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Self-parody

A self-parody is a parody of oneself or one's own work. As an artist accomplishes it by imitating their own characteristics, a self-parody is potentially difficult to distinguish from especially characteristic productions. Self-parody may be used to parody someone else's characteristics, or lacking, by overemphasizing and/or exaggerate one's own. Overemphasis can be made for the prevailing attitude in their life's work, social group, lifestyle and subculture. Including lines and points made by others or by the recipient of the self-parody directing it to a parody of someone else which that other person is likely to remember and can't de-emphasize without frustration.

Sometimes critics use the word figuratively to indicate that the artist's style and preoccupations appear as strongly (and perhaps as ineptly) in some work as they would in a parody. Such works may result from habit, self-indulgence, or an effort to please an audience by providing something familiar. An example from Paul Johnson writing about Ernest Hemingway:

In , the fictional storyteller Sheherezade sometimes tells folk tales with similar themes and story lines that can be seen as parodies of each other. For example, "Wardan the Butcher's Adventure With the Lady and the Bear" parallels "The King's Daughter and the Ape", "Harun al-Rashid and the Two Slave-Girls" has a similar relationship to "Harun al-Rashid and the Three Slave-Girls" - and "The Angel of Death With the Proud King and the Devout Man" has two possible parodies: "The Angel of Death and the Rich King" and "The Angel of Death and the King of the Children of Israel".[3] This observation needs to be tempered by our knowledge of the nature of folk tales, and the way this collection "grew" rather than being deliberately compiled.

One Thousand and One Nights

"Tale of Sir Topas" in The Canterbury Tales shows "Geoffrey Chaucer" as a timid writer of doggerel. It has been argued that the tale parodies, among other romances, Chaucer's own Troilus and Criseyde.[4]

Chaucer's

"Nephelidia", a poem by A. C. Swinburne.

[5]

"Municipal", a poem by .[6]

Rudyard Kipling

"L'Art" and "To Hulme (T. E.) and Fitzgerald (A Certain)", poems by Ezra Pound.[8]

[7]

"Afternoon of a Cow", a short story by .[9]

William Faulkner

often discussed his own work, sometimes in the form of parody, as in "How to Write a Blackwood Article" and the short story that follows it, "A Predicament".

Edgar Allan Poe

is a novel by Vladimir Nabokov in the form of a long, pedantic, self-centered commentary on a much shorter poem. It may parody his commentary on his translation of Pushkin's Eugene Onegin, in which the commentary was highly detailed and much longer than the poem. Both the poet and the commentator have been called self-parodies.[10]

Pale Fire

The short story "" by Isaac Asimov is described by Asimov himself as a 'spoof' in The Complete Robot.

First Law

Poe's law

Cameo appearance

In-joke

Mockumentary

Reality television

Self-insertion

Typecasting (acting)

"Nephelidia" from Representative Poetry Online

"Municipal" by Rudyard Kipling