Robert K. Logan

This is a partial list of works cited in this article.

(1967) Columbia – CS 9501

The Medium Is The Massage: With Marshall McLuhan

Neuroplasticity

Cortical remapping

Social interface

Edit this at Wikidata

Official website

at IMDb

Marshall McLuhan

at Monoskop

Marshall McLuhan bibliography

. University of St. Michael's College, John M. Kelly Library. Archived from the original on 2016-03-04. Retrieved 15 October 2015.

"James Feeley fonds"

. University of St. Michael's College, John M. Kelly Library. Archived from the original on 2016-03-04. Retrieved 15 October 2015.

"The Marshall McLuhan Collection"