Riot grrrl
Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia,[1] Washington[2] and the greater Pacific Northwest[3] and has expanded to at least 26 other countries.[4] A subcultural movement that combines feminism, punk music, and politics,[5] it is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement and has recently been seen in fourth-wave feminist punk music that rose in the 2010s.[6] The genre has also been described as coming out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express anger, rage, and frustration, emotions considered socially acceptable for male songwriters but less commonly for women.[7]
"Riot girl" redirects here. For the album by Aya Hirano, see Riot Girl.Riot grrrl
Riot grrrl songs often addressed issues such as rape, domestic abuse, sexuality, racism, patriarchy, classism, anarchism, and female empowerment. Primary bands most associated with the movement by media include Bikini Kill, Bratmobile, Heavens to Betsy, Excuse 17, Slant 6, Emily's Sassy Lime, Huggy Bear, Jack Off Jill (later coining the term Riot Goth) and Skinned Teen.[1][8][9][10][11][12][3][13] Also included were queercore groups such as Team Dresch and the Third Sex.[1][14]
In addition to a unique music scene and genre, riot grrrl became a subculture involving a DIY ethic, zines, art, political action, and activism.[15] The movement quickly spread well beyond its musical roots to influence the vibrant zine- and Internet-based nature of fourth-wave feminism, complete with local meetings and grassroots organizing to end intersectional forms of prejudice and oppression, especially physical and emotional violence against all genders.[16] Riot grrrls are known to hold meetings, start chapters,[4] and support and organize women in music[17] as well as art created by transgender people, gay individuals, lesbians, and other communities.[14]