Pieces of a Man
Pieces of a Man is the debut studio album by American poet Gil Scott-Heron. It was recorded in April 1971 at RCA Studios in New York City and released later that year by Flying Dutchman Records. The album followed Scott-Heron's debut live album Small Talk at 125th and Lenox (1970) and departed from that album's spoken word performance, instead featuring compositions in a more conventional popular song structure.
This article is about the Gil Scott-Heron album. For other uses, see Pieces of a Man (disambiguation).Pieces of a Man
1971
April 19–20, 1971
RCA Studios, New York
48:03
Pieces of a Man marked the first of several collaborations by Scott-Heron and Brian Jackson, who played piano throughout the record. It is one of Scott-Heron's most critically acclaimed albums and one of the Flying Dutchman label's best-selling LP's. Earning modest success after its release, Pieces of a Man has received retrospective praise from critics. Music critics have suggested that Heron's combination of R&B, soul, jazz-funk, and proto-rap influenced the development of electronic dance music and hip hop. The album was reissued on compact disc by RCA in 1993.
Background and recording[edit]
Before pursuing a recording career, Scott-Heron focused on a writing career.[2] He published a volume of poetry and his first novel, The Vulture, in 1970.[3] Subsequently, Scott-Heron was encouraged by jazz producer Bob Thiele to record and released a live album, Small Talk at 125th and Lenox (1970).[2] It was inspired by a volume of poetry of the same name and was well received by music critics.[4]
Pieces of a Man was recorded at RCA Studios in New York City on April 19 and 20 in 1971.[5] The album's first four tracks were written by Scott-Heron, and the last seven tracks were co-written by Scott-Heron and keyboardist Brian Jackson, who backs Scott-Heron with Pretty Purdie & the Playboys.[5] The album was produced by Thiele,[5] who was known for working with jazz artists such as Louis Armstrong and John Coltrane.[2]