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Mosaic

A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface.[1] Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.

This article is about a decorative art. For other uses, see Mosaic (disambiguation).

Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms.


Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell out of fashion in the Renaissance, though artists like Raphael continued to practice the old technique. Roman and Byzantine influence led Jewish artists to decorate 5th and 6th century synagogues in the Middle East with floor mosaics.


Figurative mosaic, but mostly without human figures, was widely used on religious buildings and palaces in early Islamic art, including Islam's first great religious building, the Dome of the Rock in Jerusalem, and the Umayyad Mosque in Damascus. Such mosaics went out of fashion in the Islamic world after the 8th century, except for geometrical patterns in techniques such as zellij, which remain popular in many areas.


Modern mosaics are made by artists and craftspeople around the world. Many materials other than traditional stone, ceramic tesserae, enameled and stained glass may be employed, including shells, beads, charms, chains, gears, coins, and pieces of costume jewelry.

Stag Hunt Mosaic from the House of the Abduction of Helen at Pella, ancient Macedonia, late 4th century BC

Stag Hunt Mosaic from the House of the Abduction of Helen at Pella, ancient Macedonia, late 4th century BC

A mosaic of the Kasta Tomb in Amphipolis depicting the abduction of Persephone by Pluto, 4th century BC

A mosaic of the Kasta Tomb in Amphipolis depicting the abduction of Persephone by Pluto, 4th century BC

A Hellenistic Greek mosaic depicting the god Dionysos as a winged daimon riding on a tiger, from the House of Dionysos at Delos in the South Aegean region of Greece, late 2nd century BC

A Hellenistic Greek mosaic depicting the god Dionysos as a winged daimon riding on a tiger, from the House of Dionysos at Delos in the South Aegean region of Greece, late 2nd century BC

A Hellenistic Greek mosaic of a nymph riding on a marine creature, from the Palace of the Grand Master of the Knights of Rhodes, Greece, 2nd century BC

A Hellenistic Greek mosaic of a nymph riding on a marine creature, from the Palace of the Grand Master of the Knights of Rhodes, Greece, 2nd century BC

This centaur mosaic was found on the site of the Roman emperor Hadrian's Villa near Tivoli, Italy. Altes Museum, Berlin.

This centaur mosaic was found on the site of the Roman emperor Hadrian's Villa near Tivoli, Italy. Altes Museum, Berlin.

Roman mosaic of Ulysses, from Carthage, 2nd century AD, now in the Bardo Museum, Tunisia

Roman mosaic of Ulysses, from Carthage, 2nd century AD, now in the Bardo Museum, Tunisia

Cave canem mosaics ('Beware of the dog') were a popular motif for the thresholds of Roman villas

Cave canem mosaics ('Beware of the dog') were a popular motif for the thresholds of Roman villas

A small part of The Great Pavement, a Roman mosaic laid in AD 325 at Woodchester, Gloucestershire, England

A small part of The Great Pavement, a Roman mosaic laid in AD 325 at Woodchester, Gloucestershire, England

The Zliten mosaic showing gladiators, 2nd century AD

The Zliten mosaic showing gladiators, 2nd century AD

Roman mosaic found at Calleva Atrebatum (Silchester)

Roman mosaic found at Calleva Atrebatum (Silchester)

A Roman mosaic depicting the wedding of Dionysos and Ariadne, with Silenus and a satyr, 2nd century AD, Tunis, Tunisia

A Roman mosaic depicting the wedding of Dionysos and Ariadne, with Silenus and a satyr, 2nd century AD, Tunis, Tunisia

A mosaic showing Medusa and representational figures of the four seasons, from Palencia, Spain, made between 167 and 200 AD

A mosaic showing Medusa and representational figures of the four seasons, from Palencia, Spain, made between 167 and 200 AD

Epiphany of Dionysus mosaic, from the Villa of Dionysus (2nd century AD) in Dion, Greece. Now in the Archeological Museum of Dion.

Epiphany of Dionysus mosaic, from the Villa of Dionysus (2nd century AD) in Dion, Greece. Now in the Archeological Museum of Dion.

