The Age of Plastic
The Age of Plastic is the debut album by the English new wave duo the Buggles, released on 10 January 1980 on Island Records. It is a concept album about the possible repercussions of modern technology. The title was conceived from the group's intention of being a "plastic group" and the album was produced in the wake of the success of their debut record, "Video Killed the Radio Star" (1979), which topped the UK Singles Chart. Most of the album's other tracks were written during promotion of the single.
Not to be confused with Age of Plastics.The Age of Plastic
10 January 1980
1979
- Virgin's Town House (West London)
- Sarm East (London)
- Brick Lane
36:24
The Buggles
The album was recorded on a budget of £60,000. Bassist Trevor Horn was chiefly inspired by Kraftwerk's 1978 album The Man-Machine and sought unconventional recording methods for The Age of Plastic. Keyboardist Geoff Downes characterised the album as "science fiction music ... like modern psychedelic music ... very futuristic."[6] Several tracks also featured contributions from vocalist Bruce Woolley, who left the group mid-production. The backing tracks were recorded at Virgin's Town House in West London, while the vocals were recorded and mixed at Sarm East Studios. Mixing was completed before Christmas 1979.
The Age of Plastic reached number 27 on the UK Albums Chart amid a mixed critical reception. Its three subsequent singles, "The Plastic Age", "Clean, Clean" and "Elstree", charted in the UK, reaching number 16, 38 and 55 respectively. Classic Pop magazine called it the 99th best album of the 1980s,[7] Paste magazine the 45th-best new wave album of all-time.[2] A September 2010 performance at the Ladbroke Grove's Supperclub in Notting Hill, London marked the first time that the group performed the album in its entirety.
Production[edit]
The Age of Plastic was afforded a budget of £60,000 (equivalent to £320,000 in 2021).[9] Engineer Hugh Padgham recorded the backing tracks at Virgin's Town House in West London,[9][13] as Sarm East Studios was very small and Horn wanted to record real drums.[13] The Buggles went to London's Wardour Street to recruit two women to appear on the album.[9] The mixing and Horn's vocal recording were later performed at Sarm East Studios,[9][10] and mixing was finished before Christmas 1979 for a 1980 album release.[12] Sarm East mixer Gary Langan used a 40-input Trident TSM console to record and mix the album, which was housed inside the same control room as were two Studer A80 24-track machines and outboard gear that included an EMT 140 echo plate, Eventide digital delay, Eventide phaser, Marshall Time Modulator, Kepex noise gates, Urei and Orban equalizers, and Urei 1176, Dbx 160 and UA LA2 and LA3 compressors.[10]
Vocals were recorded at Sarm East to a click track using a Roland TR-808 drum machine and other various machines and boxes that were synced to the tracks.[10] As Langan recalls: "In those days of relatively limited technology we again had to push what we had to the limit... If, for instance, something required an effect, whether it be tape delay or phasing or some big, delayed reverb, the art was to get that effect right and record it... It all had to be done and then, as I said, it would influence the next process."[10] Langan has noted that balancing the backing vocals in the songs was an issue because of the limited storage capacities of the time: "We'd make it as clean as we possibly could, bounce that down to two tracks and then we'd erase."[10]
Legacy and influence[edit]
Popular French bands such as Justice, Daft Punk and Phoenix have been influenced by The Age of Plastic.[55] Justice has said that they were "totally fascinated by The Buggles' first album [The Age of Plastic]. It's full of stuff we like - there's a bit of electro, a bit of pop, a bit of classical going on there... We like the way they operated too, as an autonomous duo..."[56]
In 2000, as part of the Island Remasters series, the album was reissued with three bonus tracks, "Technopop", "Island" and "Johnny on the Monorail (A Very Different Version)".[57] The album was remastered and re-released again on 24 February 2010 in Japan. The new edition included nine additional tracks, three of which were from the 2000 re-release album. A single and special DJ version of "Elstree" also appeared on the 2010 reissue of the album, as well as a 12" version of "Clean, Clean".[58] The album's 2010 reissue briefly appeared at number 225 in Japan.[59]
On 28 September 2010, the Buggles reunited to play their first full-length live performance of the album. The event was billed as "The Lost Gig" and took place at Ladbroke Grove's Supperclub in Notting Hill, London. It was a fundraiser with all earnings going to the Royal Hospital for Neuro-disability. With the exception of "Video Killed the Radio Star" and "The Plastic Age", which the band had previously played together, "The Lost Gig" saw the first live performances of all of the remaining songs from The Age of Plastic.[60][61]
Credits are adapted from the album's liner notes.[24]
The Buggles – producers
Additional musicians
Technical personnel