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Mary Harron

Mary Harron (born January 12, 1953) is a Canadian film director and screenwriter.[1][2][3]

This article is about the late 20th-21st century filmmaker. For the silent film era actress, see Mary Harron (actress).

Mary Harron

(1953-01-12) January 12, 1953

Film director, screenwriter, producer, critic

1987–present

2

She co-wrote the screenplay and directed American Psycho,[4][5][6] The Notorious Bettie Page[7], and I Shot Andy Warhol.

Early life[edit]

Born in Bracebridge, Ontario, Canada,[8] Harron grew up with a family with numerous connections to the arts. She is the daughter of Gloria Fisher and Don Harron, a Canadian actor, comedian, author, and director. Her parents divorced when she was six years old.[9] Harron spent her early life residing between Toronto and Los Angeles.[2] Harron's first stepmother, Virginia Leith, was discovered by Stanley Kubrick and acted in his first film, Fear and Desire and was also featured in the 1962 cult classic The Brain That Wouldn't Die. Leith's brief acting career partly inspired Harron's interest in making The Notorious Bettie Page. Harron's stepfather is the novelist Stephen Vizinczey. Harron's second stepmother is the Canadian singer Catherine McKinnon.


Harron moved to England when she was thirteen and later attended St Anne's College, Oxford University, where she received a Bachelors in English.[9][10] While in England, she dated Tony Blair, later the Prime Minister of the United Kingdom, and Chris Huhne, another Oxford student who later became a prominent politician.[11][12][13][14][15] She then moved to New York City and was part of its 1970s punk scene.

Influences[edit]

During her adolescence, Harron was exposed to many different forms of art and film. In a 2020 interview with The New School, Harron states: "My parents took us to whatever films they wanted to see so I saw a lot of art films that would not be considered suitable for a child." She goes on to explain that her largest influences, especially as a child around the age of ten, were Alfred Hitchcock, Bergman, and Satyajit Ray. After she had moved to London in her teen years she began attending the National Film Theatre where she was exposed to other international filmmakers like Fritz Lang, Howard Hawks, Claude Chabrol, and Roman Polanski. She was also exposed to noir films, namely Double Indemnity.


As an adult she was inspired by the films Blue Velvet, Drugstore Cowboy and The Piano, directed by Jane Campion. While she said that she had plenty of exposure to Hollywood films, she was enticed by these types of films because they were, in her words, the "forerunners of independent film."[16]

Career[edit]

Early writing work[edit]

In New York, Harron helped start and write for Punk magazine as a music journalist; she was the first journalist to interview the Sex Pistols for an American publication. She grew up in the early punk scene of America. She found the culture easy for her to fit into and was constantly evolving and spreading into new demographics.[9] During the 1980s, she was a drama critic for The Observer in London for a time, as well as working as a music critic for The Guardian and the New Statesman. In the late 1980s, Harron participated and began her film career writing and directing BBC Documentaries.[9]


During the 1990s, Harron moved back to New York where she worked as a producer for PBS's Edge, a program dedicated to exploring American pop culture. It was at this time that Harron became interested in the life of Valerie Solanas, the woman who attempted to kill Andy Warhol. Harron suggested making a documentary about Solanas to her producers, who in turn encouraged her to develop the project into what would be her first feature film.[17] Harron says she owes her success with her first film to Andy who helped to sell the controversial focus on the attempted murderess, Solanas.[18]

I Shot Andy Warhol[edit]

Harron's feature film directorial debut, I Shot Andy Warhol, released in 1996, is the partially imagined story of Valerie Solanas' failed assassination attempt on Andy Warhol.[19] She explains her interest in Solanas' life:

Personal life[edit]

Harron lives in New York with her husband, filmmaker John C. Walsh, and their two daughters.[44]

(2002) (Documentary)

The Weather Underground

(2005)

The Notorious Bettie Page

List of female film and television directors

List of LGBT-related films directed by women

Bussmann, Kate. "Cutting Edge."The Guardian. March 5, 2009. p. 16. Print.

[1]

Heller, Dana (2008). "Shooting Solanas: Radical Feminist History and the Technology of Failure". In Hesford, Victoria; Diedrich, Lisa (eds.). Feminist Time Against Nation Time: Gender, Politics, and the Nation-State in an Age of Permanent War. Lanham, MD: Lexington Books.  978-0-7391-1123-9.

ISBN

Harron, Mary. "The Risky Territory of 'American Psycho.'" The New York Times April 9, 2000, late ed.: section 2. Print.

Harron, Mary; "The Notorious Bettie Page" MovieNet.

[2]

Hernandez, Eugene (January 18, 2000) . indieWire. Retrieved November 29, 2011.

"PARK CITY 2000 BUZZ: "American Psycho" NC-17; Next Wave Nabs Sundance Doc"

Hurd, Mary. Women Directors and Their Films. Westport: Praeger Publishers, 2007. Print.

King, Randall. "The Notorious Mary Harron." Winnipeg Free Press. March 1, 2012. Print.

[3]

Marcus, Lydia. "The Pent Up and the Pinup." Lesbian News. April 2006: p. 43. Print.

Murray, Rebecca. Archived March 4, 2016, at the Wayback Machine. About.com. Retrieved November 29, 2011.

"Interview with Mary Harron, the Writer/Director of The Notorious Bettie Page: Harron Continues to Tackle Edgy Subject Matter in Her Latest Film"

at IMDb

Mary Harron

at AllMovie

Mary Harron

discography at Discogs

Mary Harron

Entry at thecanadianencyclopedia.ca

at NPR

Marry Harron interview