Late Roman mosaics at Villa Romana La Olmeda, Spain, 4th-5th centuries AD

Late Roman mosaics at Villa Romana La Olmeda, Spain, 4th-5th centuries AD

Detail of a princess of Skyros (from a larger scene of the Iliad depicting her and other princesses fawning over Achilles as Odysseus looks on), from the villa of La Olmeda, Spain, 4th-5th centuries AD

Detail of a princess of Skyros (from a larger scene of the Iliad depicting her and other princesses fawning over Achilles as Odysseus looks on), from the villa of La Olmeda, Spain, 4th-5th centuries AD

Judgment of Paris, marble, limestone and glass tesserae, 115–150 AD; from the Atrium House triclinium in Antioch-on-the-Orontes

Judgment of Paris, marble, limestone and glass tesserae, 115–150 AD; from the Atrium House triclinium in Antioch-on-the-Orontes

Triumph of Poseidon and Amphitrite showing the couple in procession, detail of a mosaic from Cirta, Roman Africa, 315–325 AD, Louvre

Triumph of Poseidon and Amphitrite showing the couple in procession, detail of a mosaic from Cirta, Roman Africa, 315–325 AD, Louvre

Mosaic of Orpheus from Caralis, modern Cagliari (Italy), now in Archeological Museum of Turin

Mosaic of Orpheus from Caralis, modern Cagliari (Italy), now in Archeological Museum of Turin

House of the Neptune Mosaic Casa di Nettuno ed Anfitrite (Ins. V) - Triclinium (dining room) decor

House of the Neptune Mosaic Casa di Nettuno ed Anfitrite (Ins. V) - Triclinium (dining room) decor

(Gaziantep Museum of Archeology)(Zeugma)

(Gaziantep Museum of Archeology)(Zeugma)

: A grid; all tesserae align both vertically and horizontally.

Opus regulatum

: Tesserae form vertical or horizontal rows, but not both.

Opus tessellatum

: One or more lines of tesserae follow the edge of a special shape (letters or a major central graphic).

Opus vermiculatum

: Vermiculatum extends throughout the entire background.

Opus musivum

Opus palladianum: Instead of forming rows, tesserae are irregularly shaped. Also known as "crazy paving".

: A major shape (e.g. heart, letter, cat) is formed by a single tessera, as later in pietra dura.

Opus sectile

: When vermiculatum is combined with tessellatum or regulatum.

Opus classicum

: Tesserae are laid in overlapping semicircles or fan shapes.

Opus circumactum

: using very small tesserae, in Byzantine icons and Italian panels for jewellery from the Renaissance on.

Micromosaic

Mosaic is an art form which uses small pieces of materials placed together to create a unified whole. The materials commonly used are marble or other stone, glass, pottery, mirror or foil-backed glass, or shells.


The word mosaic is from the Italian mosaico deriving from the Latin mosaicus and ultimately from the Greek mouseios meaning belonging to the Muses, hence artistic. Each piece of material is a tessera (plural: tesserae). The space in between where the grout goes is an interstice. Andamento is the word used to describe the movement and flow of tesserae. The 'opus', the Latin for 'work', is the way in which the pieces are cut and placed.


Common techniques include:

Robotic manufacturing[edit]

With high cost of labor in developed countries, production automation has become increasingly popular. Rather than being assembled by hand, mosaics designed using computer aided design (CAD) software can be assembled by a robot. Production can be greater than 10 times faster with higher accuracy. But these "computer" mosaics have a different look than hand-made "artisanal" mosaics. With robotic production, colored tiles are loaded into buffers, and then the robot picks and places tiles individually according to a command file from the design software.[39]

Pixel art

Terrazzo

Tessellation

Church of the priest Félix and baptistry of Kélibia

Herbermann, Charles, ed. (1913). . Catholic Encyclopedia. New York: Robert Appleton Company.

"Mosaics" 

. Encyclopædia Britannica. Vol. 18 (11th ed.). 1911. pp. 883–890.

"Mosaic"