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Osamu Tezuka

Osamu Tezuka (手塚 治虫, born 手塚 治, Tezuka Osamu, (1928-11-03)3 November 1928 – 9 February 1989) was a Japanese manga artist, cartoonist and animator. Born in Osaka Prefecture, his prolific output, pioneering techniques and innovative redefinitions of genres earned him such titles as "the Father of Manga" (マンガの父, Manga no Chichi), "the Godfather of Manga" (マンガの教父, Manga no Kyōfu) and "the God of Manga" (マンガの神様, Manga no Kami-sama). Additionally, he is often considered the Japanese equivalent to Walt Disney, who served as a major inspiration during Tezuka's formative years.[2] Though this phrase praises the quality of his early manga works for children and animations, it also blurs the significant influence of his later, more literary, gekiga works.

"Tezuka" redirects here. For other people with this surname, see Tezuka (surname).

Osamu Tezuka

(1928-11-03)3 November 1928

Toyonaka, Osaka Prefecture, Empire of Japan

9 February 1989(1989-02-09) (aged 60)

Tokyo, Japan

1946–1989

Etsuko Okada
(m. 1959⁠–⁠1989)

手塚 治虫

Tezuka Osamu

Tezuka Osamu

Tezuka began what was known as the manga revolution in Japan with his New Treasure Island published in 1947. His output would spawn some of the most influential, successful and well-received manga series including the children's mangas Astro Boy, Princess Knight and Kimba the White Lion, and the adult-oriented series Black Jack, Phoenix and Buddha, all of which won several awards.


Tezuka died of stomach cancer in 1989. His death had an immediate impact on the Japanese public and other cartoonists. A museum was constructed in Takarazuka dedicated to his memory and life works, and Tezuka received many posthumous awards. Several animations were in production at the time of his death along with the final chapters of Phoenix, which were never released.

Biography[edit]

Early life (1928–1945)[edit]

Tezuka was born in Toyonaka, Osaka. He was the eldest of three children.[3][4] The Tezuka family were prosperous and well-educated; his father Yutaka worked in management at Sumitomo Metals, his grandfather Taro was a lawyer and his great-grandfather Ryoan and great-great-grandfather Ryosen were doctors. His mother's family had a long military history.[5]


Later in life, he gave his mother credit for inspiring confidence and creativity through her stories. She frequently took him to the Takarazuka Grand Theater, which often headlined the Takarazuka Revue, an all-female musical theater troupe. Their romantic musicals aimed at a female audience, had a large influence of Tezuka's later works, including his costume designs. Not only that, but the performers' large, sparkling eyes also had an influence on Tezuka's art style.[6] He said that he had a profound "spirit of nostalgia" for Takarazuka.[7]


When Tezuka was young, his father showed him Walt Disney films and he became a Disney movie buff, seeing the films multiple times in a row, most famously seeing Bambi more than 80 times.[8] Tezuka started to draw comics around his second year of elementary school, in large part inspired by Disney animation;[8] he drew so much that his mother would have to erase pages in his notebook in order to keep up with his output. Tezuka was also inspired by the works by Suihō Tagawa and Unno Juza.[9] Later in life, he would state that the most important influence on his desire to be an animator was not Disney but the experience of watching the Chinese animation Princess Iron Fan as a child.[10]


Around his fifth year, he found a ground beetle, known as "Osamushi" in Japanese. It so resembled his own name that he adopted "Osamushi" as his pen name.[9] Tezuka continued to develop his manga skills throughout his school career. During this period he created his first adept amateur works.[9]


During high school in 1944, Tezuka was drafted to work for a factory, supporting the Japanese war effort during World War II; he simultaneously continued writing manga. In 1945, Tezuka was accepted into Osaka University and began studying medicine. During this time, he also began publishing his first professional works.[11]

, 1952–68. A sequel to Captain ATOM (1951), with Atom renamed Astro Boy in the US.[54] Eventually, Astro Boy would become Tezuka's most famous creation. He created the nuclear-powered, yet peace-loving, boy robot first after being punched in the face by a drunken GI.[54] In 1963, Astro Boy made its debut as the first domestically produced animated program on Japanese television. The 30-minute weekly program (of which 193 episodes were produced) led to the first craze for anime in Japan.[55] In America, the TV series (which consisted of 104 episodes licensed from the Japanese run) was also a hit,[56][57] becoming the first Japanese animation to be shown on US television, although the U.S. producers downplayed and disguised the show's Japanese origins.[58][59] Several other Astro Boy series have been made since, as well as a 2009 CGI-animated feature film Astro Boy.

