Richard Sharpe Shaver
Richard Sharpe Shaver (October 8, 1907 – November 5, 1975) was an American writer and artist who achieved notoriety in the years following World War II as the author of controversial stories that were printed in science fiction magazines (primarily Amazing Stories). In Shaver's story, he claimed that he had had personal experience of a sinister ancient civilization that harbored fantastic technology in caverns under the earth. The controversy stemmed from the claim by Shaver, and his editor and publisher Ray Palmer, that Shaver's writings, while presented in the guise of fiction, were fundamentally true. Shaver's stories were promoted by Ray Palmer as "The Shaver Mystery".
Richard Sharpe Shaver
October 8, 1907
November 5, 1975
During the last decades of his life, Shaver devoted himself to "rock books"—stones that he believed had been created by the advanced ancient races and embedded with legible pictures and texts. He produced paintings allegedly based on the rocks' images and photographed the rock books extensively, as well as writing about them. Posthumously, Shaver has gained a reputation as an artist and his paintings and photos have been exhibited in Los Angeles, New York and elsewhere.
The Shaver Mystery[edit]
During 1943, Shaver wrote a letter to Amazing Stories magazine. He claimed to have discovered an ancient language he called "Mantong", a sort of Proto-Human language that was the source of all Earthly languages. In Mantong, each sound had a hidden meaning, and by applying this formula to any word in any language, one could decode a secret meaning to any word, name or phrase. Editor Ray Palmer applied the Mantong formula to several words, and said he realized Shaver was on to something.
According to Palmer (in his autobiography The Secret World), Palmer wrote back to Shaver, asking how he had learned of Mantong. Shaver responded with an approximately 10,000-word document titled "A Warning to Future Man". Shaver claimed to have worked in a factory where, in 1932, odd things began to occur. As Bruce Lanier Wright notes, Shaver "began to notice that one of the welding guns on his job site, 'by some freak of its coil's field atunements', was allowing him to hear the thoughts of the men working around him. More frighteningly, he then received the telepathic record of a torture session conducted by malevolent entities in caverns deep within the earth." According to Michael Barkun, Shaver offered inconsistent accounts of how he first learned of the hidden cavern world, but that the assembly line story was the "most common version".[1]
Shaver wrote of extremely advanced prehistoric races who had built cavern cities inside the Earth before abandoning Earth for another planet due to damaging radiation from the Sun. Those ancients also abandoned some of their own offspring here, a minority of whom remained noble and human "Teros", while most degenerated over time into a population of mentally impaired sadists known as "Deros"—short for "detrimental robots". Shaver's "robots" were not mechanical constructs, but were robot-like due to their savage behavior.
These Deros still lived in the cave cities, according to Shaver, kidnapping surface-dwelling people by the thousands for meat or torture. With the sophisticated "ray" machinery that the great ancient races had left behind, they spied on people and projected tormenting thoughts and voices into our minds (reminiscent of schizophrenia's "influencing machines" such as the air loom). Deros could be blamed for nearly all misfortunes, from minor "accidental" injuries or illnesses to airplane crashes and catastrophic natural disasters. Women especially were singled out for brutal treatment, including rape, and Mike Dash notes that "[s]ado-masochism was one of the prominent themes of Shaver's writings".[2] Though generally confined to their caves, Shaver claimed that the Deros sometimes traveled with spaceships or rockets, and had dealings with equally evil extraterrestrial beings. Shaver claimed to possess first-hand knowledge of the Deros and their caves, insisting he had been their prisoner for several years.
Palmer edited and rewrote the manuscript, increasing the total word count to a novella length of 31,000. Palmer insisted that he did not alter the main elements of Shaver's story, but that he only added an exciting plot so the story would not read "like a dull recitation".[1] Retitled "I Remember Lemuria!"; it was published in the March 1945 issue of Amazing.[3] The issue sold out, and generated quite a response: Between 1945 and 1949, many letters arrived attesting to the truth of Shaver's claims (tens of thousands of letters, according to Palmer). The correspondents claimed that they, too, had heard strange voices or encountered denizens of the Hollow Earth. One of the letters to Amazing Stories was from a woman who claimed to have gone into a deep subbasement of a Paris, France building via a secret elevator. After months of rape and other torture, the woman was freed by a benevolent Tero.[4] Another letter claiming involvement with Deros came from Fred Crisman, later to gain notoriety for his role in the Maury Island Incident and the John F. Kennedy assassination. "Shaver Mystery Club" societies were created in several cities. The controversy gained some notice in the mainstream press at the time, including a mention in a 1951 issue of Life magazine.
