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Andean music

Andean music is a group of styles of music from the Andes region in South America.

Original chants and melodies come from the general area inhabited by Quechuas (originally from Peru, Bolivia, Ecuador, Chile), Aymaras (originally from Bolivia), and other peoples who lived roughly in the area of the Inca Empire prior to European contact. This early music then was fused with music elements. It includes folklore music of parts of Peru, Bolivia, and Ecuador. Andean music is popular to different degrees across South America, having its core public in rural areas and among indigenous populations. The Nueva Canción movement of the 1970s revived the genre across South America and brought it to places where it was unknown or forgotten.

Modern history[edit]

The twentieth century saw drastic changes in Andean society and culture. Bolivia, for example, saw a nationalistic revolution in 1952, leading to increased rights and social awareness for natives. The new government established a folklore department in the Bolivian Ministry of Education and radio stations began broadcasting in Aymara and Quechua.


By 1965, an influential group called Los Jairas[1] formed in La Paz, Bolivia; the quartet fused native sounds into forms suitable for urban Europeans and the middle class. One member of Los Jairas, Gilbert Favre (a Swiss-French flautist) had previously been an acquaintance of the Parras (Ángel, Isabel, and their mother Violeta) in Paris. The Parras eventually began promoting indigenous music in Santiago, Chile. Simon and Garfunkel covered Los Incas song "El Cóndor Pasa" and Andean music became famous around the world.[2]


The late 1960s released native groups such as Ruphay, Grupo Aymara, and the emblematic quechua singer, Luzmila Carpio. Later Chilean groups such as Inti-Illimani and Los Curacas took the fusion work of Los Jairas and the Parras to invent nueva canción, which returned to Bolivia in the 1980s in the form of canto nuevo artists such as Emma Junaro and Matilde Casazola.[3]


The 1970s was a decade in which Andean music saw its biggest growth. Different groups sprang out of the different villages throughout the Andes Region. Peru, Ecuador, Chile, Bolivia, south of Colombia, and northwest Argentina.


Many musicians made their way to the big cities forming different bands and groups. One of the most legendary was Los Kjarkas, from Bolivia, singing and composing songs that became huge hits in Bolivia and would later become Andean standards. They would later take Andean music to the rest of the world.

Carnavalito

- from Bolivia

Diablada

- From southern Peru and western Bolivia.

Morenada

- Originated from the ritual of violent sacrifice to the mother earth to ensure the best look, good fortune and the prosperity of the next seasons crops.

Tinku

- An ancient style of music and circle dance which is widespread since incaic or even preincaic epoch on the Peruvian and Bolivian highlands.

K'antu

- Originated in Ecuador, Northern Peru and Southern Colombia, formerly related to solar cult (Inti Raymi)

San Juanito

(wayñu) - Originated in colonial Peru as a combination of traditional rural folk music and popular urban dance music. High-pitched vocals are accompanied by a variety of instruments, including quena (flute), harp, siku (panpipe), accordion, saxophone, charango, lute, violin, guitar, and mandolin. Some elements of guayño originate in the music of the pre-Columbian Andes, especially on the territory of former Inca Empire. Huayno utilizes a distinctive rhythm in which the first beat is stressed and followed by two short beats. Huayno has some subgenres: Sikuri, Carnaval Ayacuchano, Hiyawa, Chuscada.

Huayno

- Ancient traditional musical genre and also indigenous lyric poetry. Harawi was widespread in the Inca Empire and now is especially common in countries that were part of it: Peru, Bolivia, Ecuador, partially Chile. Typically, harawi is a moody, soulful slow and melodic song or tune played on the quena.

Harawi

Afro-Bolivian Saya

- Originated in Peru the late 1980s as a fusion of cumbia and huayno music.

Chicha

- Originated in the central andean part of Peru in the Mántaro Valley located in the department of Junín.

Waylas Huaylarsh

or Waka Taki - Originated from the Department of Apurimac in Peru.

Toril

- Performed primarily in the provinces of Sihuas, Pomabamba and Mariscal Luzuriaga in Áncash, Peru

Chimayche

Cueca

Qhaswa

- An aymara musical style played on wooden flutes known as tarkas, common in Bolivia, Puno, Peru and Parinacota, Chile, as well as northern Argentina.

Tarkeada

- From the Colca Canyon in Arequipa

Huayllacha

- An Afro-Peruvian rhythm.

Marinera

History of folkloric music in Argentina

Brill, Mark. Music of Latin America and the Caribbean, 2nd Edition, 2018. ISBN 1138053562

Taylor & Francis

"Tierra de vientos" / "Land of winds", web on Andean music (in English and Spanish)

"Vientos de tierra de vientos", examples of Andean music and instruments

"Manuelcha Prado", guitarist, singer and composer

Copacabana Internacional - Andean music player in stereo

Andean Music from Puno Perú

Andean Music Radio Set: Free

Music from the Andes and Nearby Regions

Andean Music by LlajtaNet.Com