Astro Boy

, 1950–54. A shōnen manga series created by Tezuka which was serialized in the Manga Shōnen magazine. An anime based on the manga was created, broadcast in Japan from 1965 and in North America from 1966. It was the first color animated television series created in Japan.[60] Disney's The Lion King is believed by some to have been inspired by Kimba the White Lion.[61][62][63][64][65][66][67]

Kimba the White Lion

, 1953–68. One of Tezuka's most famous works and widely regarded as a classic, Princess Knight has been very influential in the manga and anime industry. Its portrayal of gender roles is ambiguously interpreted by critics; some claim it has pro-feminist ideals and others think it expresses misogynist ideals of the 1950s–60s Japanese society. Nonetheless, it would start a tradition of androgynous heroines and establish several trends in the shōjo genre. In fact, it is considered to be one of the first works in this genre that was narrative-focused and that portrays a female superhero.

Princess Knight

, 1954–88. Tezuka's most profound and ambitious work, dealing with man's quest for immortality, ranging from the distant past to the far future. The central character is the Phoenix, the physical manifestation of the cosmos, who carries within itself the power of immortality; either granted by the Phoenix or taken from the Phoenix by drinking a small amount of its blood. Other characters appear and reappear throughout the series; usually due to their reincarnation. The work remained unfinished at the time of Tezuka's death in 1989. Phoenix has been filmed several times, most notably as Phoenix 2772 (1980). Baku Yumemakura was influenced by Phoenix; Yumemakura would go on to write the script for Boku no Son Goku.

Phoenix

, 1967–68, is a manga series about a boy called Hyakkimaru who has been robbed of 48 of his body parts by 48 different devils. In order for him to retrieve a stolen part, he must eliminate the devil that stole it. Hyakkimaru meets a boy thief, Dororo, and together they travel while being constantly attacked by ghosts and monsters. In 1969, the manga series was adapted into an anime that consisted of 26 episodes. In 2019, nearly 50 years later, the manga series was re-adapted into another anime series with 24 episodes.[68]

Dororo

, 1972–83, is Tezuka's unique interpretation of the life of Gautama Buddha, the founder of Buddhism. The critically acclaimed series is often referred to as a gritty portrayal of the Buddha's life. The series began in September 1972 and ended in December 1983, as one of Tezuka's last epic manga works. Nearly three decades after the manga was completed, two anime film adaptations were released in 2011 and 2014.

Buddha

, 1973–83. The story of Black Jack, a talented surgeon who operates illegally, using radical and supernatural techniques to combat rare afflictions. Black Jack received the Japan Cartoonists' Association Special Award in 1975 and the Koudansha Manga Award in 1977. Three Black Jack TV movies were released between 2000 and 2001. In fall 2004, an anime television series was aired in Japan with 61 episodes, releasing another movie afterward. A new series, titled Black Jack 21, started broadcasting on 10 April 2006. In September 2008, the first volume of the manga had been published in English by Vertical Publishing and more volumes are being published to this day.

Black Jack

Personal life[edit]

Tezuka was a descendant of Hattori Hanzō,[69] a famous ninja and samurai who faithfully served Tokugawa Ieyasu during the Sengoku period in Japan.


Tezuka's childhood nickname was gashagasha-atama: "messy head" (gashagasha is slang for messy, atama means head). As a child, Tezuka's arms swelled up and he became ill. He was treated and cured by a doctor, which made him also want to be a doctor. At a crossing point, he asked his mother whether he should look into doing manga full-time or whether he should become a doctor. At the time, being a manga author was not a particularly rewarding job. The answer his mother gave was: "You should work doing the thing you like most of all." Tezuka decided to devote himself to manga creation on a full-time basis. He graduated from Osaka University and obtained his medical degree, but he would later use his medical and scientific knowledge to enrich his sci-fi manga, such as Black Jack.[50][70]


Tezuka enjoyed insect collecting and entomology (even adding the character 'bug' to his pen name), Disney, and baseball—in fact, he licensed the "grown up" version of his character Kimba the White Lion as the logo for the Seibu Lions of the Nippon Professional Baseball League.[71][72] A fan of Superman, Tezuka was honorary chairman of Japan's Superman Fan Club.[73]


In 1959 Osamu Tezuka married Etsuko Okada at a Takarazuka hotel.


