Sigourney Weaver
Susan Alexandra "Sigourney" Weaver (/sɪˈɡɔːrni/; born October 8, 1949)[1] is an American actress. A figure in science fiction and popular culture,[2] she has received various accolades, including a British Academy Film Award, two Golden Globe Awards, and a Grammy Award, in addition to nominations for three Academy Awards, four Primetime Emmy Awards, and a Tony Award.[3] In 2003, she was voted Number 20 in Channel 4's countdown of the 100 greatest movie stars of all time.[4]
Sigourney Weaver
Weaver rose to fame for starring as Ellen Ripley in Ridley Scott's science fiction film Alien (1979). She reprised her role in James Cameron's Aliens (1986), for which she received her first Academy Award nomination, and again in Alien 3 (1992) and Alien Resurrection (1997). The character is regarded as a significant female protagonist in cinema history.[5] She reunited with Cameron in Avatar (2009) and Avatar: The Way of Water (2022), two of the highest-grossing films of all time.[6] She also played Dana Barrett in the Ghostbusters films starting in 1984.
On Broadway, she received a Tony Award nomination for her role in the play Hurlyburly (1984). In 1988, Weaver received dual Academy Award nominations—Best Actress and Best Supporting Actress—for the respective roles of primatologist Dian Fossey in Gorillas in the Mist and a young associate in Working Girl, both of which won her Golden Globe Awards.[a] She won the BAFTA Award for Best Supporting Actress for her role in The Ice Storm (1997). Her other notable films include Copycat (1995), Galaxy Quest (1999), The Village (2004), Vantage Point (2008), Chappie (2015), and A Monster Calls (2016).
Weaver has also performed voice roles in the animated films The Tale of Despereaux (2008) and Pixar films WALL-E (2008) and Finding Dory (2016) as well as several documentaries, such as the BBC series Planet Earth (2006) and The Beatles: Eight Days a Week (2016). In television, she has received Primetime Emmy Award nominations for her starring roles in the movies Snow White: A Tale of Terror (1998), Prayers for Bobby (2009), and Political Animals (2013). She won the Grammy Award for Best Spoken Word Album for narrating the humor book Earth (The Book) (2010).
Early life[edit]
Susan Alexandra Weaver was born in New York City on October 8, 1949.[7] Her mother, Elizabeth Inglis (born Desiree Mary Lucy Hawkins), was a British actress and a native of Colchester, England.[8] Weaver's father, Sylvester "Pat" Weaver Jr., was an American television executive born in Los Angeles, who served as president of NBC from 1953 to 1955 and created NBC's Today Show in 1952.[9][10] Pat's brother, Winstead "Doodles" Weaver, was a comedian and contributor to Mad.[11] Her father's American family was of Dutch, English, Scots-Irish, and Scottish ancestry.[12][13]
At the age of 14, Weaver began using the name Sigourney, taking it from a minor character in The Great Gatsby.[14][15] She briefly attended the Brearley School and Chapin School in New York before arriving at the Ethel Walker School (Walker's) in Simsbury, Connecticut, where she developed an early interest in performance art.[16] One of her early roles was in a school adaptation of the poem "The Highwayman", and on another occasion she played a Rudolph Valentino character in an adaptation of The Sheik. She was also involved in theatrical productions of A Streetcar Named Desire and You Can't Take It with You during one summer at Southbury, Connecticut.[16] Weaver reportedly reached the height of 179 cm (5 ft 10 in) by the age of 11, which had a negative impact on her self-esteem. She recalled feeling like "a giant spider" and never having "the confidence to ever think I could act."[17]
In 1967, shortly before turning 18, Weaver visited Israel and volunteered on a kibbutz for several months.[18] On her return to the United States, she attended Sarah Lawrence College. After her freshman year, she transferred to Stanford University as an English major.[19] At Stanford, Weaver was extensively involved in theater. She performed in a group named the Palo Alto Company, doing Shakespeare plays and "commedia dell'arte in a covered wagon" around the Bay Area, the nature of which she considered "outrageous". She avoided Stanford's drama department, as she believed their productions were too "stuffy" and "safe".[18][19] Weaver had planned to enter Stanford's Ph.D. English program and eventually pursue a career as a writer or a journalist, but changed her mind after getting frustrated by the "deadly dry" honors courses. She eventually graduated in 1972 with a Bachelor of Arts in English.[16][19] Weaver subsequently applied to Yale University's School of Drama, performing Bertolt Brecht's Saint Joan of the Stockyards at her audition, and was accepted.[18]
Weaver admitted that she had a difficult time at Yale. She was not fond of the shows at Yale Repertory Theatre,[16] and had little luck getting lead roles in school productions.[20] Some acting teachers referred to her as "talentless" and advised her to stick to comedy.[21] Weaver credited her friends such as Christopher Durang, who kept hiring her for his plays, as well as her time at the Yale Cabaret, as crucial in helping her pull through.[16] She graduated from Yale with a Master of Fine Arts in 1974.[18]
Career[edit]
1970s: Initial work and breakthrough[edit]
Weaver performed in the first production of the Stephen Sondheim musical The Frogs while at Yale in 1974, alongside Larry Blyden and fellow students Meryl Streep and Durang.[22] She was briefly an understudy in a John Gielgud production of Captain Brassbound's Conversion thereafter.[16] She also acted in original plays by Durang. She appeared in an off-Broadway production of Durang's comedy Beyond Therapy in 1981, which was directed by then-fledgling director Jerry Zaks.[16][23] Before her on-screen breakthrough, she had appeared only in commercials, a few television roles (including an appearance in the soap opera Somerset), and had a small part in the Woody Allen-directed romantic comedy-drama Annie Hall (1977).[24][25][26] Her originally more substantial Annie Hall role was scaled back due to her commitment to the Durang play Titanic.[27]