Minimal wave

1970s–1980s

Characteristics[edit]

According to Vasicka, the genre's hallmarks include minimal musical structures, relatively unpolished production, and the use of analog synthesizers and drum machines manufactured in the 1970s and 1980s. The instrumental arrangements featured "mechanical beats" and "short repetitive patterns", plus "noticeably synthesized drum programming and trebly, thin melodies" which emphasized the artificiality of synthesized sound. Vocal arrangements "acted as a counterpoint to that artificiality." Musicians in the genre were often influenced by avant-garde movements such as futurism and constructivism, and by the literature of science fiction and existentialism.[2]

Dark wave

Microgenres

Minimal Wave Records

Tiny Mix Tapes, September 2008.

"Minimal Wave, Crate-digging For Obscure Gems To Reissue"

by Nik Mercer, 16 January 2009.

Eye On '09: Minimal Wave

by Franklin Bruno of the Boston Phoenix, 1 April 2008.

Review of V/A The Found Tapes: A Compilation of Minimal Wave From North America '81-'87

by Jeff Klingman, 28 April 2008.

Ripping Vinyl, Part 2

Intergalactic FM, 12 February 2009.

Review of Stereo - Somewhere In The Night

MTN: The Innervisions Dossier, 30 September 2009.

Minimal Wave And The Great Treasures From The Golden 80s

Revel In New York, January 2010.

Veronica Vasicka / Minimal Wave

by Colleen Nika for Interview Magazine 28 September 2010.

Minimal Wave's Big Splash