219 East 49th Street
219 East 49th Street, also known as the Morris B. Sanders Studio & Apartment, is a building in the East Midtown and Turtle Bay neighborhoods of Manhattan in New York City, along the northern sidewalk of 49th Street between Second Avenue and Third Avenue. The house, designed by Arkansas architect Morris B. Sanders Jr. and constructed in 1935, replaced a 19th-century brownstone townhouse. It contained Sanders's studio, as well as a residence for him and his wife Barbara Castleton Davis.
The five-and-a-half-story building contains a facade of dark blue bricks as well as glass block windows. The glass blocks were installed to provide insulation and privacy while also allowing illumination. The house was designed with two residential units: Sanders's seven-room apartment on the fourth, fifth, and partial sixth floors, as well as a six-room unit on the second and third floors that was rented to others. The ground story, with a white marble facade and a slightly angled entrance doorway, was used for Sanders's studios. Upon completion, 219 East 49th Street was largely praised for its design.
Davis bought the previous structure in mid-1934 and originally intended to remodel it. Ultimately, the old brownstone was removed and replaced with the current building, which was completed in December 1935. Sanders lived in the house until his death in 1948, and it was sold the year afterward. Since 1980, the house has been owned by Donald Wise. The New York City Landmarks Preservation Commission designated the building as an official landmark in 2008.
Site[edit]
The Morris B. Sanders Studio & Apartment is at 219 East 49th Street in the East Midtown and Turtle Bay neighborhoods of Manhattan in New York City. It is along the northern sidewalk of 49th Street between Second Avenue and Third Avenue.[2][3][4] The building has a frontage of 19.5 feet (5.9 m) along 49th Street.[2][5] The land lot has an area of 1,443 square feet (134.1 m2) and a depth of 74 feet (23 m). Nearby buildings and places include Amster Yard immediately adjacent to the north; Turtle Bay Gardens to the east; and Lescaze House to the south.[2]
The site occupied by the Sanders Studio was previously occupied by a two-story (plus basement) house completed in 1869.[6] It was one of numerous masonry houses with brick or brownstone facades to be developed in Turtle Bay starting in the 1860s. These buildings usually occupied land lots that were at most 20 feet (6.1 m) wide and had classically inspired design features such as cornices and porticos. In the early 20th century, some of these houses were renovated with new interiors or exteriors. By then, a large portion of Turtle Bay's population was involved in the arts or architecture, and structures such as the Beaux-Arts Institute of Design and the residential Turtle Bay Gardens and Beaux-Arts Apartments were constructed for this community.[4] William Lescaze's renovation of an existing brownstone on 48th Street, and its subsequent conversion into the Lescaze House, inspired similar renovations to other structures in the neighborhood, including four townhouses on 49th Street in the 1930s and 1940s.[6][7]
Critical reception[edit]
In 1936, the year after the house was completed, Architectural Forum lauded the design as breaking the "stodgy row of brown-faced houses" with its glass-block walls and other materials.[12][38] The same year, the magazine Modern Mechanix appraised the facade as "impressively beautiful", in large part because of its glass-block walls.[11][38] 219 East 49th Street was described in the 1939 WPA Guide to New York City as an "interesting building design" with its alternating porches and windows. According to the WPA Guide, the house, along with William Lescaze's and Michael Hare's houses, were distinctive for their colors, materials, and interior design.[46] Several years after Sanders's death, Morris Lapidus recalled that the house had been "a fine modern building, one of the first of its kind",[47][48] even as he personally found Sanders to be difficult.[38]
After World War II, the Sanders Studio and Apartment was mentioned in numerous guidebooks of New York City architecture.[9] In her 1961 book of modern-architecture walking tours, Ada Louise Huxtable wrote that the house was "a good example of the modern style during its pioneering decades", with its blue brick facade and recessed balconies.[15][b] The 1967 edition of the AIA Guide to New York City described the blue-brick facade and the recessed balconies as being utilitarian, with the duplexes being "clearly expressed on the facade".[9][49] The 2000 version of the same guidebook focused more on its modernist design.[50] In his 1987 book New York 1930, Robert A. M. Stern lamented that the balconies were "regrettably" oriented toward the street, but described it as one of several residences following the Lescaze House's example.[8]
