Ozark Jubilee
Ozark Jubilee is a 1950s United States network television program that featured country music's top stars of the day. It was produced in Springfield, Missouri.[1] The weekly live stage show premiered on ABC-TV on January 22, 1955, was renamed Country Music Jubilee on July 6, 1957, and was finally named Jubilee USA on August 2, 1958.[2] Originating "from the heart of the Ozarks", the Saturday night[3] variety series helped popularize country music in America's cities and suburbs,[4] drawing more than nine million viewers. The ABC Radio version was heard by millions more starting in August 1954.
Ozark Jubilee
Country Music Jubilee
Jubilee USA
Bryan T. Bisney
Joe Slattery
United States
English
6
297
Si Siman
John B. Mahaffey
Bryan T. Bisney
60 minutes; also 90 and 30 minutes
RadiOzark Enterprises (1953-54)
Crossroads TV Productions (1955-60)
January 22, 1955
September 24, 1960
A typical program included a mix of vocal and instrumental performances, comedy routines, square dancing and an occasional novelty act. The host was Red Foley, one of the nation's top country music personalities having been ranked by Billboard as the #5 Top Country Artist for the 1940s and #5 in the 1950s.[5] Big names such as Patsy Cline, Eddy Arnold, Johnny Cash and Faron Young were interspersed with a regular cast, including a group of young talent the Jubilee brought to national fame: 11-year-old Brenda Lee, Porter Wagoner, Wanda Jackson, Sonny James, Jean Shepard and The Browns. Other featured cast members were Webb Pierce, Bobby Lord, Leroy Van Dyke, Norma Jean and Carl Smith.
Carl Perkins, singing "Blue Suede Shoes", made his TV debut on the series, which showcased hundreds of popular artists performing everything from rockabilly, country and western, bluegrass and honky tonk to the Nashville sound, gospel and folk. Several now-legendary session musicians provided accompaniment at times during the show's run, including Grady Martin, Hank Garland, Bob Moore, Charlie Haden, Cecil Brower, Tommy Jackson and Bud Isaacs. The genial Foley closed each show from the Jewell Theatre in downtown Springfield with a "song of inspiration" or a recitation from his Keepsake Album;[6] and his sign-off was "Goodnight mama, goodnight papa", before walking into the audience to shake hands as the credits rolled.
The Jubilee was canceled after almost six years as rock and roll grew in popularity, and in part because of publicity surrounding tax evasion charges against Foley,[7] who was later acquitted. On September 24, 1960, the final telecast, like the first in 1955, opened with Foley's singing of "Hearts of Stone". The program concluded with his performance of "May the Good Lord Bless and Keep You". The series was voted Best Country Music Show by Fame magazine's annual TV critics poll in 1957 and 1960. In 1961, NBC-TV carried a spin-off, Five Star Jubilee.
Earlier country music television programs[edit]
The first (and first live) country music program on network television was Village Barn, broadcast from 1948–50 by NBC from a New York City nightclub. From the late 1940s through the 1950s, the U.S. networks carried a handful of other country music shows, including Hayloft Hoedown and ABC Barn Dance (ABC); Saturday Night Jamboree (NBC); and Windy City Jamboree and The Old American Barn Dance (DuMont). NBC and later ABC also aired Midwestern Hayride.[8] The shows, however, were generally short-lived summer replacements and had few if any well-known performers.
Ozark Jubilee was the first network TV program to feature America's top country music stars, and as a result, was the first country music program to attract a significant national viewership.[9] At five years, eight months it also holds the record for the longest-running country music series on network television (Hee Haw was syndicated after two years on CBS, and Austin City Limits presents a much broader variety of music).
(all times are Eastern Time—all running times include commercial breaks)
From October 15, 1955 to September 15, 1956, the program aired from 7:30–8 p.m. every fourth Saturday when ABC televised The Grand Ole Opry live from 8–9 p.m. From March through September 1956, the "Junior Jubilee" edition aired in the 7:30–8 p.m. time slot.[10] In contrast to many network series which went on summer hiatus, the Jubilee was live throughout the year.
Performers[edit]
Cast[edit]
The Ozark Jubilee cast was originally headlined by Wanda Jackson, Norma Jean, Bobby Lord, Webb Pierce, Marvin Rainwater, Porter Wagoner and Slim Wilson, who was also front man for both the Tall Timber Trio, made up of "Speedy" Haworth (guitar), Bob White (bass guitar) and "Doc" Martin (steel guitar); and the Jubilee Band, composed of Haworth, Martin, White, Johnny Gailey (drums), Paul Mitchell (piano) and Zed Tennis (fiddle). Featured vocalists included Leroy Van Dyke, Suzi Arden, Chuck Bowers, Sonny James, Tommy Sosebee and Tabby West.[21] Singers Hawkshaw Hawkins and Jean Shepard, who met on the show, later married.
