Silver Linings Playbook
Silver Linings Playbook is a 2012 American romantic comedy-drama written and directed by David O. Russell. The film is based on Matthew Quick’s 2008 novel The Silver Linings Playbook. It stars Bradley Cooper and Jennifer Lawrence, with Robert De Niro, Jacki Weaver, Chris Tucker, John Ortiz, Shea Whigham, Anupam Kher and Julia Stiles in supporting roles.
Silver Linings Playbook
David O. Russell
- Donna Gigliotti
- Bruce Cohen
- Jonathan Gordon
The Weinstein Company
- September 8, 2012 (TIFF)
- November 16, 2012 (United States)
122 minutes[1]
United States
English
$21 million[2]
$236.4 million[2]
The film is set in Ridley Park, Pennsylvania. Cooper plays Patrizio "Pat" Solitano Jr., a man with bipolar disorder who is released from a psychiatric hospital and moves back in with his parents (De Niro and Weaver). Pat is determined to win back his estranged wife. He meets a young widow, Tiffany Maxwell (Lawrence), who offers to help him get his wife back if he enters a dance competition with her. The two become closer as they train, and Pat, his father, and Tiffany examine their relationships with each other as they cope with their situations.
Silver Linings Playbook premiered at the 2012 Toronto International Film Festival on September 8, 2012, and was released in the United States on November 16, 2012.[3] The film opened to critical acclaim, with praise for Russell's direction, and the performances of Cooper, and Lawrence. It grossed $236.4 million worldwide. A recipient of several accolades, it received eight nominations at the 85th Academy Awards, including Best Picture, Best Director, and Best Adapted Screenplay, with Lawrence winning the Academy Award for Best Actress.
Plot[edit]
After eight months' treatment in a mental health facility for bipolar disorder, Patrizio "Pat" Solitano Jr. is released into the care of his parents, Patrizio Sr. and Dolores, at his childhood home in Upper Darby Township, Pennsylvania. His primary focus is to reconcile with his ex-wife, Nikki. She has moved away and obtained a restraining order against him after Pat found her in the shower with another man and badly beat him.
Pat's therapist, Cliff Patel, tries to convince him to keep taking his medication because a repeat of his violent outbursts might send him back to the clinic. Pat tells him that he has a new outlook on life: He attempts to see the good, or silver linings, in all that he experiences.[4] Meanwhile, Pat experiences a series of anxiety attacks.
Pat attends dinner at his best friend Ronnie's house and meets Ronnie's sister-in-law, Tiffany Maxwell, a widow with an unnamed disorder. They connect, talking about different psychiatric medications they have taken to manage their mental illnesses. She tries to offer him casual sex, but Pat is focused on getting Nikki back. Trying to get closer to him, Tiffany offers to deliver a letter to Nikki if, in return, he partners with her in an upcoming dance competition. Pat agrees and they start practicing over the following weeks. Starting to develop feelings for Tiffany, he believes the competition will be a good way to show Nikki he has changed.
Patrizio Sr., hoping to open a restaurant, has resorted to illegal bookmaking. Having bet most of his money on a Philadelphia Eagles game, he asks Pat to attend for good luck. Pat asks Tiffany for time off from practice to attend the game. She gives him a typed reply from Nikki, which cautiously hints they may be able to reconcile. Before entering the stadium, Pat and his brother Jake get into a fight with racist fans and are arrested. The Eagles lose the game, and Patrizio is furious.
When Patrizio claims that the Eagles lost because of Tiffany's newfound involvement in Pat's life, she refutes his allegations by pointing out that Philadelphia sports teams had done better whenever she and Pat were together. Convinced, Patrizio makes a parlay with his friend Randy: If the Eagles win their week 16 game against the Dallas Cowboys and Tiffany and Pat score five out of ten in their dance competition, he will win back double the money he lost on the first bet.
Pat is reluctant, but Tiffany, Dolores, and Patrizio conspire to persuade him to dance in the competition, telling him Nikki will be there. Noticing that the letter from Nikki also refers to "reading the signs", a phrase frequently used by Tiffany, he realizes that Tiffany fabricated the letter. Tiffany, Pat, and their friends and family arrive at the competition on the night of the football game. Tiffany despairs when she sees Nikki in the audience, invited by Ronnie and his wife Veronica. They want her to lift her restraining order on Pat, giving them the chance to reconcile. Tiffany starts to drink heavily at the bar.
Pat finds Tiffany moments before their turn and drags her onto the dance floor. They begin their routine as the Eagles defeat the Cowboys. After their set, Tiffany and Pat receive an average score of exactly 5.0 points amid cheers from friends and family and confused looks from the crowd. Pat approaches Nikki and whispers into her ear. When Tiffany sees this she runs off. Pat Sr. tells his son that opposed to Nikki, Tiffany really loves him and he should not let her go, as it would haunt him for the rest of his life. He catches Tiffany and hands her a letter in which he admits to knowing she forged the letter earlier. He confesses that he loved her from the moment he met her, but that it took him a long time to realize and accept it. They share a kiss. Patrizio opens a restaurant with the money he has won, and Pat and Tiffany begin a relationship; no longer wearing their wedding rings.
