That Was the Week That Was
That Was the Week That Was, informally TWTWTW or TW3, was a satirical television comedy programme that aired on BBC Television in 1962 and 1963. It was devised, produced, and directed by Ned Sherrin and Jack (aka John) Duncan, and presented by David Frost.
That Was the Week That Was
TW3
Satire
- Ned Sherrin
- Jack Duncan
United Kingdom
English
2
37
50 minutes
BBC
24 November 1962
28 December 1963
The programme is considered a significant element of the satire boom in the UK in the early 1960s, as it broke ground in comedy by lampooning political figures. TW3 was broadcast from Saturday, 24 November 1962 to late December 1963. An American version under the same title aired on NBC from 1964 to 1965, also featuring Frost.
Cast and writers[edit]
Cast members included cartoonist Timothy Birdsall, political commentator Bernard Levin, and actors Lance Percival, who sang topical calypsos, many improvised to suggestions from the audience, Kenneth Cope, Roy Kinnear, Willie Rushton, Al Mancini, Robert Lang, David Kernan and Millicent Martin. The last two were also singers and the programme opened with a song – "That Was The Week That Was" – sung by Martin to Ron Grainer's theme tune and enumerating topics in the news. Frankie Howerd also guested in one episode with stand-up comedy.
Script-writers included John Albery, John Antrobus, John Betjeman, John Bird, Graham Chapman, John Cleese, Peter Cook, Roald Dahl, Robin Grove-White, Richard Ingrams, Lyndon Irving, Gerald Kaufman, Frank Muir, David Nobbs, Denis Norden, Bill Oddie, Dennis Potter, Eric Sykes, Kenneth Tynan, and Keith Waterhouse.[1]
Reception[edit]
Prime Minister Harold Macmillan was initially supportive of the programme, chastising Postmaster General Reginald Bevins for threatening to "do something about it".[9] However, the BBC received many complaints from organisations and establishment figures. Lord Aldington, vice-chairman of the Conservative Party, wrote to BBC director-general Hugh Greene that Frost had a hatred of the prime minister which "he finds impossible to control". The programme also attracted complaints from the Boy Scout Association about an item questioning the sexuality of its founder Lord Baden-Powell, and from the government of Cyprus which claimed that a joke about their ruler Archbishop Makarios was a "gross violation of internationally accepted ethics".[10]
Historians have identified TW3 as breaking ground in comedy and broadcasting. Graham McCann said that it challenged the "convention that television should not acknowledge that it is television; the show made no attempt to hide its cameras, allowed the microphone boom to intrude, and often revealed other nuts and bolts of studio technology."[11] This was unusual in the 1960s and gave the programme a modern feel.[12] TW3 also flouted conventions by adopting "a relaxed attitude to its running time", and "it seemed to last just as long as it wanted".[11]
The programme was taken off the air at short notice in December 1963 with the explanation that "1964 is a General Election year".
Legacy[edit]
TW3 was broadcast live, but it was normally recorded for legal reasons; only the pilot episode was not recorded.[13] A compilation of material was shown on BBC Four to celebrate the 40th anniversary. The series placed 29th in the 100 Greatest British Television Programmes in 2000.
Alternative versions[edit]
US versions[edit]
An American version was on NBC from 10 November 1963 to May 1965.[14] The pilot featured Henry Fonda and Henry Morgan, with Mike Nichols and Elaine May as guests, and supporting performers including Gene Hackman. The recurring cast included Frost, Morgan, Buck Henry, Tom Bosley,[15] and Alan Alda,[15] with Nancy Ames singing an opening news-satire-song[15] and Stanley Grover and Ames performing solos and duets. Regularly contributing writers included Gloria Steinem, William F. Brown, Tom Lehrer, and Calvin Trillin.[16] The announcer was Jerry Damon. A running gag was a mock feud with Jack Paar, whose own program followed TW3 on the NBC Friday schedule; Paar repeatedly referred to TW3 as "Henry Morgan's Amateur Hour".
Of 50 episodes, only a few survive in video form, yet audio episodes survive on acetate disc.[15] The first-season black-and-white episodes were preserved on kinescope film; the surviving colour episodes of the second and final season were recorded in the then-standard two-inch colour quadruplex videotape format. The Paley Center has copies of some seven episodes, including the hour-long pilot. Also, scripts of all shows survive, both in the NBC Collection at the Library of Congress and in the papers of executive producer Leland Hayward at the New York Public Library. Amateur audio recordings of all or nearly all episodes also survive,[17] and an hour-long recording, That Was That Was The Week That Was, a compilation of bits from various shows, was issued on LP and, in 1992, reissued on CD. After the series' cancellation, Lehrer, who did not appear on the show, recorded a collection of his songs used on the show on That Was The Year That Was, released by Reprise Records in September 1965.
ABC aired a That Was The Week That Was special on 21 April 1985, hosted by David Frost and Anne Bancroft and featuring future Saturday Night Live cast members Jan Hooks and A. Whitney Brown and puppetry from Spitting Image.[18]
Parodies[edit]
Cleveland, Ohio, local personality Ghoulardi (played by Ernie Anderson), host of WJW-TV's Shock Theater in the 1960s, ran clips of local celebrities and politicians and satirised them in a Shock Theater segment entitled That Was Weak Wasn't It?[20]
Beginning in 2006, 1812 Productions, an all comedy theatre company in Philadelphia, Pennsylvania, has annually performed a stage show called This Is the Week That Is. The variety show style play is written by its small cast with a script that changes nightly over several weeks of performances, and includes improvised comedy, musical parodies, and a versatile cast of performers. The show focuses on politics and news from the preceding year, often taking on local Philadelphia stories as well. In 2019, a documentary, In the Field; Conceiving Satire: The Making of This Is The Week That Is, about the creation of the long-running show was commissioned by the American Theatre Wing and nominated for a Mid-Atlantic Emmy Award for Arts Program/Special.[21]