Tezuka met Walt Disney in person at the 1964 New York World's Fair. In a 1986 entry in his personal diary, Tezuka stated that Disney wanted to hire him for a potential science fiction project.


In January 1965, Tezuka received a letter from American film director Stanley Kubrick, who had watched Astro Boy and wanted to invite Tezuka to be the art director of his next movie, 2001: A Space Odyssey (which was eventually released in 1968). Although flattered by Kubrick's invitation, Tezuka could not afford to leave his studio for a year to live in England, so he had to turn down the offer. Although he was not able to work on 2001, he loved the film, and would play its soundtrack at maximum volume in his studio to keep him awake during long nights of work.[74][75]


Tezuka's son Makoto Tezuka became a film and anime director.[71]

1957 for Manga Seminar on Biology and Biiko-chan[90]

Shogakukan Manga Award

1975 manga Award

Bungeishunjū

1975 —Special Award

Japan Cartoonists Association Award

1977 for Black Jack and The Three-Eyed One[91]

Kodansha Manga Award

1980 , San Diego Comic-Con

Inkpot Award

1983 for Hidamari no Ki[90]

Shogakukan Manga Award

1984 Grand Prize for Jumping

Animafest Zagreb

1985 for Onboro-Film

Hiroshima International Animation Festival

1986 for Message to Adolf[91]

Kodansha Manga Award

1989 – Special Award

Nihon SF Taisho Award

1989-1990 – Lifetime or career contributions in animation[92]

Winsor McCay Award

1989 , 3rd class (posthumous)

Order of the Sacred Treasure

2002 [93]

Eisner Hall of Fame

2004 for Buddha (vols. 1–2)

Eisner Award

2005 Eisner Award for Buddha (vols. 3–4)

2009 Eisner Award for

Dororo

2014 Eisner Award for The Mysterious Underground Men

[94]

Makoto Tezuka

List of Osamu Tezuka manga

List of Osamu Tezuka anime

Tezuka Award

Tezuka Osamu Cultural Prize

Tezuka Productions

Tokiwa-sō

Pictures at an Exhibition

(2009). Astro Boy and anime come to the Americas: an insider's view of the birth of a pop culture phenomenon. McFarland & Co. ISBN 978-0-7864-3866-2.

Ladd, Fred

(2004). Watching Anime, Reading Manga: 25 Years of Essays and Reviews. Stone Bridge Press. ISBN 978-1-880656-92-1.

Patten, Fred

(2007). The Astro Boy Essays: Osamu Tezuka, Mighty Atom, and the Manga/Anime Revolution. Stone Bridge Press. ISBN 978-1-93333054-9.

Schodt, Frederik L.

G. Clinton Godart, “,” Mechademia (University of Minnesota Press) November 2013, Volume 8, Issue 1, pp. 34 – 47.

Tezuka Osamu’s Circle of Life: Vitalism, Evolution, and Buddhism

Helen McCarthy. The Art of Osamu Tezuka: God of Manga. (New York: Abrams ComicArts, 2009).  978-0-81098249-9. Biography and presentation of Tezuka's works.

ISBN

Frederik L. Schodt. Dreamland Japan: Writings on Modern Manga. (Berkeley: Stone Bridge Press, 1996/2011).  978-1-93333095-2

ISBN

Natsu Onoda Power. God of Comics: Osamu Tezuka and the Creation of Post-World War II Manga. (Jackson: University Press of Mississippi).  978-1-60473221-4.

ISBN

(available in Japanese and English)

Official website

at Find a Grave

Osamu Tezuka

at IMDb

Osamu Tezuka

at Anime News Network's encyclopedia

Osamu Tezuka

at the Wayback Machine (archived 8 June 2011) – Yemen Times

"Faces and Traces – Osamu Tezuka: A Japanese godfather of modern day manga" by Eyad N. Al-Samman