Studio 60 on the Sunset Strip
Studio 60 on the Sunset Strip is an American comedy-drama television series created and primarily written by Aaron Sorkin. The series was about the production of a live comedy series similar to Saturday Night Live. Produced by Warner Bros. Television, Studio 60 on the Sunset Strip ran on NBC for 22 episodes, from September 18, 2006, to June 28, 2007.
Studio 60 on the Sunset Strip
United States
English
1
22
37–46 minutes
- Shoe Money Productions
- Warner Bros. Television
September 18, 2006 –
June 28, 2007
On May 14, 2007, NBC canceled the series after one season. This is Sorkin's only series not to air for more than one season.
Plot[edit]
The series takes place behind the scenes of a live sketch comedy show (also called Studio 60 on the Sunset Strip or Studio 60) on the fictional television network NBS (National Broadcasting System), whose format is similar to that of NBC's Saturday Night Live. The show-within-a-show is run by executive producers Matt Albie (Matthew Perry) and Danny Tripp (Bradley Whitford). Matt serves as the head writer and Danny produces the show.
Production[edit]
Development[edit]
Studio 60 on the Sunset Strip was tentatively titled Studio 7 on the Sunset Strip during its development stage. The series prompted NBC and CBS to engage in an intense bidding war for the rights to the show in October 2005, with NBC agreeing to a "near-record license fee" in order to obtain the rights.[5] It was the show most anticipated by media buyers prior to the network upfront presentations, according to MediaLife.[6] Among the online public the show was also highly anticipated, receiving the most online "mentions" and the most positive sentiment of any new 2006 show.[7]
Influences on the show[edit]
Sorkin drew from his own experience as a writer in creating the characters (the Harriet/Matt relationship was based on Sorkin's relationship with Kristin Chenoweth, who played Annabeth Schott on The West Wing).[8] In Studio 60's pilot, one of the reasons that Matt and Harriet broke up was Harriet's decision to appear on The 700 Club to support her Christian music album. In 2005, Chenoweth made a similar appearance on The 700 Club, sparking a negative reaction from some of her gay fans because of the views of 700 Club host Pat Robertson.[9] Unlike Matt and Harriet, Sorkin and Chenoweth did not work together on The West Wing. Sorkin left after The West Wing's fourth season and Chenoweth joined the cast during season six.
The Jordan McDeere character was loosely based on former ABC Entertainment President Jamie Tarses, who was a consultant on the show.[10]
The conflict between NBS and the FCC regarding uncensored language of American soldiers in Afghanistan parallels the decision by a small number of PBS affiliates to air the Oscar-nominated documentary Operation Homecoming: Writing the Wartime Experience in full, despite potentially hefty fines for unedited obscenities used by American soldiers describing their experiences in Iraq.[11]
Following Sorkin's trend of putting real-life behind-the-scenes conflict into the writing of the show, the latter episodes of the series focus on Matt and Danny having to come up with more money for the show. The duo determine that they could raise extra money by remaking the stage as a form of product placement. This mirrors the real-world struggle of the show and its constant attempts to reduce the budget of the show and also generate more money. The new stage and its advertisements would have generated money for Studio 60, the fictional show, as well as the real life Studio 60 program. This last-ditch attempt was not enough to save the show.
Similarities to 30 Rock[edit]
Two shows debuting on 2006–07 NBC lineup, 30 Rock and Studio 60 on the Sunset Strip, revolved around the off-camera happenings on a Saturday Night Live-analogue sketch comedy series. Similarities between the two led to speculation that only one of them would be picked up. 30 Rock co-star Alec Baldwin said, "I'd be stunned if NBC picked up both shows. And ours has the tougher task, as a comedy, because, if it's not funny, that's it."[12] Kevin Reilly, then president of NBC Entertainment, was supportive of 30 Rock creator, writer, producer and star Tina Fey, describing the situation as a "high-class problem":
Evidence of the overlapping subject matter between the shows, as well as the conflict between them, arose when Aaron Sorkin asked Lorne Michaels to allow him to observe Saturday Night Live for a week, a request Michaels denied.[12] Despite this, Sorkin sent Fey flowers after NBC announced it would pick up both series, and wished her luck with 30 Rock.[14] Fey said that "it's just bad luck for me that in my first attempt at prime time I'm going up against the most powerful writer on television. I was joking that this would be the best pilot ever aired on Trio. And then Trio got canceled."[12]
Although 30 Rock's first-season ratings proved lackluster and were lower than those of Studio 60,[15] Studio 60 was more expensive to produce.[16] Studio 60 was canceled after one season while 30 Rock was renewed, and would ultimately last for seven seasons and 138 episodes, the last of which aired during the 2012–13 season.
Reception[edit]
Critical reaction[edit]
Television critics named Studio 60 their "Best Overall New Program" in a poll conducted by Broadcasting and Cable,[22] based on the pilot episode. In their 2006 year-end issue, the New York Daily News listed Studio 60 as number 6 on their best "Series of the Year" list, and it was also listed in best standout performances as number 9 for Matthew Perry.[23]
Glenn Garvin of the Miami Herald named Studio 60 as number 2 on his list of best "Series of the Year."[24] Studio 60 earned a collective rating of 75 out of 100 based on 33 reviews by TV critics and received 8.2 out of 10 from 276 votes by users on Metacritic.[25]
The pilot was seen by an average of 13.4 million total viewers in its initial airing on NBC, although it experienced significant viewer falloff from the first half-hour to the second half-hour,[26] and the second episode's Nielsen ratings were down by 12% from the pilot.[27] The erosion continued through episode 5, with a 43% viewer drop off from its premiere, but subsequently leveled off.
