Spectrum
Spectrum Plays the Blues
1969
–1973 , 1999 –present- EMI
- Harvest
- His Master's Voice
- RareVision
- Volcano
- Mike Rudd
- Broc O'Connor
- Peter 'Robbo' Robertson
- Daryl Roberts
- Mark Kennedy
- Lee Neale
- Bill Putt
- Ray Arnott
- John Mills
History[edit]
1969–1971: Early years[edit]
Spectrum were formed in April 1969 in Melbourne, as a progressive rock group, by Mark Kennedy on drums (ex-Gallery), Lee Neale on organ (ex-Nineteen87), Bill Putt on bass guitar (ex-Gallery, The Lost Souls), and Mike Rudd on guitar, harmonica and lead vocals (ex-Chants R&B, The Party Machine, Sons of the Vegetal Mother).[1][2][3] Initially the group drew on the work of contemporary bands such as Traffic, Soft Machine and Pink Floyd; they played cover versions of their material.[1][3] Spectrum developed their own style as Rudd began writing original material.[3] Alongside Kennedy's drum solos, Putt's bass playing and Neale's keyboard work, a feature of Spectrum's sound was Rudd's guitar playing — he eschewed the near-universal use of guitar picks – using a finger-picking style on a vintage Fender Stratocaster to develop a characteristic sound.[3]
During twelve months of regularly performing on the local dance and discothèque circuit, Spectrum refined their original material. They appeared at various "head" (see cannabis slang) venues around Melbourne: T.F. Much Ballroom, Garrison and Sebastian's, alongside other progressive rockers, Tully, Tamam Shud and Sons of the Vegetal Mother. Spectrum used an elaborate set-up which included a large PA and a full multi-media light show; often supplemented by a performance troupe, Tribe. Early in 1970 they cut a demo single which they hawked to record companies as a 7" acetate. One side was an early, folk version of "I'll Be Gone". The B-side was another original, "You Just Can't Win". According to rock music historian, Ian McFarlane, these acetates are now "impossibly rare" and only two or three copies are known to have survived.[3][4]
Despite a loyal following and praise from the music press – including from Australia's pop newspaper Go-Set – the band were almost broke by mid-1970. After they signed to EMI under their progressive rock imprint, Harvest Records,[1] the band went into the studio in August 1970 to make their first official recordings, using producer, Howard Gable (The Masters Apprentices).[3] Rudd described the recording sessions, "[we had] gone into the studio in order to record 'Launching Place Parts I & II', to help promote the Launching Place Festival. When we had finished recording those, Howard asked us did we have any others and I said, 'Yeah, I've got this one called "I'll Be Gone"', which we recorded as an afterthought. But then it became a hit single."[5] Rudd had decided to add a harmonica part to the song.[5]
The festival at Launching Place occurred in December 1970.[6] "I'll Be Gone" was released in January 1971,[7] which became a surprise No. 1 Australian hit on the Go-Set National Top 60 singles chart in May that year.[8] It became one of the most enduring Australian rock songs of that era.[3] McFarlane described it as a "shuffling, hypnotic" track, for which "suddenly the band was in big demand."[1]
Current
Former
Awards and nominations[edit]
Go-Set Pop Poll[edit]
The Go-Set Pop Poll was coordinated by teen-oriented pop music newspaper, Go-Set and was established in February 1966 and conducted an annual poll during 1966 to 1972 of its readers to determine the most popular personalities.[18]