Palmer claimed that Amazing Stories magazine had a great increase of circulation because of the Shaver Mystery, and the magazine emphasized the Shaver Mystery for several years. Barkun notes that, by any measure, the Shaver Mystery was successful in increasing sales of Amazing Stories. There was disagreement as to the precise increase in circulation, but Barkun notes that reliable sources reflect an increase in monthly circulation from about 135,000 to 185,000.[1]
From 1945 to 1948, Barkun notes that about 75% of the issues of Amazing Stories featured Shaver Mystery content, sometimes to the near-exclusion of any other topic. Historian Mike Dash declares that "Shaver's tales were amongst the wildest ever spun, even in the pages of the pulp science fiction magazines of the period".[2] He also published in Other Worlds magazine; the first issue featured his story "The Fall of Lemuria".
Many science fiction fans felt compelled to condemn the Shaver Mystery as "the Shaver Hoax". These fans, already distressed by Palmer's shift away from the literary or hard science fiction of earlier years to often slapdash space operas, organized letter-writing campaigns to try to persuade the publishers of Amazing Stories to cease all Shaver Mystery articles. In fact, Palmer printed a number of critical or skeptical letters sent to Amazing Stories, and he and other contributors occasionally rebutted or replied to such letters in print. As Bruce Lanier Wright notes, "[t]he young Harlan Ellison, later a famously abrasive writer, allegedly badgered [Palmer] into admitting that the Shaver Mystery was a 'publicity grabber'; when the story came out, Palmer angrily responded that this was hardly the same thing as calling it a hoax".[5] Dash writes that the "critics of the 'Shaver Mystery' were quick to point out that its author was suffering from several of the classic symptoms of paranoid schizophrenia, and that many of the letters pouring into Amazing recounting personal experiences that backed up the author's stories patently came from the sorts of people who would otherwise spend their time claiming that they were being persecuted by invisible voices or their neighbor's dog".[2]
During 1948, Amazing Stories ceased all publication of Shaver's stories. Palmer would later claim the magazine was pressured by sinister outside forces to make the change; science fiction fans would credit their boycott and letter-writing campaigns for the change. The magazine's owners said later that the Shaver Mystery had simply run its course and sales were decreasing.
The Shaver Mystery Clubs had surprising longevity: Representatives of a club discussed the Shaver Mystery on John Nebel's popular radio show several times through the late 1950s. Nebel said he thought the discussion was entertaining, but in extant recordings he was also skeptical about the entire subject.
Even after the pulp magazines lost popularity, Palmer continued promoting the Shaver Mystery to a diminishing audience via the periodical The Hidden World. Lanier describes the magazine as "Shaver in the raw" with little of Palmer's editing. Shaver and his wife produced the Shaver Mystery Magazine irregularly for some years.
Rock books[edit]
During the 1960s and 1970s, now living in obscurity, Shaver searched for physical evidence of the bygone prehistoric races. He claimed to find it in certain rocks, which he believed were "rock books" that had been created by the great ancients and embedded with legible pictures and texts. For years he wrote about the rock books, photographed them and made paintings of the images he found in them to demonstrate their historic importance. He even ran a "rock book" lending library through the mail, sending a slice of polished agate with a detailed description of what writings, drawings and photographs he claimed were archived by Atlanteans inside the stone using special laser-like devices.
Shaver never succeeded in generating much attention for his later findings during his lifetime, but there have been exhibits of Shaver's art and photographs in the years since his death. Artist Brian Tucker created an exhibition about Shaver's life and work in 1989 at California Institute of the Arts, and presented Shaver's work again in later years at the Santa Monica Museum of Art and the Guggenheim Gallery of Chapman University in Orange County, California. In 2009, Tucker curated "Mantong and Protong", an exhibition at Pasadena City College which pairs Shaver's work with that of Stanislav Szukalski. Shaver's art has also been exhibited in galleries in New York City and in a traveling exhibition of "outsider photography" called "Create and Be Recognized" that originated at the Yerba Buena Center for the Arts in San Francisco in 2004. In that exhibition, which toured the U.S., Shaver's "rock book" photography was grouped with works by famous "outsider artists", including Henry Darger and Adolf Wolfli.
