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Melodic hardcore

Melodic hardcore is a broadly defined subgenre of hardcore punk with a strong emphasis on melody in its guitar work. It generally incorporates fast rhythms, melodic and often distorted guitar riffs, and vocal styles tending towards shouting and screaming. Nevertheless, the genre has been very diverse, with different bands showcasing very different styles. Many pioneering melodic hardcore bands (such as Bad Religion and Descendents), have proven influential across the spectrum of punk rock, as well as rock music more generally. The term melodic punk is often used to describe both melodic hardcore and skate punk bands.[1]

Melodic hardcore

Melodic punk

Early 1980s, California and Washington, D.C., United States

Characteristics[edit]

Melodic hardcore is broadly defined, however generally incorporates fast rhythms, melodic and often distorted guitar riffs, and vocal styles tending towards shouting and screaming. Many notable bands, such as Dag Nasty and Lifetime use minor interval chords on guitar, such as minor ninth and seventh chords, as well as fifth or ninth harmonies on vocals. Many groups also drop tune their instruments. Tempos commonly range from 180 to 210 beats per minute, with very few bands ranging outside of a 4/4 time signature.


Many modern melodic hardcore bands are incorporating elements of melodic hardcore and emo, relying more heavily upon melody than their hardcore punk predecessors.[2][3] There are also bands that take influence from post-hardcore and melodic metalcore.[4][5]


As modern melodic hardcore diverges into one more metalcore leaning track as well as one more emotive track, terms such as "melodic emotive hardcore" and "melodic metallic hardcore" have been suggested to distinguish modern melodic hardcore bands with different sounds that still fall into the same genre.[2] Bands such as the Ghost Inside, Blood Youth, Climates, and Hundredth, have been described as both metalcore and melodic hardcore while While She Sleeps is also considered as merging melodic hardcore elements with metalcore.[6][7][8][9][10][11][12][13] Casey, La Dispute and Being as an Ocean, who are active in the modern melodic hardcore scene, incorporate elements of post-rock/post-black metal and/or spoken word into their music.[14][15][16][17][18]

Sharpe-Young, Garry, New wave of American heavy metal, New Plymouth, New Zealand: Zonda Books, 2005.  71843078

OCLC

Larkin, Colin, The Guinness encyclopedia of popular music; Enfield, Middlesex, England: Guinness Pub.; New York: Stockton Press, 1995.  32949294

OCLC

Budofsky, Adam; Heusel, Michele; Dawson, Michael Ray and Parillo, Michael, The drummer: 100 years of rhythmic power and invention; Cedar Grove, NJ: Modern Drummer Publications; Milwaukee: Exclusively distributed by Hal Leonard Corp., 2006.  65063692

OCLC