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Mary Poppins (film)

Mary Poppins is a 1964 American musical fantasy comedy film directed by Robert Stevenson and produced by Walt Disney, with songs written and composed by the Sherman Brothers. The screenplay is by Bill Walsh and Don DaGradi, based on P. L. Travers's book series Mary Poppins. The film, which combines live-action and animation, stars Julie Andrews in her feature film debut as Mary Poppins, who visits a dysfunctional family in London and employs her unique brand of lifestyle to improve the family's dynamic. Dick Van Dyke, David Tomlinson, and Glynis Johns are featured in supporting roles. The film was shot entirely at the Walt Disney Studios in Burbank, California, using painted London background scenes.[7]

Mary Poppins

  • August 27, 1964 (1964-08-27) (Los Angeles)[3]
  • September 24, 1964 (1964-09-24) (New York City)[3]

139 minutes[4]

United States

English

$4.4–6 million[5]

$103.1 million (US/Canada)[6]

Mary Poppins was released on August 27, 1964, to critical acclaim and commercial success, earning $44 million in theatrical rentals in its original run. It became the highest-grossing film of 1964 in the United States, and at the time of its release became Disney's highest-grossing film. During its theatrical lifetime, it grossed over $103 million worldwide. It received a total of thirteen Academy Award nominations—a record for any film released by Walt Disney Studios—including Best Picture, and won five: Best Actress for Andrews, Best Film Editing, Best Original Music Score, Best Visual Effects, and Best Original Song for "Chim Chim Cher-ee". It is considered Walt Disney's crowning live-action achievement, and is the only one of his films to earn a Best Picture nomination during his lifetime.[7] In 2013, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[8]


A biographical drama based on the making of the film, Saving Mr. Banks, was released on October 20, 2013. A sequel, Mary Poppins Returns, was released on December 19, 2018.[9][10]

as Mary Poppins, a magical and loving woman who descends from the clouds in response to the Banks children's advertisement for a nanny. She is firm in her use of authority but gentle and kind as well, a major departure from the original books, in which the character was more stern and pompous.[12]

Julie Andrews

Dick Van Dyke

as George Banks, Mary Poppins' employer and strict father of Jane and Michael. He works at the Dawes Tomes Mousley Grubbs Fidelity Fiduciary Bank in London. He is a driven and disciplined man.

David Tomlinson

as Winifred Banks, the easily distracted wife of George Banks and the mother of Jane and Michael. She is depicted as a member of Emmeline Pankhurst's "Votes for Women" suffrage movement. Mrs. Banks was originally named Cynthia, but this was changed to the more English-sounding Winifred per Travers.[13]

Glynis Johns

as Ellen, the maid of the Banks residence

Hermione Baddeley

as Mrs. Brill, the cook of the Banks residence

Reta Shaw

as Jane Banks, daughter of Mr. and Mrs. Banks and Michael's older sister

Karen Dotrice

as Michael Banks, son of Mr. and Mrs. Banks and Jane's younger brother

Matthew Garber

as Katie Nanna, the disgruntled nanny who quits the Banks family

Elsa Lanchester

as Constable Jones, a police officer

Arthur Treacher

as Admiral Boom, the Banks' eccentric neighbor and a naval officer. He has his first mate, Mr. Binnacle, fire a cannon from his roof every 8 a.m. and 6 p.m.

Reginald Owen

as Uncle Albert, a jolly gentleman who suffers from an unknown condition where he floats in the air due to his uncontrollable laughter. Although he likes having company over, he becomes sad and cries when his guests have to leave and he falls back to the ground, since it is the inversion of laughing.

Ed Wynn

Jane Darwell

as Mr. Dawes Jr., the director's son and member of the board

Arthur Malet

James Logan as a doorman who chases after the children in the bank

as Mr. Binnacle, Admiral Boom's first mate

Don Barclay

as Mrs. Corry, an old shopkeeper of a gingerbread shop and mother of two very tall daughters

Alma Lawton

as Miss Persimmon

Marjorie Eaton

as Miss Lark, owner of the dog named Andrew, who frequently runs away

Marjorie Bennett

as Mr. Grubbs (uncredited)[3]

Cyril Delevanti

as Mr. Tomes (uncredited)[3]

Lester Matthews

as old crone (uncredited)

Betty Lou Gerson

as man in bank (uncredited)

Kay E. Kuter

as depositor (uncredited)[3]

Doris Lloyd

as depositor (uncredited)

Queenie Leonard

Reception[edit]

Box office[edit]

Mary Poppins earned $31 million in theatrical rentals in the United States and Canada during its initial run.[46] It was one of the top 12 grossing films in the United States for 32 weeks.[47] It earned rentals of $44 million worldwide in its initial release.[48]


The film was re-released theatrically in 1973, in honor of Walt Disney Productions' 50th anniversary, and earned an estimated additional $9 million in rentals in the United States and Canada.[49] It was released once more in 1980 and grossed $14 million.[20] It returned a total lifetime rental of $45 million in the United States and Canada[50] to Disney from a gross of over $102 million.[6]


It was the 20th most popular sound film of the 20th century in the United Kingdom with admissions of 14 million.[51]


The film was very profitable for Disney. Made on an estimated budget of $4.4–6 million,[5][52][53] it was reported by Cobbett Steinberg to be the most profitable film of 1965, earning a net profit of $28.5 million.[54][a] Walt Disney used his huge profits from the film to purchase land in central Florida and finance the construction of Walt Disney World.[56]

Critical reception[edit]

