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Sylvia Plath

Sylvia Plath (/plæθ/; October 27, 1932 – February 11, 1963) was an American poet, novelist, and short story writer. She is credited with advancing the genre of confessional poetry and is best known for The Colossus and Other Poems (1960), Ariel (1965), and The Bell Jar, a semi-autobiographical novel published shortly before her suicide in 1963. The Collected Poems was published in 1981, which included previously unpublished works. For this collection Plath was awarded a Pulitzer Prize in Poetry in 1982, making her the fourth to receive this honour posthumously.[1]

"Plath" redirects here. For other people, see Plath (surname).

Sylvia Plath

(1932-10-27)October 27, 1932
Boston, Massachusetts, U.S.

February 11, 1963(1963-02-11) (aged 30)
London, England

Heptonstall Church, England

Victoria Lucas

  • Poet
  • novelist
  • short story writer

English

1960–1963

  • Poetry
  • fiction
  • short story
(m. 1956)

Born in Boston, Massachusetts, Plath graduated from Smith College in Massachusetts and the University of Cambridge, England, where she was a student at Newnham College. Plath later studied with Robert Lowell at Boston University, alongside poets Anne Sexton and George Starbuck. She married fellow poet Ted Hughes in 1956, and they lived together in the United States and then in England. Their relationship was tumultuous and, in her letters, Plath alleges abuse at his hands.[2] They had two children before separating in 1962.


Plath was clinically depressed for most of her adult life, and was treated multiple times with early versions of electroconvulsive therapy (ECT).[3] She ended her own life in 1963.

Biography[edit]

Early life and education[edit]

Plath was born on October 27, 1932, in Boston, Massachusetts.[4][5] Her mother, Aurelia Schober Plath (1906–1994), was a second-generation American of Austrian descent, and her father, Otto Plath (1885–1940), was from Grabow, Germany.[6] Plath's father was an entomologist and a professor of biology at Boston University who wrote a book about bumblebees.[7]


On April 27, 1935, Plath's brother Warren was born.[5] In 1936 the family moved from 24 Prince Street in Jamaica Plain, Massachusetts, to 92 Johnson Avenue, Winthrop, Massachusetts.[8] Plath's mother, Aurelia, with Plath's maternal grandparents, the Schobers, had lived since 1920 in a section of Winthrop called Point Shirley, a location mentioned in Plath's poetry. While living in Winthrop, eight-year-old Plath published her first poem in the Boston Herald's children's section.[9] Over the next few years, Plath published multiple poems in regional magazines and newspapers.[10] At age 11, Plath began keeping a journal.[10] In addition to writing, she showed early promise as an artist, winning an award for her paintings from the Scholastic Art & Writing Awards in 1947.[11] "Even in her youth, Plath was ambitiously driven to succeed."[10]


Otto Plath died on November 5, 1940, a week and a half after Sylvia's eighth birthday,[7] of complications following the amputation of a foot due to untreated diabetes. He had become ill shortly after a close friend died of lung cancer. Comparing the similarities between his friend's symptoms and his own, Otto became convinced that he, too, had lung cancer and did not seek treatment until his diabetes had progressed too far. Raised as a Unitarian, Plath experienced a loss of faith after her father's death and remained ambivalent about religion throughout her life.[12] Her father was buried in Winthrop Cemetery in Massachusetts. A visit to her father's grave later prompted Plath to write the poem "Electra on Azalea Path".


After Otto's death, Aurelia moved her children and her parents to 26 Elmwood Road, Wellesley, Massachusetts, in 1942.[7] Plath commented in "Ocean 1212-W", one of her final works, that her first nine years "sealed themselves off like a ship in a bottle—beautiful, inaccessible, obsolete, a fine, white flying myth".[5][13] Plath attended Bradford Senior High School, which is now Wellesley High School in Wellesley, Massachusetts, graduating in 1950.[5] Just after graduating from high school, she had her first national publication in The Christian Science Monitor.[10]

In his : Five Poems of Sylvia Plath (1971), American composer Ned Rorem has set for soprano, clarinet and piano the poems "Words", "Poppies In July", "The Hanging Man", "Poppies In October", and "Lady Lazarus."[111][112]

Ariel

Also drawing from , in his Six Poems by Sylvia Plath for solo soprano (1975), German composer Aribert Reimann has set the poems "Edge", "Sheep In Fog", "The Couriers", "The Night Dances", and "Words."[113] He later set "Lady Lazarus" (1992), also for solo soprano.[114][115]

Ariel

Finnish composer 's five-part From the Grammar of Dreams for soprano and mezzo a cappella (1988)[116] is constructed on a collage of fragments from The Bell Jar and the poem "Paralytic."[117] The piece was also arranged by the composer into a version for soprano and electronics (2002), in which the singer sings in interaction with a recorded double of her own voice.[118] Albeit composed as a concert piece, From the Grammar of Dreams has also been staged.[119][120]

Kaija Saariaho

American composer 's Lorelei (1989) for mezzo, horn, and piano is a setting of Plath's poem of the same name.[121] Hall had previously set "The Night Dances" as a movement of her cycle for soprano and piano Night Dances (1987) featuring texts by five female poets,[122][123] and went on to write a song cycle for soprano and piano entirely devoted to Plath, Crossing The Water (2011), which comprises the poems "Street Song", "Crossing The Water", "Rhyme", and "Alicante Lullaby."[124]

Juliana Hall

In her cycle for soprano and piano The Blood Jet (2006), American composer set the poems "Morning Song", "The Rival", "Kindness", and "Balloons."[125][126]

Lori Leitman

(1960, William Heinemann)

The Colossus and Other Poems

(1965, Faber and Faber)

Ariel

Three Women: A Monologue for Three Voices (1968, Turret Books)

[127]

(1971, Faber and Faber)

Crossing the Water

(1971, Faber and Faber)

Winter Trees

The Collected Poems (1981, Faber and Faber)

Selected Poems (1985, Faber and Faber)

Ariel: The Restored Edition (2004, Faber and Faber)

Sylvia Plath effect

at Curlie

Sylvia Plath

at IMDb

Sylvia Plath

Peter K. Steinberg's

A celebration, this is

Plath profile from American Academy of Poets

The Daily Telegraph

Sylvia Plath drawings at The Mayor Gallery

at Faded Page (Canada)

Works by Sylvia Plath

at the British Library

Sylvia Plath

at University of Victoria, Special Collections

Ted Hughes and Sylvia Plath collection

Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University Libraries

Sylvia Plath collection, 1952–1989

Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University Libraries

Harriet Rosenstein research files on Sylvia Plath, 1910–2018

at the Mortimer Rare Book Collection, Smith College Special Collections

Sylvia Plath Collection

Matthies, Gesa (2016). . France. Archived from the original on September 14, 2018. Retrieved September 13, 2018.

The Lady in the Book – Sylvia Plath, portraits

Gesa Matthies (2016). . Ana Films. Retrieved February 12, 2022.

The lady in the book

profile and video. BBC archive. Plath reading "Lady Lazarus" from Ariel (sound file) Archived February 24, 2018, at the Wayback Machine

BBC

adapted by Barry Kyle, January 21, 1981

Review of "Sylvia Plath: A Dramatic Portrait"