
Possessor (film)
Possessor is a 2020 science fiction psychological horror film[5] written and directed by Brandon Cronenberg. It stars Andrea Riseborough and Christopher Abbott, with Rossif Sutherland, Tuppence Middleton, Sean Bean, and Jennifer Jason Leigh in supporting roles. Riseborough portrays an assassin who performs her assignments through possessing the bodies of other individuals, but finds herself fighting to control the body of her current host (Abbott).
Possessor
Brandon Cronenberg
- Ingenious Media
- Telefilm Canada
- Arclight Films
- Ontario Creates
- Particular Crowd
- Crave
- Rhombus Media
- Rook Films
- Elevation Pictures (Canada)
- Signature Entertainment (United Kingdom)
- January 25, 2020Sundance) (
- October 2, 2020 (United States and Canada)
- November 27, 2020 (United Kingdom)
104 minutes[1]
English
The film had its world premiere at the Sundance Film Festival on January 25, 2020, and was released in the United States and Canada on October 2, 2020, by Neon and Elevation Pictures, while Signature Entertainment distributed the United Kingdom release on November 27, 2020. It received positive reviews, with praise for its originality and Riseborough and Abbott's performances.
Plot[edit]
In an alternate 2008, Tasya Vos is an assassin who takes control of others' bodies to carry out her hits. Through an implant installed in the unwitting host's brain, Vos can use a special machine to insert her consciousness into their minds. She returns to her own body by forcing the host to commit suicide at the end of each job.
Due to the amount of time she spends imitating other people, Vos struggles with increasing detachment from her own identity and cannot fully separate her work from her interactions with her husband, Michael, and son, Ira. She "practices" assuming her normal persona the same way she practices impersonating her hosts. Thoughts of violence haunt her domestic life, such as when putting Ira to bed and having sex with Michael.
Vos' handler, retired assassin Girder, is critical of her desire to remain connected to her family and expresses the belief that Vos would be a better killer without personal attachments. In a debriefing session meant to reconnect her with her real identity, Vos sorts through a series of objects associated with personal memories and pauses on a butterfly that she pinned and framed as a child. She tells Girder she feels guilty for killing it.
Despite her fragile mental state and fatigue, Vos agrees to perform a major hit on wealthy CEO John Parse and his daughter, Ava, by possessing Ava's fiancé, Colin Tate. The hit is only a partial success as Ava dies, but not Parse. Vos attempts to flee the scene by forcing Tate to shoot himself but discovers she cannot make him pull the trigger.
Tate instead stabs himself in the skull in an act of rebellion, damaging his implant. Vos discovers she cannot leave Tate's body or overpower his will. Tate regains control, but he does not understand why he killed his girlfriend or why he has begun to experience fragmented memories of another person's—Vos'—life.
The traumatized and disoriented Tate flees from the crime scene to his friend Reeta's apartment. He kills Reeta while struggling with dissociative memories of the hit on Parse and Ava. Eddie, another employee from Vos's company, arrives at the apartment to help Vos regain control and complete Tate's suicide. The attempt fails and Tate kills Eddie. Tate becomes aware of Vos' presence inside his body. His consciousness overpowers hers in a psychic confrontation, giving him access to memories of her husband, child and home.
Tate goes to Vos' home and holds her husband at gunpoint, demanding to know what she did to him. Vos appears and goads Tate into killing Michael so that she can be freed of her personal attachments. When Michael knocks the gun from Tate's hand, Tate kills him with a meat cleaver. Moments later, Ira stabs Tate in the throat, killing him. Vos uses Tate's last moments to shoot Ira dead.
Vos returns to her own body and discovers Girder had taken control of Ira to end her struggle with Tate. With Ira and Michael both dead, she is now free of all human attachments, as Girder wanted.
In another debriefing, Vos sorts through the same personal objects from the beginning of the film. She handles the butterfly again, but does not express any guilt for killing it. Girder smiles and replies, "Very good."
Release[edit]
In November 2018, Well Go USA Entertainment acquired distribution rights to the film.[10] The film later had its world premiere at the Sundance Film Festival on January 25, 2020.[1][11] Shortly after, Neon acquired distribution rights to the film, with Well Go USA only handling the film's home media release.[12] It was released in the United States and Canada on October 2, 2020.[13][14] The film was released in the United Kingdom on November 27, 2020, by Signature Entertainment.[15][16]
On May 31, 2023, it was announced that Possessor and Cronenberg's 2023 film Infinity Pool would receive a double feature in three North American theaters in June, with Cronenberg in attendance. The first for both films to theatrically screen in their uncut form, the screenings took place at the Alamo Drafthouse Cinema in San Francisco on the 20th, the Aero Theatre in Los Angeles on the 21st via American Cinematheque, and the Metrograph in New York City on the 23rd.[17]