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Socialist realism

Socialist realism was the official cultural doctrine of the Soviet Union that mandated an idealized representation of life under socialism in literature and the visual arts. The doctrine was first proclaimed by the First Congress of Soviet Writers in 1934 as approved method for Soviet cultural production in all media.[1] In the aftermath of World War II, socialist realism was adopted by the communist states that were politically aligned with the Soviet Union.[2] The primary official objective of socialist realism was "to depict reality in its revolutionary development" although no formal guidelines concerning style or subject matter were provided.[1]

Not to be confused with social realism or real socialism.

Years active

1932 - present

It was usually characterized by unambiguous narratives or iconography relating to the Marxist–Leninist ideology, such as the emancipation of the proletariat.[3] Despite its name, the figures in the style are very often highly idealized, especially in sculpture, where it often leans heavily on the conventions of classical sculpture. Although related, it should not be confused with social realism, a type of art that realistically depicts subjects of social concern and was popularized in the United States during the 1930s,[4] or other forms of "realism" in the visual arts. Socialist realism was made with an extremely literal and obvious meaning, usually showing an idealized Soviet society. Socialist realism was usually devoid of complex artistic meaning or interpretation.[5][6]


Socialist realism was the predominant form of approved art in the Soviet Union from its development in the early 1920s to its eventual fall from official status beginning in the late 1960s until the collapse of the Soviet Union in 1991.[7][8] While other countries have employed a prescribed canon of art, socialist realism in the Soviet Union persisted longer and was more restrictive than elsewhere in Europe.[9]

N. Kasatkin. Pioneer-girl with book (1926)

N. Kasatkin. Pioneer-girl with book (1926)

Vladimir Pchelin, Lenin Assassination Attempt (1927)

Vladimir Pchelin, Lenin Assassination Attempt (1927)

Kuzma Petrov-Vodkin, The death of the Political Commissar (1928)

Kuzma Petrov-Vodkin, The death of the Political Commissar (1928)

Sergey Malyutin, Partisan

Sergey Malyutin, Partisan

Wojciech Weiss, Manifesto (1949/1950)

Wojciech Weiss, Manifesto (1949/1950)

Mitrofan Grekov, Trumpeter and standard-bearer (1934)

Mitrofan Grekov, Trumpeter and standard-bearer (1934)

The Green Lake by Czeslaw Znamierowski, 145 x 250 cm, 1955

The Green Lake by Czeslaw Znamierowski, 145 x 250 cm, 1955

Female Partisan in Battle, National History Museum, Tirana, Albania

Female Partisan in Battle, National History Museum, Tirana, Albania

"WE WILL FULFILL THE PARTY'S COMMISSION!" by Igor Berezovsky, 1957

"WE WILL FULFILL THE PARTY'S COMMISSION!" by Igor Berezovsky, 1957

Socialist-Realist allegories surrounding the Palace of Culture and Science in Warsaw

Socialist-Realist allegories surrounding the Palace of Culture and Science in Warsaw

Stone as a Weapon of the Proletariat by Ivan Shadr (1947)

Stone as a Weapon of the Proletariat by Ivan Shadr (1947)

Stalin Monument in Prague-Letná (1955–1962)

Stalin Monument in Prague-Letná (1955–1962)

Relief in Gori, Georgia, the birthplace of Stalin

Relief in Gori, Georgia, the birthplace of Stalin

Bek, Mikuláš; Chew, Geoffrey; and Macel, Petr (eds.). Socialist Realism and Music. Musicological Colloquium at the Brno International Music Festival 36. Prague: KLP; Brno: Institute of Musicology, Masaryk University, 2004.  80-86791-18-1

ISBN

Golomstock, Igor. Totalitarian Art in the Soviet Union, the Third Reich, Fascist Italy and the People's Republic of China, HarperCollins, 1990.

James, C. Vaughan. Soviet Socialist Realism: Origins and Theory. New York: St. Martin's Press, 1973.

Ivanov, Sergei. Unknown Socialist Realism. The Leningrad School. Saint Petersburg, NP-Print, 2007  978-5-901724-21-7

ISBN

Lin Jung-hua. Post-Soviet Aestheticians Rethinking Russianization and Chinization of Marxism (Russian Language and Literature Studies. Serial No. 33) Beijing, Capital Normal University, 2011, No.3. Р.46-53.

Prokhorov, Gleb. Art under Socialist Realism: Soviet Painting, 1930–1950. East Roseville, NSW, Australia: Craftsman House; G + B Arts International, 1995.  976-8097-83-3

ISBN

Rideout, Walter B. The Radical Novel in the United States: 1900–1954. Some Interrelations of Literature and Society. New York: Hill and Wang, 1966.

Saehrendt, Christian. Kunst als Botschafter einer künstlichen Nation ("Art from an artificial nation – about modern art as a tool of the GDR's propaganda"), Stuttgart 2009

[writing as Abram Tertz]. "The Trial Begins" and "On Socialist Realism", translated by Max Hayward and George Dennis, with an introduction by Czesław Miłosz. Berkeley: University of California Press, 1960–1982. ISBN 0-520-04677-3

Sinyavsky, Andrei

The Leningrad School of Painting. Essays on the History. St Petersburg, ARKA Gallery Publishing, 2019.  978-5-6042574-2-5

ISBN

. Translation and revised version of "Las noches rusas y el origen del realismo socialista."

Origin of Socialist Realism in Russia and China

Moderna Museet in Stockholm, Sweden: Socialist Realist Art Conference

Marxists.org Socialist Realism page

Virtual Museum of Political Art – Socialist Realism

Research Guide to Russian Art

Socialist realism: Socialist in content, capitalist in price