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Punk jazz

Punk jazz is a genre of music that combines elements of jazz, especially improvisation, with the instrumentation and performance style of punk rock.[1] The term was first used to describe James Chance and the Contortions' 1979 album Buy.[2] Punk jazz is closely related to free jazz, no wave, and loft jazz, and has since significantly inspired post-hardcore and alternative hip hop.

Not to be confused with "Punk Jazz", a composition by Jaco Pastorius, or with Jazzpunk, a video game.

Punk jazz

Mid-1970s, United States

Notable proponents of the genre include John Zorn, Arto Lindsay, Elliott Sharp, and James Chance, among others.[3]

Jazzcore

Berendt, Joachim E. (1992). The Jazz Book: From Ragtime to Fusion and Beyond. Revised by Günther Huesmann, translated by H. and B. Bredigkeit with Dan Morgenstern. Brooklyn: Lawrence Hill Books. "The Styles of Jazz: From the Eighties to the Nineties," pp. 57–59.  1-55652-098-0

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Byrne, David, et al. (2008). New York Noise: Art and Music from the New York Underground 1978–88. Soul Jazz Records.  0-9554817-0-8.

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Hegarty, Paul (2007). Noise/Music: A History. Continuum International.  0-8264-1727-2

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Heylin, Clinton (1993). From the Velvets to the Voidoids: The Birth of American Punk Rock.  1-55652-575-3

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McNeil, Legs and Gillian McCain (1997). Please Kill Me: The Uncensored Oral History of Punk. Grove Press.  0-8021-4264-8

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Masters, Marc (2008). No Wave. Black Dog Publishing.  1-906155-02-X

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Mudrian, Albert (2000). Choosing Death: The Improbable History of Death Metal and Grindcore. Feral House.  1-932595-04-X

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Reynolds, Simon (2006). Rip It Up and Start Again: Postpunk 1978–1984. Penguin.  0-14-303672-6

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Sharpe-Young, Garry (2005). New Wave of American Heavy Metal. Zonda Books.  0-9582684-0-1

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Zorn, John, ed. (2000). Arcana: Musicians on Music. Granary Books.  1-887123-27-X

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