Outlaws (band)

Early years (1967–1971)[edit]

Outlaws were formed in Tampa, Florida, United States, in 1967 by guitarists/vocalists Frank Guidry, Hughie Thomasson, Herbie Pino and Hobie O'Brien. Drummer David Dix and bassist Phil Holmberg joined the band as well. Before Guidry joined the band the group was called The Four Letter Words. He had previously been in a band by the same name. By early 1968, O'Brien and Holmberg both left the band to get married and Frank O'Keefe came in on vocals and bass. Later that year, Tommy Angarano, (Tommy Tempest) joined Outlaws to replace Pino, bringing Hammond organ sounds and his style of vocals to the band. But after he left, Pino was brought back in. In the spring of 1968 the group's first manager, Paul Deutekom, brought them to Epic Studios in New York City to record an album, which was never released after the band and the producer had a falling-out. The group headed back to Tampa then got another deal to go to Criteria Studios in Miami. There they recorded another album with producer Phil Gernhard. But this album was likewise never released and Gernhard vanished soon after. As part of the Gernhard record deal, bassist Ronny Elliott was brought in around this time, forcing Guidry out. Ronny played bass while O'Keefe briefly switched to guitar. But O'Keefe went back to bass after Elliott left in 1969 and Herb Pino, who had mostly been a singer up till this time, began playing more guitar as well. Drummer Monte Yoho also joined that same year to sub for Dix.


In early 1970, Outlaws were joined by two members of the Dave Graham Group that was also managed by Paul Deutekom (of Ped-Dyn Productions) The Dave Graham Group's Union leader was Monte Yoho, but he was not invited to be part of this line-up. The early 1970 Outlaws line-up was Hughie Thomasson, Frank O'Keefe, Dave Dix, Billy Jones and Dave Graham. Graham was influential in moving the group toward country-rock, especially the music of Poco. They recorded a cover of the Doors' "Five to One" as an audition to a recording deal that never materialized. This lineup ended in the spring of 1970 and the group eventually parted ways with Deutekom. Yoho and Herb Pino returned, but by 1971 the offers for gigs had slowed down and the group went into limbo for a year or so, not sure if they would continue.


In 1971 Henry Paul, a singer and guitarist who was born and raised in Hurley, New York but spent his later teen years in the Tampa area, returned from a stay in Greenwich Village NYC to form Sienna, which was more of a country rock outfit. He was joined by Monte Yoho and Frank O'Keefe. In 1972, Hughie Thomasson returned from a brief spell in New York where he had been backing folksinger Milton Carroll, joined up with Paul, Yoho and O'Keefe and Sienna became the reborn Outlaws.


Billy Jones, who would sometimes show up to jam with the group on organ in 1971, returned from a stint in Boulder, Colorado in 1973 and switched to guitar, giving birth to the band's first infamous guitar trio later dubbed "the Florida Guitar Army". O'Keefe left the group temporarily in 1973–74. Buzzy Meekins and another bassist named Rick Birkbeck stood in until he was able to return. In 1974, Charlie Brusco signed on as manager for Outlaws. Alan Walden (brother of Capricorn Records founder Phil Walden) was told of the group by Lynyrd Skynyrd frontman Ronnie Van Zant and he joined forces with Brusco as co-manager.


The band was the first act signed to Arista Records under Clive Davis. Davis was in the audience at a show in 1974 where the band was opening for Lynyrd Skynyrd in Columbus, Georgia. On the way to the stage for Lynyrd Skynyrd's set, lead vocalist Ronnie Van Zant said to Clive Davis who was with Charlie Brusco "If you don't sign Outlaws, you're the dumbest music person I've ever met—and I know you're not."^[4]


Outlaws' earliest well known songs were "There Goes Another Love Song" and "Green Grass and High Tides", both from their 1975 debut album Outlaws. Their 1980 cover of "(Ghost) Riders in the Sky" from the album Ghost Riders was their biggest single chart success, reaching No. 31 on the Billboard Hot 100.