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Maurice Ravel

Joseph Maurice Ravel[n 1] (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer.

"Ravel" redirects here. For other uses, see Ravel (disambiguation).

Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, Boléro (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other composers' piano music, of which his 1922 version of Mussorgsky's Pictures at an Exhibition is the best known.


A slow and painstaking worker, Ravel composed fewer pieces than many of his contemporaries. Among his works to enter the repertoire are pieces for piano, chamber music, two piano concertos, ballet music, two operas and eight song cycles; he wrote no symphonies or church music. Many of his works exist in two versions: first, a piano score and later an orchestration. Some of his piano music, such as Gaspard de la nuit (1908), is exceptionally difficult to play, and his complex orchestral works such as Daphnis et Chloé (1912) require skilful balance in performance.


Ravel was among the first composers to recognise the potential of recording to bring their music to a wider public. From the 1920s, despite limited technique as a pianist or conductor, he took part in recordings of several of his works; others were made under his supervision.

Honours and legacy[edit]

Ravel declined not only the Légion d'honneur, but all state honours from France, refusing to let his name go forward for election to the Institut de France.[240] He accepted foreign awards, including honorary membership of the Royal Philharmonic Society in 1921,[241] the Belgian Ordre de Léopold in 1926, and an honorary doctorate from the University of Oxford in 1928.[242]


After Ravel's death, his brother and legatee, Edouard, turned the composer's house at Montfort-l'Amaury into a museum, leaving it substantially as Ravel had known it. As at 2023 the maison-musée de Maurice Ravel remains open for guided tours.[243]


In his later years, Edouard Ravel declared his intention to leave the bulk of the composer's estate to the city of Paris for the endowment of a Nobel Prize in music, but evidently changed his mind.[244] After his death in 1960, the estate passed through several hands. Despite the substantial royalties paid for performing Ravel's music, the news magazine Le Point reported in 2000 that it was unclear who the beneficiaries were.[245] The British newspaper The Guardian reported in 2001 that no money from royalties had been forthcoming for the maintenance of the Ravel museum at Montfort-l'Amaury, which was in a poor state of repair.[244]


Many works have been dedicated to Ravel or composed in his memory, by Satie, Stravinsky and others.[n 35]

at the International Music Score Library Project (IMSLP)

Free scores by Maurice Ravel

in the Choral Public Domain Library (ChoralWiki)

Free scores by Maurice Ravel