South Pacific (1958 film)
South Pacific is a 1958 American romantic musical film based on the 1949 Rodgers and Hammerstein musical South Pacific, which in turn is loosely based on James A. Michener's 1947 short-story collection Tales of the South Pacific. The film, directed by Joshua Logan, stars Rossano Brazzi, Mitzi Gaynor, John Kerr and Ray Walston in the leading roles with Juanita Hall as Bloody Mary, the part that she had played in the original stage production. The film was nominated for three Academy Awards, winning the Academy Award for Best Sound for Fred Hynes. It is set in 1943, during World War II, on an island in the South Pacific.
South Pacific
Magna
20th Century-Fox
- March 19, 1958
157 minutes
(Theatrical Version)[1]
172 minutes
(Roadshow Version)
United States
English
$5.61 million[2]
Plot[edit]
During World War II, the U.S. Navy and U.S. Marines are preparing a counteroffensive against the Imperial Japanese Navy in the islands of the South Pacific. Lieutenant Joe Cable, a Marine officer, asks a local French planter, Emile de Becque, to help him on a reconnaissance mission behind Japanese lines. De Becque is falling in love with a U.S. Navy nurse, Nellie Forbush, and does not want to get involved. A Navy Construction Battalion sailor (Seabee) named Luther Billis persuades Cable to visit the nearby island of Bali Hai, where he falls in love with a local girl named Liat. Nellie Forbush is bothered by de Becque's mixed race children, and Cable is tormented by the thought of bringing Liat back to his conservative Main Line family. De Becque eventually volunteers for a dangerous mission with Cable on a Japanese held island to provide vital intelligence for the U.S. Navy. Cable is killed during this mission, but De Becque returns home to marry Nellie.
Production[edit]
Following the successes of the film versions of Rodgers & Hammerstein's Oklahoma! (1955) and Carousel, the producers decided to tackle a big-screen adaptation of South Pacific as their next project.
The film was produced by "South Pacific Enterprises", a company created specifically for the production, owned by Rodgers, Hammerstein, Logan, Magna Theatre Corporation (owners of the Todd-AO widescreen process the film would be photographed in), and Leland Hayward, producer of the original stage production.[5] 20th Century Fox partially invested in the production in exchange for some distribution rights. Additionally, all production departments and department heads were Fox's, and Fox's research department re-engineered the Todd-AO process, changing its frame rate from 30 fps (for 70mm presentations) to 24 fps, thereby eliminating "simufilming" in 65mm and 35mm (as in Oklahoma!) or in 65mm 30 fps and 65mm 24 fps (as in Around the World in 80 Days), and for the most part eliminating the American Optical lenses, replacing these with Bausch & Lomb's then new Super Baltars, and for the most part replacing the Fearless Superfilm cameras with a new family of Mitchell cameras commissioned by Fox (BFC, "Blimped Fox Camera", a 65mm version of Mitchell's BNC, and FC, "Fox Camera", a 65mm version of Mitchell's NC). The original Todd-AO cameras continued to be employed, occasionally, as a B or C camera.
The producers' original plan was to have Ezio Pinza and Mary Martin, the two leads of the original Broadway cast, reprise their roles for the film, but Pinza died suddenly in May 1957. Had he lived to perform in the film, the producers would have cast Martin.[6] Logan said he was unable to find an actor who would match Martin; the only big star of the right age seemed to be Vittorio de Sica, whom Logan felt "too saturnine".[7]
Instead, Doris Day was offered the part of Nellie, but passed; Elizabeth Taylor tested for the same role, but was rejected by Rodgers after she suffered stage fright in her audition. Logan later heard her sing but was unable to persuade Rodgers to change his mind.[6] Ultimately, Mitzi Gaynor, who had prior work in musical films, and had tested twice for Nellie, was cast in the role.[6] Rossano Brazzi was cast as Emile, a role that was first offered to such established stars as Charles Boyer, Howard Keel, and Fernando Lamas.[5] Ray Walston, a noted Broadway musical actor, played the part of Seabee Luther Billis, which he had previously played on stage in London.[6]
Hanalei Bay, on the Hawaiian island of Kauai, served as the filming location, with Emil Kosa Jr.'s matte paintings providing distant views of the fantastic island Bali Ha'i. A second unit filmed aerial views of Fijian islands while some sources claim footage of Tioman Island, off Malaysia's south-east coast, were also featured, though this seems unlikely given the logistics involved. Location filming provided sweeping shots of tropical island scenes, as well as a new sequence not in the stage version, in which Billis, having parachuted from a damaged plane, has a boat dropped on him, then comes under a series of attacks, following his fatalistic "Oh, it's going to be one of those days, huh?"
The film includes the use of colored filters during many of the song sequences,[8] which has been a source of criticism for the film. Director Joshua Logan wanted these filters to produce subtle changes, but 20th Century Fox, the company that would distribute the 35mm version, made them extreme changes; since tickets to the film were pre-sold (it was a roadshow attraction), there was no time to correct this.[6]
All of the songs from the stage production were retained for the film. A song entitled "My Girl Back Home", sung by Lt. Cable and Nellie, cut from the Broadway show, was added.[8]
One of the differences between the film version and the Broadway version of the musical is that the first and second scenes of the play are switched around, together with all the songs contained in those two scenes. The original European cut of the film shown in the United Kingdom and Europe does not switch those scenes and it plays out as on the stage. The stage version begins with Nellie and Emile's first scene together on the plantation, then proceeds to show Bloody Mary, Lieutenant Joe Cable, and the Seabees on the beach, while in the film version Lieutenant Cable is shown at the very beginning being flown by plane to the island, where the Seabees and Bloody Mary have their first musical numbers. (The first musical number in the film is "Bloody Mary", sung by the Seabees, while in the stage version it is "Dites-moi", sung by Emile's children, again the only version of this song in the final release print of the film is a reprise sung with their father Emile. It is only on the soundtrack recording that it is first heard as a duet by just the children Ngana and Jerome themselves.) Emile is not shown in the film until about thirty minutes into it; in the film, Nellie first appears during the scene with the Seabees. Because of the switch, the show's most famous song, "Some Enchanted Evening", is not heard until nearly forty-five minutes into the film, while in the show it is heard about fifteen minutes after Act I starts.
Juanita Hall sang in the stage production and took part in the recording of the stage production cast album. However, she had her singing dubbed for the film version by Muriel Smith, who played Bloody Mary in the London stage production.[6] Metropolitan Opera star Giorgio Tozzi provided the singing voice for the role of Emile de Becque in the film.[6] John Kerr starred as 2nd Lt. Joseph Cable, USMC and his singing voice was dubbed by Bill Lee.[6] Ken Clark, who played Stewpot, was dubbed by Thurl Ravenscroft (who sang "You're a Mean One, Mr. Grinch" and was the voice of Tony the Tiger). Gaynor and Walston were the only principal cast members whose own singing voices were used.
Remakes[edit]
In 2001, a television version of the musical starring Glenn Close, Harry Connick Jr. and Rade Šerbedžija was released.
A film remake by producers Ileen Maisel and Bob Balaban starring Michelle Williams as Nellie Forbush that was announced in 2010 has not materialized.[31][32]