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Never on Sunday (song)

"Never on Sunday", also known by its original Greek title "Ta Pediá tou Pireá" ("Τα Παιδιά του Πειραιά", The Children of Piraeus), is a popular song written by Manos Hatzidakis[1] and first sung by Melina Mercouri in the film of the same name, directed by Jules Dassin and starring Mercouri.[1] The song won the Academy Award for Best Original Song in 1960, a first for a foreign-language picture.[3] The film score was first released on 1 October 1960 by United Artists Records.[2] The song has since been recorded by numerous artists, and has gained various degrees of success throughout the world. The opening of the song bears some resemblance to that of Poinciana.

This article is about the song. For the 1960 film, see Never on Sunday. For other uses, see Never on Sunday (disambiguation).

"Never on Sunday"

"Hasapico" (Manos Hadjidakis)

1 October 1960[2]

1960

Jack Lewis

"The Sound of Love"

July 25, 1960

1960

3:01

Don Costa

"Faraway Star"

May 1961

1961

2:40

Background[edit]

"Never on Sunday" was written by Manos Hadjidakis as "Ta Pedia tou Pirea" (The Children of Piraeus). His original Greek lyrics, along with the foreign translations in German, French, Italian and Spanish do not mention "Never on Sunday" (as found in the English lyrics), but rather tell the story of the main female character of the film, Illya (Mercouri). Illya is a jolly woman who sings of her joyful life in her port town of Piraeus ("If I search the world over/I'll find no other port/Which has the magic/Of my Port Piraeus"). Although she earns her money as a prostitute, she longs to meet a man someday who is just as full of joie de vivre as she is herself.


In 1960, the song won the Academy Award for Best Original Song, a first for a foreign-language picture since the Academy began to recognize achievements in this category in 1934.[3]

Greek (as "Τα Παιδιά του Πειραιά") by , Nana Mouskouri, and Pink Martini.

Melina Mercouri

English: An orchestral version recorded by reached number 19 on the Billboard Hot 100 in 1960, then returned to the Billboard Top 40 when reissued in 1961.[4] His version also peaked at #27 in the UK Singles Chart.[1] Following the success of the orchestral version as well as the Oscar win,[5] an English language version of the song was commissioned to be written especially to match the title of the film. The lyrics to the English version of the song were written by Billy Towne. A vocal of the song by The Chordettes reached number 13 on the Billboard Hot 100 chart in 1961, making it their final Top 40 hit in the United States.[6] It was also recorded by Billy Eckstine, Bing Crosby, Lena Horne, Doris Day, Andy Williams, Trini Lopez, The 4 Seasons, Connie Francis, Julie London, Eartha Kitt, Petula Clark, Lale Andersen, Ann-Margret, and the New Christy Minstrels, plus as an instrumental by Herb Alpert and the Tijuana Brass and James Last. The Ventures released a version on their 1963 Dolton album The Ventures Play Telstar and the Lonely Bull, as did The Baskerville Hounds on their 1967 Dot Records album The Baskerville Hounds – Featuring Space Rock, Part 2.

Don Costa

In the United Kingdom, there were five versions in the . They were Don Costa, reached number 27; Chaquito (actually Johnny Gregory), reached number 50; Lynn Cornell with the only vocal version in the UK chart, reached number 30; Makadopulos and his Greek Serenaders, reached number 36; and Manuel and his Music of The Mountains (actually Geoff Love), which peaked at number 29.[7]

UK Singles Chart

Italian (as "Uno a te, uno a me") by , Milva, Nilla Pizzi, Isabella Fedeli.

Dalida

French (as "Les enfants du Pirée") by , Melina Mercouri, Darío Moreno. Dalida's French version of this song topped French singles chart in 1960.

Dalida

Spanish (as "Los niños del Pireo") by . "Nunca en Domingo" by Xiomara Alfaro.

Dalida

German: scored a number one hit in 1960 with the German-language version of the song titled "Ein Schiff wird kommen".[8] It was also covered by Dalida, Caterina Valente, Lys Assia, Nana Mouskouri, Helmuth Brandenburg and Melina Mercouri. In 1982 the Neue Deutsche Welle band Der Moderne Man recorded a gay themed new wave version named "Blaue Matrosen" with the same German lyrics of Lale Andersen's version, but sung by a man.[9]

Lale Andersen

Dutch (as "Nooit op zondag") by , based on the melody.

Mieke Telkamp

Yiddish (as "Nisht oyf zintuk") by .

The Barry Sisters

Polish (as "Dzieci Pireusu") by Maria Koterbska and duo of actors & Jacek Wójcicki.

Hanna Śleszyńska

Czech (as "Děti z Pirea", 1962) by Milan Chladil & Yvetta Simonová.

Serbian (as "Деца Пиреја") by Lola Novaković and Ljiljana Petrović.

Croatian (as "Nikad nedjeljom") by Ksenia Prohaska.

Slovenian (as "Otroci Pireja") by Helena Blagne.

Cantonese (as "兩仔爺") by (鄭君綿), Tang Kee-chan (鄧寄塵), and Cheng Pik Ying (鄭碧影) in 1962. Another cover version was sung by Andy Lau (劉德華), Anita Mui (梅艷芳), Sandra Ng (吳君如), Ronald Cheng (鄭中基), Gordon Lam (林家棟), Suzanne Chung (鍾依澄), Cherrie Ying (應采兒) and Lam Chi-chung (林子聰) in the 2001 film Dance of a Dream (愛君如夢). The song title roughly translates as "Father and Son".

Cheng Gwan-min

Mandarin (as "別在星期天") by (鄧麗君). The title translates as "Never on Sunday". It was additionally covered by Rebecca Pan (潘迪華) in 1961 and Ouyang Fei Fei (歐陽菲菲) in 1968.

Teresa Teng

Portuguese (as "As crianças do Pireu") by Paula Ribas.

Hindi (as "जाने न जाने") by on the album "Dekha Dekhi"

Usha Uthup

Finnish (as "Ei koskaan sunnuntaisin") by Four Cats, Vieno Kekkonen and Kaarina Heikkinen among others.

Sinhala (as "රෑට කමු අපි වම්බොටු") by Chandu de Silva (a.k.a. Jolly Seeya).

Hebrew (as "ומה נשאר לי", that is, "And What Do I Have Left?") by the Givatron.

Swedish (as "Aldrig på en söndag") by Ann-Louise Hanson and Siw Malmkvist.

Danish (as "Aldrig Om Søndagen") by Grethe Ingmann.

Catalan (as "Els minyons del Pireu") by José Guardiola (1960), and (as "Els nens del Pireu") by Ara va de bo.

Melody with printed lyrics