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Music of Peru

Peruvian music is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments. Pre-Columbian Andean music was played on drums and string instruments, like the European pipe and tabor tradition. Andean tritonic and pentatonic scales were elaborated during the colonial period into hexatonic, and in some cases, diatonic scales.

Instruments[edit]

Stringed instruments[edit]

Peruvian music is dominated by the national instrument, the charango.[2][3] The charango is member of the lute family of instruments and was invented during the Viceroyalty of Peru by musicians imitating the Spanish vihuela.[4] In the Canas and Titicaca regions, the charango is used in courtship rituals, symbolically invoking mermaids with the instrument to lure the woman to the male performers. Until the 1960s, the charango was denigrated as an instrument of the rural poor. After the revolution in 1959, which built upon the Indigenismo movement (1910–1940), the charango was popularized among other performers. Variants include the walaycho, chillador, chinlili, and the larger and lower-tuned charangon.


While the Spanish guitar is widely played, so too is the Spanish-in-origin bandurria. Unlike the guitar, it has been transformed by Peruvian players over the years, changing from a 12-string, 6-course instrument to one having 12 to 16 strings in a mere 4 courses. Violins and harps, also of European origin, are also played.

Percussion instruments[edit]

The cajón is an important percussion instrument developed by African slaves.[5][6] People imply the cowbell may also be of African origin. While the rhythms played on them are often African-influenced, some percussive instruments are of non-African origin. For example, of European origin is the bombo, and of Andean origin are the wankara and tinya respectively.

Wind instruments[edit]

In addition to the ocarina and waqra phuku, there are Peruvian wind instruments of two basic types, panpipes and flutes, both of Native Andean origin and built to play tritonic, pentatonic and hexatonic scales, though some contemporary musicians play instruments designed to play European diatonic scales. Of the former variety, there are the siku (or zampoña) and antara. Of the latter variety, there are the pinkillu, tarka, and quena (qina) flutes.

—A dance from the Oporeza area.

Apiliarg

—A dance from the Amazonas region similar to the huayno.

Carnaval en Amazonas

—A dance from southern Peru and the Bolivian Altiplano similar to the huayno.

Carnavalito

—A dance from the Amazonas region with strong Native Peruvian musical influences and strong European dance influences.[7][8][9]

Chumaichada

—A Peruvian adaptation of the European waltz.

Creole Waltz

—A pan-Andean compound 3/4-6/8 dance rhythm.

Cueca

—A Colombian-in-origin 2/4 dance rhythm.

Cumbia

—A dance from southern Peru.

Danza de tijeras

—A dance from the Amazonas region.

Danzantes de Levanto

—A 2/4 dance rhythm from southern Peru, Bolivia, and northern Chile.

Diablada

—A dance rhythm from western Bolivia, mainly La Paz.

Morenada

—A popular 12/8 Afro-Peruvian dance form.

Festejo

or Yaravi—A highland dance danced to various meters: 2/4, 3/4, and 4/4.

Harawi (genre)

—A dance from the Amazonas region.

Huanca (dance)

—A popular 2/4 highlands dance.

Huayno

—A highland circle dance mainly in the Andean Altiplano.

Kantu

—An Afro-Peruvian compound 3/4-12/8 dance rhythm.

Landó

—An Afro-Peruvian 6/8 dance rhythm.

Marinera

—A 2/4 European-in-origin dance form.

Polka

—A dance rhythm from the Andean Altiplano in southern Peru and western Bolivia.

Sikuri

Son de los Diablos

—A northwestern Peruvian 6/8 dance form.

Tondero

—A 6/8 Afro-Peruvian dance form.

Zamacueca

legendary criolla and Peruvian folk composer, ten time Emmy nominee

Eva Ayllón

Peruvian folk composer

Luis Abanto Morales

legendary traditional folk composer and singer

Arturo Cavero

guitarist, singer, composer, compiler and troubadour of Andean music. He is also known for many people as "The Saqra of the Guitar".

Manuelcha Prado

singer and charango player, performed and recorded as a solo act and with the group Lira Paucina.

Jaime Guardia

folk singer

Martina Portocarrero

saxophone and clarinet ensembles from the Mantaro Valley

Raul Romero

singer-songwriter and two-times Latin Grammy Award winner.

Susana Baca

One important space for Peruvian contemporary classical music is , the Peruvian Composition Circle.

Circomper

Música Criolla del Perú

(in French) Musée d'ethnographie de Genève. Accessed November 25, 2010.

Audio clips: Traditional music of Peru.

Brill, Mark. Music of Latin America and the Caribbean, 2nd Edition, 2018. Taylor & Francis  1138053562

ISBN

Accessed November 25, 2010.

BBC Radio 3 Audio (60 minutes): Huaynos of the Andes and Afro-Peruvian music.

Accessed November 25, 2010.

BBC Radio 3 Audio (60 minutes): The music of Ayacucho.

Accessed November 25, 2010.

BBC Radio 3 Audio (60 minutes): Iquitos, Huancayo and Lake Titicaca.

Manuelcha Prado Official website

Music from the Andes and Nearby Regions

An exploration into the underground music scene in Peru

Going Underground: Peru