The film received universal acclaim from critics.[54] Whitney Williams of Variety praised its musical sequences and Andrews' and Van Dyke's performances in particular.[57] Time lauded the film, stating, "The sets are luxuriant, the songs lilting, the scenario witty but impeccably sentimental, and the supporting cast only a pinfeather short of perfection."[58] Bosley Crowther, reviewing for The New York Times, described the film as a "most wonderful, cheering movie … for the visual and aural felicities they have added to this sparkling color film—the enchantments of a beautiful production, some deliciously animated sequences, some exciting and nimble dancing and a spinning musical score—make it the nicest entertainment that has opened at the Music Hall this year."[59]


For The Hollywood Reporter, James Powers applauded the performances, visual effects, musical score, production design, and choreography, and commented: "Mary Poppins is a picture that is, more than most, a triumph of many individual contributions. And its special triumph is that it seems to be the work of a single, cohesive intelligence."[60] Ann Guerin of Life criticized the creative departures from the novels, particularly the "Jolly Holiday" sequence. She noted that "[s]ome of the sequences have real charm, and perhaps the kids will eat them up. But speaking as a grownup, I found a little bit went a long way." She concluded, "With a little more restraint and a little less improvement on the original, the film's many charms would have been that much better."[61]


On the review aggregator website Rotten Tomatoes, the films holds an approval rating of 96% based on 55 reviews, with an average rating of 8.4/10. The website's critics consensus reads, "A lavish modern fairy tale celebrated for its amazing special effects, catchy songs, and Julie Andrews's legendary performance in the title role."[62] Metacritic, which uses a weighted average, assigned the film a score of 88 out of 100, based on 13 critics, indicating "universal acclaim".[63] Critic Drew Casper summarized the impact of Mary Poppins in 2011:

AFI's 100 Years ... 100 Songs

Supercalifragilisticexpialidocious

– #6[80]

AFI's 100 Years of Musicals

The film inspired the episode of The Simpsons titled "Simpsoncalifragilisticexpiala(Annoyed Grunt)cious", featuring a parody of Mary called "Shary Bobbins" who helps out the Simpson family after Marge loses her hair due to stress, and spoofs of the songs "The Perfect Nanny", "A Spoonful of Sugar", "Feed the Birds" and "The Life I Lead".

eighth season

In Season 3 Episode 4 of , Buddy Sorrell (Morey Amsterdam) is brainstorming about ideas for The Alan Brady Show and says, "how about if Alan comes out as a cockney chimney sweep but he is getting so fat he can't get down the chimney." Since the episode's air date (October 16, 1963) was after Mary Poppins finished filming (in September 1963) but before the film premiered (in 1964), this was both a wink to those behind the scenes who knew Mary Poppins was on the way and a nod to the character Dick Van Dyke plays in the movie.[82]

The Dick Van Dyke Show

The penguin waiters and a silhouette of Mary Poppins appeared in , although the same penguins also appear by themselves on House of Mouse and Once Upon a Studio.

Who Framed Roger Rabbit

In , Peter Quill tells Yondu Udonta that he looks like Mary Poppins, and then, Yondu Udonta yells, "I'm Mary Poppins, y'all!"

Guardians of the Galaxy Vol. 2

List of American films of 1964

Brody, Paul (February 20, 2013). . BookCaps Study Guides. ISBN 978-1-62107-482-3.

The Real Life Mary Poppins: The Life and Times of P. L. Travers

Casper, Drew (March 1, 2011). . John Wiley & Sons. ISBN 978-1-4443-9523-5.

Hollywood Film 1963–1976: Years of Revolution and Reaction

Grilli, Giorgia (October 18, 2013). . Taylor & Francis. ISBN 978-1-135-86801-7.

Myth, Symbol, and Meaning in Mary Poppins

Hillier, Jim; Pye, Doug (May 24, 2011). . Palgrave Macmillan. ISBN 978-1-84457-568-8.

100 Film Musicals

Lawson, Valerie (December 3, 2013). . Simon and Schuster. ISBN 978-1-4767-6292-0.

Mary Poppins, She Wrote: The Life of P. L. Travers

Marshall, Bill; Stilwell, Robynn Jeananne (January 1, 2000). . Intellect Books. ISBN 978-1-84150-003-4.

Musicals: Hollywood and Beyond

Mayhall, Laura E Nym. "." NWSA Journal 11, no. 2 (1999): 1-24.

Domesticating Emmeline: Representing the Suffragette, 1930-1993

Müller, Jürgen (2004). . Taschen. ISBN 978-3-8228-2799-4.

Movies of the 60s

Pearce, Sharyn. "." Queensland Review 22, no. 01 (2015): 62–74.

The Business of Myth-Making: Mary Poppins, P.L. Travers and the Disney Effect

Steinberg, Cobbett (1980). . New York: Facts on File. ISBN 978-0-87196-313-0.

Film Facts

Stevenson, Ana. "." Camera Obscura: Feminism, Culture, and Media Studies 98, no. 2 (2018): 69–103.

'Cast Off the Shackles of Yesterday': Women's Suffrage in Walt Disney's Mary Poppins

Szumsky, Brian E. "." The Lion and the Unicorn 24, no. 1 (2000): 97–109.

'All That Is Solid Melts into the Air': The Winds of Change and Other Analogues of Colonialism in Disney's Mary Poppins

Williams, Pat; Denney, James (August 1, 2004). . Health Communications, Inc. ISBN 978-0-7573-0231-2.

How to Be Like Walt: Capturing the Disney Magic Every Day of Your Life

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