Junior Jubilee[edit]
Every fourth Saturday from March 31 through September 15 (and on December 13), 1956, a special edition of Ozark Jubilee showcased young country music performers. "Junior Jubilee" aired from 7:30–8 p.m. when ABC televised The Grand Ole Opry from 8–9 p.m. Although Foley appeared, 10-year-old singer Libby Horne of McAlester, Oklahoma was the ostensible emcee.[39] Little Johnny Edwards 6-year-old singer of Sarcoxie, Missouri 1956. Brenda Lee made her first appearances on the program. Other performers included seven-year-old singer "Cookie" McKinney, guitarist John "Bucky" Wilkin, 12-year-old fiddler Clyde Wayne Spears, singer-guitarist Mike Breid, seven-year-old Billy Joe Morris, and child square dancers the Whirli-jiggers.[40] "Junior Jubilee" first appeared as a show segment on November 19, 1955, and returned as a portion of Jubilee USA on November 8, 1958.[41]
Public service[edit]
Foley periodically asked viewers to contribute to various charities, including the March of Dimes, Easter Seals, Community Chest, and aid following the 1960 Great Chilean earthquake. Guests in 1956 included the Polio Mother of the Year and the March of Dimes poster family. Groups recognized on the program included the Girl Scouts and the Chiefs of Police.
The Jubilee also staged performances for inmates at the US Medical Center for Federal Prisoners in Springfield, including special Christmas shows.[42]
During the program's 1955 premiere, Foley asked, "If you folks want us to come and visit at your house like this every Saturday night, why don't you drop me a line in Springfield, Missouri?" In the next week 25,258 cards and letters arrived from 45 of the 48 states,[43] and the show typically received 6,000 letters each week.[44] In May 1955, carried by 72 ABC affiliates, it was the only TV show with an audience equally divided among men, women and children, according to the American Research Bureau (ARB).[9] For 1955, ABC reported these achievements for the program, citing ARB data:[45]
By early 1956, the Jubilee had earned a 19.2 Nielsen rating,[46] and ARB estimated its weekly TV audience to be as high as 9,078,000.[45] (The $64,000 Question had the most viewers, 16,577,500.)[47] By 1959 the show was carried by 150 affiliates,[48] but rarely won its time slot, competing with such heavyweights as The Perry Como Show on NBC; and on CBS, The Honeymooners, Perry Mason, and in 1960, the top-rated Gunsmoke. Its ratings were also hampered when a few major-market affiliates such as WABC-TV took advantage of network break-away cues to carry 30- or, when it was 90 minutes, 60-minute portions.
ABC promoted and sold the program as prime family entertainment. Sponsors included the American Chicle Co., Rolaids, Anacin (1956), Williamson-Dickie (1957–60), Massey Ferguson (1958–60), Arrid, Postum (1958), Carter's Little Pills and Sargent's Dog Care Products (1960);[49] and was sold nationally by Ted Bates & Company. Joe Slattery handled station breaks and some commercials, often appearing during Jubilee USA with Massey Ferguson farm tractors and accessories in film clips or on stage.
The live audience was briefly part of the broadcasts when a camera would swing around to show the sold-out Jewell Theatre. Attendees, often nearly 90 percent out-of-state,[50] would cheer and hold up signs or banners with the names of their hometowns. Producers estimated 350,000 people (from as many as 30 states on some nights) attended the performances at the Jewell from 1954–1960. Visitors also came from Canada, Mexico, Hawaii and Bermuda.[44] Tickets had to be requested as long as six weeks in advance and it was believed to be the only network TV show with paid admission ($1.00 main floor, 75 cents balcony and 50 cents standing room). Second (non-broadcast) shows were frequently added to accommodate the demand during the summers.
The Jubilee regularly noted it was carried "coast to coast", and to promote the show, "personal appearance units", often including Foley, performed at state fairs and other venues in 42 states, Alaska (then a U.S. territory) and every Canadian province.[43]
Five Star Jubilee[edit]
In 1961, NBC-TV carried a summer spin-off called Five Star Jubilee from March 17–September 22. Starting in May, it was the first network color television series to originate outside New York City or Hollywood.[59] The weekly program featured five rotating hosts: Snooky Lanson, Tex Ritter, Jimmy Wakely, Carl Smith and Rex Allen. Produced from Springfield's Landers Theatre, it was similar to Jubilee USA and featured some of the same cast members, including Bobby Lord, the Promenaders and Slim Wilson's Jubilee Band. Barbara Mandrell made her network debut on the program.[60]
Missouri State University digitization project[edit]
More than sixty full or partial kinescopes of the program were preserved at the UCLA Film and Television Archive.[66] Missouri State University's Meyer Library has partnered with the UCLA archives to digitize all viable episodes and post them on a dedicated YouTube channel. Digitizing each episode costs $2,500, and sponsorship opportunities are available. As of February 2023, more than 70 episodes or segments have been posted. Meyer Library also houses the Bryan T. E. Bisney Ozark Jubilee Collection of Bisney's logbooks, notes and photos.