On October 27, 2006, NBC gave a conditional "vote of confidence" by ordering three additional scripts on top of the initial order of 13.[28] Despite the order, Studio 60 performed poorly in the ratings, which led to speculation that the network was seriously considering canceling the show.
Gossip blogger Roger Friedman of Fox News reported on October 30, 2006, that cancellation of the show was imminent.[29] This was denied the next day by an NBC representative who stated that the show "is profitable at this point" and that, rather than a cancellation, it was more likely that the timeslot would change.[30]
On November 9, 2006, NBC announced that the show had been picked up for a full season, citing its favorable demographics as the reason. According to NBC's press release: "Studio 60 has consistently delivered some of the highest audience concentrations among all primetime network series in such key upscale categories as adults 18–49 living in homes with $75,000-plus and $100,000-plus incomes and in homes where the head of household has four or more years of college."
In its December 17, 2006, issue, Time listed Studio 60 as one of "5 Things That Went From Buzz to Bust", sharing the distinction with other "phenomena that captivated the media for a spell, then turned out to be less than huge."[31] Entertainment Weekly named Studio 60 the worst TV show of 2006.[32] Comedy writers were largely disdainful of Studio 60, with comments like "People in television, trust me, are not that smart", "[Sorkin] wants to get big ideas across and change people's minds. No comedians work that way. They go for the laughs first and the lesson second", and "[Saturday Night Live] is so dark, they could never show what actually happens there."[33]
The New Yorker described the short-lived Studio 60 on the Sunset Strip as a show people loved to hate-watch, as "it was bad in a truly spectacular way—you could learn something from it, about self-righteous TV speechifying and failed satire and the dangers of letting a brilliant showrunner like [Aaron] Sorkin run loose to settle all his grudges in fictional form".[34]
On July 19, 2007, the Academy of Television Arts & Sciences announced their nominations for the 2007 Primetime Emmy Awards. Studio 60 was nominated in five categories. The pilot episode earned three nominations: Outstanding Directing (Thomas Schlamme), Outstanding Cinematography for a Single-Camera Series, and Outstanding Casting in Dramatic Series. Both John Goodman and Eli Wallach were nominated Outstanding Guest Actor in Dramatic Series.[35] Studio 60 Emmy nominations surpassed several other shows, such as Friday Night Lights and Dexter, which got two and three, respectively. The show also tied with CSI and 24.
U.S. scheduling[edit]
On December 2, 2006, NBC announced that Studio 60 would be sharing the Monday at 10 p.m. timeslot with The Black Donnellys; as a result, Studio 60 was on hiatus from December 4, 2006, to January 22, 2007.[36] It then aired intermitently until February 26, 2007, when it was scheduled to take another hiatus.[37]
On February 13, 2007, NBC announced that Studio 60 would go on hiatus one week early, and that the last episode would air on February 19, 2007; at least partially due to the show's delivering its lowest ratings to date on the Monday preceding the announcement.[38]
During the hiatus on NBC, The Black Donnellys (premiered February 26), Thank God You're Here (premiered April 9), The Real Wedding Crashers (premiered April 23, after Thank God You're Here moved to Wednesdays),[39][40] and Law & Order: Criminal Intent (aired its last two episodes of the season starting May 14) occupied the Monday 10 p.m. time period.
On April 2, 2007, NBC announced that Studio 60 would not reclaim its Monday at 10 p.m. time slot at the conclusion of The Black Donnellys run and that The Real Wedding Crashers, a reality show based on the popular movie, would occupy the timeslot from April 23, 2007, through the end of the TV season. However, on April 26, NBC announced that Studio 60 would return from its hiatus on Thursday, May 24, at 10:00 p.m.
Studio 60 was canceled on May 11, 2007, during the NBC upfront presentation.[41]
After cancellation[edit]
In a 2011 reference to the cancelled Studio 60, Aaron Sorkin appeared in "Plan B", a fifth-season episode of 30 Rock; he played himself, depicted as looking for work alongside an also-struggling Liz Lemon. He refers to his achievements, such as The West Wing and The Social Network, but when Liz Lemon mentions Studio 60, he quickly replies, "Shut up!" During the March 2012 promotion of Bent, an NBC romantic comedy series starring Amanda Peet, Peet commented on what the issue was with Studio 60, saying it was "too expensive and there was too much anticipation. I guess all together we seemed like this arrogant monolith, but individually, none of us felt very arrogant."[42]
In later years, the show gained more positive recognition,[43] with critics praising Perry's performance in particular following the actor's death.[44][45] Writing in The Guardian, Jack Seale said Perry "was better than anyone at nailing Sorkin’s turbo-speed dialogue and adept at finding subtler, gentler notes in the gaps between the lines than was possible in a sitcom. But the soul of Perry’s performance was in its closeness to his own personality."[46]
Home media[edit]
DVD release[edit]
On June 27, 2007, the day before the airing of the show's final episode, Warner Home Video announced an October 16 release date for the Studio 60 on the Sunset Strip: Complete Series DVD set.[55]
Alternative availability[edit]
NBC made the pilot episode of Studio 60 available on DVD to Netflix subscribers on August 5, 2006. The DVD also includes the pilot episode for Kidnapped, another show which aired on NBC in the fall and also got canceled. AOL also premiered the first episode of Studio 60 in its entirety on its online television channel.
The pilot episode was screened to the general public for the first time at the 31st MediaGuardian Edinburgh International Television Festival, a British industry and media event held annually over the August bank holiday weekend (August 25–27, 2006). The pilot episode was screened outdoors on a "giant billboard style screen" in Conference Square, next to the Edinburgh International Conference Centre.[56]