Sammy Kaye
Sammy Kaye (born Samuel Zarnocay Jr.; March 13, 1910 – June 2, 1987) was an American bandleader and songwriter,[1] whose tag line, "Swing and Sway with Sammy Kaye", became one of the most famous of the Big Band Era.[1] The expression springs from his first hit single in 1937, "Swing and Sway" (U.S. no. 15). He was the first to record and release the standard "Blueberry Hill" in 1940. During World War II, he co-wrote and recorded the anthemic "Remember Pearl Harbor" (U.S. No. 3). He was the first to record and release the no. 1 song "Daddy" in 1941.[2] His signature tune was "Harbor Lights", a number-one hit in 1950.
Sammy Kaye
Samuel Zarnocay, Jr.
June 2, 1987 (aged 77)
Ridgewood, New Jersey
Musician, bandleader
Saxophone, clarinet
Biography[edit]
Kaye, born in Lakewood, Ohio, United States,[1] graduated from Rocky River High School in Rocky River, Ohio.[3] At Ohio University in Athens, Ohio he was a member of Theta Chi fraternity. Kaye could play the saxophone and the clarinet, but he never featured himself as a soloist on either instrument.
A leader of one of the so-called "Sweet" bands of the Big Band Era, he made a large number of records for Vocalion Records, RCA Victor, Columbia Records, Bell Records, and the American Decca record label. He was also a hit on radio. Kaye was known for an audience participation gimmick called "So You Want to Lead a Band?" where audience members would be called onto stage in an attempt to conduct the orchestra, with the possibility of winning batons.[1] Kaye was also known for his use of "singing of song titles", which was emulated by Kay Kyser and Blue Barron.
He was the first to record and release "Blueberry Hill" in 1941, a song which became a standard in several genres, including pop, jazz, Big Band, Swing, and rock and roll.
He was also the first to record and release the classic song "Daddy" in 1941, which hit no. 1 and which was recorded by other bands and singers.
Shortly after the Japanese attack on December 7, 1941, Sammy Kaye wrote the music and Don Reid wrote the words to "Remember Pearl Harbor", the tune of which was based on Ohio University's "Alma Mater". On December 17, 1941, RCA Victor recorded the song, with Sammy Kaye's Swing and Sway Band and The Glee Club. The 78 single was released in 1942, reaching no. 3 on the charts.
By 1955, Sammy Kaye was also featured five times a week on several national radio networks through the RCA Thesaurus transcription service.[4]
His band members included Ralph Flanagan.[1] Singers included Don Cornell (not related to Dale Cornell), Billy Williams (the country music singer with the Pecos River Rogues), Tommy Ryan, Gary Willner, Barry Frank, Tony Russo, and Nancy Norman. All members of the band sometimes sang backing vocals in various combination as the "Kaydets". Although his musicians were always competent, the jazz critic George T. Simon described them as "magnificently trained and exceedingly unoriginal".[1]
Kaye had the following shows on network television:
Death[edit]
Kaye died at Valley Hospital in Ridgewood, New Jersey. His body was returned to Lakewood, Ohio and after a Mass at St. Christopher Catholic Church in Rocky River, he was buried in the family plot next to his parents at Lakewood Park Cemetery. Prior to his death in 1987, Sammy Kaye left his orchestra to Roger Thorpe of New Paltz, New York.[1] Thorpe, an accomplished music professor at SUNY Dutchess and director of the Dutchess Jazz Ensemble, knew Sammy from over the years. Thorpe operates the orchestra to this day.
Compositions[edit]
Sammy Kaye wrote or co-wrote the following songs: "Remember Pearl Harbor" (U.S. No. 3),[6] "Until Tomorrow (Goodnight, My Love)" (U.S. No. 10),[1][7] "Belmont Boogie", "Kaye's Melody", "Wanderin'" (U.S. No. 11), "I Gotta See a Dream About a Girl",[8] "I Miss Your Kiss"[9] and "Bottoms Up (Let's Have a Ball)" with Sunny Skylar, "The Midnight Ride", and "Hawaiian Sunset".[1] "I Miss Your Kiss" was released as a U.S. War Department V-Disc in May, 1945 as 433A during World War II for American troops overseas.
Legacy[edit]
Kaye was posthumously inducted into the Big Band and Jazz Hall of Fame in 1992, and for his contribution to the recording industry has a star on the Hollywood Walk of Fame.