Post-punk
Post-punk (originally called new musick)[2] is a broad genre of music that emerged in 1977 in the wake of punk rock. Post-punk musicians departed from punk's traditional elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature.[3][4] These communities produced independent record labels, visual art, multimedia performances and fanzines.
Post-punk
Refers to certain developments after punk, although some groups predate the movement
New musick
1977; United Kingdom
The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Magazine, Joy Division, Talking Heads, the Raincoats, Gang of Four, the Cure, and the Fall.[5] The movement was closely related to the development of ancillary genres such as gothic rock, neo-psychedelia, no wave, and industrial music. By the mid-1980s, post-punk had dissipated, but it provided a foundation for the new pop movement and the later alternative and independent genres.