Production[edit]
Development[edit]
Renee Witt, an executive at The Weinstein Company, convinced Harvey Weinstein to option the book by Matthew Quick on which the film is based,[13] doing so before it was published.[14] Sydney Pollack then began developing for David O. Russell to direct.[13] Pollack told Russell that the film adaptation would be tricky because of the story's mixture of troubling emotion, humor, and romance. Russell estimates he rewrote the script[15] twenty times over five years. Russell was drawn to the story because of the family relationships and the connection he felt to his own son, who has bipolar disorder and OCD.[16][17]
The film was shot in 33 days. A darker, more extreme version of the dance sequence was filmed and scenes with De Niro's character were shot in multiple versions, with the character harsher or warmer, as Russell worked with editor Jay Cassidy to set the balance they wanted.[16]
The locations are Upper Darby, Ridley Park, and Lansdowne communities just outside Philadelphia, Pennsylvania. Although not mentioned by name in the film, Ridley Park is credited at the end, and a police officer can be seen wearing the initials "RPPD" on his collar.[18]
The film takes place over the second half of the 2008 NFL football season,[19] which saw the Philadelphia Eagles advance to the NFC Championship Game. Several games are mentioned, including the Eagles' victories over Seattle and San Francisco, their losses to two of their NFC East rivals Washington Redskins[20] and the New York Giants (which was the game Pat was attending when the fight broke out), and their victory over Dallas in the regular season's final game.
Casting[edit]
Russell initially intended to make the film with Vince Vaughn and Zooey Deschanel, but went on to make The Fighter instead.[16][17][21] Mark Wahlberg was set to work with Russell for the fourth time but had to drop out after delays in production created a scheduling conflict.[22]
Russell had originally planned to work with Bradley Cooper on an adaptation of Pride and Prejudice and Zombies, having been impressed with Cooper's performance in Wedding Crashers (2005), citing his "good bad-guy energy" and unpredictability as justification for casting.[23] Cooper told Russell "he had been heavier and angrier and more fearful" at the time of that performance and had drawn on those feelings for it. Russell was excited that Cooper would bring those qualities to Pat Solitano.[16][17]
Anne Hathaway was cast as Tiffany Maxwell, but due to scheduling conflicts with The Dark Knight Rises and creative differences with Russell, she dropped out.[5][24][25] Other actresses who were considered for the part included Elizabeth Banks, Kirsten Dunst, Angelina Jolie, Blake Lively, Rooney Mara, Rachel McAdams, Andrea Riseborough and Olivia Wilde.[17][21][22][26][27]
Initially, Russell did not believe Lawrence's age was suitable for the role.[17][21] He thought Lawrence (21 at the time of filming) was too young to play opposite Cooper (37), but her audition changed his mind, admitting that the "expressiveness in her eyes and in her face" was "ageless".[14][28] Russell compares Lawrence to the character Tiffany, describing her as confident but one of the least neurotic people he knows, with the confidence and glimpses of vulnerability needed to play Tiffany.[14] Tiffany went through several iterations. She was initially meant to be goth. Lawrence dyed her hair black and did test shoots in heavy goth makeup, but Weinstein disapproved. The final version of her character remained messed-up yet confident, with small goth touches such as the dark hair and a cross.[14] Specifically for the role, Lawrence was asked by Russell to put on weight[29] and to speak in a lower register.[14]
According to Entertainment Weekly, Lawrence said she didn't have a handle on Tiffany at first, which was what excited her about the role. "She was just a character I one-hundred percent did not understand at all... She's like, 'I'm messed up, I'm not like everybody else, I've got issues. Take it or leave it because I like myself.'"[30]
Lawrence and Cooper had no previous dance experience. In less than a month, Mandy Moore, a choreographer for So You Think You Can Dance, taught them the dance sequences. Moore describes Cooper as having "some real natural dancing ability".[31][32] Lawrence said of the climactic ballroom dance, "None of that was improvised, absolutely not. I'm a terrible dancer, so I would never have been able to do any of that. When it finally came together, that scene really was just as fun as it feels."[30]
Silver Linings Playbook: Original Motion Picture Soundtrack
November 16, 2012
(Digital download)
45:36
November 16, 2012
20:27
Reception[edit]
Box office[edit]
Silver Linings Playbook earned $443,003 in its opening weekend from 16 locations, facing strong competition from films including Skyfall and Lincoln.[45] Expanding to 367 locations in its second week, the film moved to ninth place with $4.4 million.[46] By December 30, it was showing at 745 theaters and had earned $27.3 million.[47] On January 18, 2013, it earned $12.7 million when it expanded to 2,523 theaters, which boosted its total to $56.7 million.[48] In its second weekend of playing in over 2500 theaters, its sales only declined by 12.2%. Gitesh Pandya stated it was well on its way to reaching the $100 million mark and could go much higher if it remained durable over the weeks.[49]
Ray Subers forecast the film would earn $100 million, predicting that the film would start slow but keep going through December and gain a wide audience, bringing in fans of Cooper and Lawrence from their work on big franchise films, The Hangover and The Hunger Games, respectively.[50] The film surpassed the $100 million mark in North America on February 19, 2013.[51]
Critical response[edit]
Silver Linings Playbook premiered at the 2012 Toronto International Film Festival and was critically acclaimed. The film has an approval rating of 92% on Rotten Tomatoes based on 260 reviews, with an average rating of 8.2/10. The website's critical consensus reads, "Silver Linings Playbook walks a tricky thematic tightrope, but David O. Russell's sensitive direction and sharp work from a talented cast gives it true balance."[52] On Metacritic, which assigns a weighted mean rating out of 100 reviews from mainstream critics, the film holds an average score of 81, based on reviews from 45 critics, indicating "universal acclaim".[53] Audiences surveyed by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[54]