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Quadruplex videotape

2-inch quadruplex videotape (also called 2″ quad video tape or quadraplex) was the first practical and commercially successful analog recording video tape format.[1] It was developed and released for the broadcast television industry in 1956 by Ampex, an American company based in Redwood City, California.[2] The first videotape recorder using this format was built the same year. This format revolutionized broadcast television operations and television production, since the only recording medium available to the TV industry until then was motion picture film.

Media type

Since most United States network broadcast delays by the television networks at the time used kinescope film that took time to develop, the networks wanted a more practical, cost-effective, and quicker way to time-shift television programming for later airing in Western time zones than the expensive and time-consuming processing and editing of film. Faced with these challenges, broadcasters sought to adapt magnetic tape recording technology (already used for audio recording) for use with television as well. By 1954 the television industry in the US was consuming more film stock than all Hollywood studios combined.[3]


The term "quadruplex" refers to the use of four magnetic record/play heads mounted on a headwheel spinning transversely (width-wise) across the tape at a rate of 14,386 RPM[4] (for 960 recorded stripes per second) for NTSC 525 lines/30fps-standard quad decks and at 15,000 RPM (for 1,000 stripes per second) for those using the PAL 625 lines/25fps video standard. This method is called quadrature scanning, as opposed to the helical scan transport used by later videotape formats. The tape ran at a speed of either 7.5 or 15 in (190.5 or 381.0 mm) per second; the audio, control, and cue tracks were recorded in a standard linear fashion near the edges of the tape. The cue track was used either as a second audio track, or for recording cue tones or time code for linear video editing.[5]


The quadruplex format employs segmented recording; each transversely recorded video track on a 2-inch quad videotape holds one-sixteenth (NTSC) or one-twentieth (PAL)[6] of a field of interlaced video. (For NTSC systems, the math suggests 15 transverse head passes, each consisting of 16 lines of video, are required to complete one field.) This meant that 2-inch quad did not support "trick-play" functions, such as still, shuttle, and reverse or variable-speed playback. (In fact, the quadruplex format could only reproduce recognizable pictures when the tape was playing at normal speed.)[7] However, it was capable of producing extremely high-quality images with a horizontal resolution of about 400 lines per picture height, and remained the de facto industry standard for television broadcasting from its inception in 1956 to the mid-1980s, when newer, smaller, and lower-maintenance videotape formats such as Type C videotape superseded it.[8]


There were three different variations of 2-inch quad:


Most quad machines made later in the 1960s and 1970s by Ampex can play back both low and high-band 2-inch quad tape.[9]

VR-1000 (1956) (VRX-1000) Low band, three racks of tubes, monochrome. No timebase correction.[33][34][35]

FM

VR-1000 "Allen" or "Allenized" update kits (made for Ampex by Steve Allen at ) to color solid state, FM high band updateable, solid state servo system.[36]

Allen Electronics

VR-1001 VR-1000 with the transport vertical.

VR-2000 (1964) Solid state, first color-capable quad VTR with high band. Optional Editec, Dropout compensation. Mark 10 . Analog TBC.[25]

head

VR-1100E (1966) Solid-state VR-1000.

[37]

VR-1195 (1966) VR1100 with many Ampex updates.

VR-1200 (1966) Solid state, color high-band. Analog TBC. Optional Editec. Scaled-down economy version of the VR-2000.[39]

[38]

VR-3000 (1967) Portable VTR with a Mark 11 ball-bearing head. All-format VTR (NTSC/PAL/SECAM, 15 IPS/7.5 IPS, high-band/low-band). Digital TBC was possible, but required extensive mechanical modifications to the basic unit. Battery- or line-powered.

[40]

VR-3000B Portable VTR Improved version of VR-3000. Digital TBC was available as a plug-in accessory, and required no modifications to the basic unit. Improved batteries.

[41]

AVR-1 (1973) Very fast VTR, , vacuum capstan, air transport. NTSC/PAL switchable. Analog TBC.[42][43]

vacuum columns

ACR-25 (1974) Cart VTR, with two AVR-1 type decks.

[44]

ACR-25B (1975) Cart VTR, ACR-25 with AVR-2 TBC.[45][46]

digital

AVR-2 (1974) Digital TBC, compact Quad used in studios and remote trucks. Uses 110-volt AC (other quad models require 220-volt or 3-phase AC service, although the AVR-2 can be wired for either 110- or 220-volt service).

single-phase

AVR-3 (1975) Last Ampex Quad, digital TBC. Vacuum capstan. Super high band.[48]

[47]

2 Inch open reel to reel analog video system

Vacuum guide to support videotape for record

Tape speed 15 ips. (381 mm/s) [7.5 ips in half speed mode)

Video record FM signal

One analog control track (240 Hz) 20 mils [bottom of videotape]

Two analog audio tracks: 2 audio tracks or one audio and one cue tone track or one audio track and one linear timecode track

Analog audio track 70 mils [top of videotape]

Analog audio cue track 20 mils

Video track angle 89.5 deg.

Video track height/length ~ 1.82 inches, ~ 46.2mm

Four video record/play heads at 90 deg. (rotary transformer - Ampex, rotary brush - RCA)

Drum dia. 2 inches - (5.08mm)

Video penetration ~ .002 inches - 50 micron

525-lines video has 32 video tracks

625-lines video has 40 video tracks

Video scanner rotation: 525 line 14,400 rpm (240 rps) (1,000 stripes per second), 625 15,000 rpm

Video head write speed: 525 line 1508 ips (38.3 m/s), 625 39.9 m/sec (1570.8 ips)

Video track width 10 mils - .25mm

Video track pitch 15.6 mils - .40mm

16.4 horizontal lines per head in 525. (64 lines recorded per rotation of the head drum assembly)

Video track per second 960.

Studio reel ~60 minutes, 4,800 feet.

Video FM modes: Low band, High Band, B&W, Super High Band

[102]

The tape used in quadruplex machines may have magnetic particles oriented transversely, to increase the magnetic field strength of the tape when read transversely. This allows for higher signal to noise ratios and the possibility of reducing linear or longitudinal tape speeds. The particles are oriented by applying a strong transverse magnetic field during manufacturing after the particles are applied but before the tape is baked to fix the particles in place.[103][104][105]

VTR

Videotape

Ampex 2 inch helical VTR

Contrast with recording

helical scan

's work at Ampex

Erhard Kietz

recovered still images from physically similar tapes

Lunar Orbiter Image Recovery Project

TV Broadcasting, by , 1971, Chapter 8, Page 356 to 388

Harold E. Ennes

quadvideotapegroup.com, Quad VTR on Planes

Former OB video engineer discussed the differences between 2 inch machines and 1 inch video machines

with expanded information on the history of 2-inch Quad.

Video systems theory

.

Quadruplex Park, Museum of 2-inch Quad VTRs

was the first TV entertainment program originating from the West Coast to be delayed for the West Coast on videotape.

The Edsel Show

with a section with pictures on 2-inch quad and Ampex's development and introduction of it.

The History of Recording Technology

.

The Birth of Video Recording

extolling the benefits of producing commercials on videotape instead of film.

Promotional kinescope

.

CED Magic's page on 2" quad

page about early Color VTR.

Color Television History

.

Bosch 2" VTR 1970

.

RCA VTRs

.

RCA VTR details

helping to preserve the content, machines and the knowledge to use them in conjunction with the Library of Congress. Has historical information and discussion list.

Quad Videotape Group