Pat Boone
Patrick Charles Eugene Boone[1] (born June 1, 1934) is an American singer, actor and composer.
Pat Boone
Patrick Charles Eugene Boone
Jacksonville, Florida, U.S.
Nashville, Tennessee, U.S.
Singer, actor, composer
1954–present
- Republic
- Dot
- London
- Stateside
- Tetragrammaton
- Melodyland (Motown)
- Lamb & Lion Records
- Hip-O
- MCA
Pat Boone is regarded as one of the most popular singers of the 20th century[2]. He sold more than 45 million records, had 38 Top 40 hits, and appeared in various Hollywood films.[3][4]
According to Billboard, Boone was the second-biggest-charting artist of the late 1950s, behind only Elvis Presley, and was ranked at No. 9 in its listing of the Top 100 Top 40 Artists 1955–1995.[5] Until the 2010s, Boone held the Billboard record for spending 220 consecutive weeks on the charts with one or more songs each week.
At the age of 23, Boone began hosting a half-hour ABC variety television series, The Pat Boone Chevy Showroom, which aired for 115 episodes (1957–1960). Many musical performers including Edie Adams, Andy Williams, Pearl Bailey, and Johnny Mathis made appearances on the show. His cover versions of rhythm and blues hits had a noticeable effect on the development of the broad popularity of rock and roll. Elvis Presley was the opening act for a 1955 Pat Boone show in Brooklyn, Ohio.[6][7][8]
As an author, Boone had a number-one bestseller in the 1950s ('Twixt Twelve and Twenty, Prentice-Hall). In the 1960s he focused on gospel music. Later he became a member of the Gospel Music Hall of Fame. He continues to perform and speak as a motivational speaker, a television personality, and a conservative political commentator.
Career[edit]
Music[edit]
Boone began his career by performing in Nashville's Centennial Park.[14] He began recording in April 1953 for Republic Records (not to be confused with the current label with that name), and by 1955, for Dot Records. His 1955 version of Fats Domino's "Ain't That a Shame" was a hit. This set the stage for the early part of Boone's career, which focused on covering R&B songs by Black artists for a white American market.[15] Randy Wood, the owner of Dot, had issued an R&B single by the Griffin Brothers in 1951 called "Tra La La-a"—a different song from the later LaVern Baker one—and he was keen to put out another version after the original had failed. This became the B-side of the first Boone single "Two Hearts Two Kisses", originally by the Charms – whose "Hearts Of Stone" had been covered by the label's Fontane Sisters.
A number-one single in 1956 by Boone was a second cover and a revival of a then seven-year-old song "I Almost Lost My Mind", by Ivory Joe Hunter, which was originally covered by another Black star, Nat King Cole. According to an opinion poll of high-school students in 1957, the singer was nearly the "two-to-one favorite over Elvis Presley among boys and preferred almost three-to-one by girls ..."[16] During the late 1950s, he made regular appearances on ABC-TV's Ozark Jubilee, hosted by his father-in-law. He cultivated a safe, wholesome, advertiser-friendly image that won him a long-term product endorsement contract from General Motors during the late 1950s, lasting through the 1960s. He succeeded Dinah Shore singing the praises of the GM product: "See the USA in your Chevrolet ... drive your Chevrolet through the USA, America's the greatest land of all!" GM had also sponsored The Pat Boone Chevy Showroom.
Many of Boone's hit singles were covers of hits from Black Rock and Roll artists. These included: "Ain't That a Shame" by Fats Domino; "Tutti Frutti" and "Long Tall Sally" by Little Richard;[17] "At My Front Door (Crazy Little Mama)" by The El Dorados; and the blues ballads "I Almost Lost My Mind" by Ivory Joe Hunter, "I'll be Home" by the Flamingos and "Don't Forbid Me" by Charles Singleton. Boone has been highlighted as an example of whitewashing by taking songs by black artists and sanitizing them to make them more palatable for a white audience, denying exposure to these black artists.[18]
Boone also wrote the lyrics for the instrumental theme song for the movie Exodus, which he titled "This Land Is Mine". (Ernest Gold had composed the music.)
As a conservative Christian, Boone declined certain songs and movie roles that he felt might compromise his beliefs—including a role with sex symbol Marilyn Monroe. In one of his first films, April Love, the director, Henry Levin, wanted him to give co-star Shirley Jones a kiss (which was not in the script). Since this would be his first onscreen kiss, Boone said that he wanted to talk to his wife first, to make sure it was all right with her.[19] He had his own film production company, Cooga Mooga Productions.[20]
He appeared as a regular performer on Arthur Godfrey and His Friends from 1955 through 1957, and later hosted his own The Pat Boone Chevy Showroom, on Thursday evenings. In 1959, Boone's likeness was licensed to DC Comics, first appearing in Superman's Girl Friend, Lois Lane No. 9 (May 1959) before starring in his own series from the publisher, which lasted for five issues from September 1959 to May 1960.[21][22] In the early 1960s, he began writing a series of self-help books for adolescents, including 'Twixt Twelve and Twenty. The British Invasion ended Boone's career as a hitmaker, though he continued recording throughout the 1960s. In 1966, he participated in the Sanremo Music Festival in Italy, performing the songs Mai mai mai Valentina alongside Giorgio Gaber and Se tu non fossi qui with Peppino Gagliardi. During his trip to Italy, he visited the headquarters of Ferrari in Maranello, near Modena, with the intention of buying a Superamerica Sports Car, but Enzo Ferrari dissuaded him from purchasing that model by saying that there would not have been enough room for Boone's four daughters, and sold him a four-door Ferrari 2+2 instead. In a 2021 interview, Boone admitted having later sold the "Ferrari he didn't like" to Tom Smothers of the comedic duo Smothers Brothers.[23]
In the 1970s, he switched to gospel and country, and continued performing in other media as well. In the 1960s and 1970s the Boone family toured as gospel singers and made gospel albums, such as The Pat Boone Family and The Family Who Prays.[24]