The Apples in Stereo
The Apples in Stereo are an American indie rock band associated with Elephant 6 Collective, a group of bands also including Neutral Milk Hotel, the Olivia Tremor Control, Elf Power, Of Montreal, and Circulatory System. The band is largely a product of lead vocalist/guitarist/producer Robert Schneider, who writes the majority of the band's music and lyrics.[1] Currently, The Apples in Stereo also includes longstanding members John Hill (rhythm guitar) and Eric Allen (bass), as well as more recent members John Dufilho (drums), John Ferguson (keyboards), and Ben Phelan (keyboards/guitar/trumpet).
The Apples in Stereo
Denver, Colorado, U.S.
1992–present
- Robert Schneider
- John Hill
- Eric Allen
- John Dufilho
- John Ferguson
- Ben Phelan
The band's sound draws comparisons to the psychedelic rock of The Beatles and The Beach Boys during the 1960s, as well as to bands such as Electric Light Orchestra and Pavement, and also draws from lo-fi, garage rock, new wave, R&B, bubblegum pop, power pop, punk, electro-pop and experimental music.
The band is also well known for their appearance in a The Powerpuff Girls music video performing the song "Signal in the Sky (Let's Go)". It aired immediately after the show's seventh episode of season 4, "Superfriends", which was based on the song's lyrics.[2] The band has appeared widely in television and film, including performances on The Colbert Report, Late Night with Conan O'Brien and Last Call with Carson Daly, guest hosting on MTV, song placements in numerous television shows, commercials and motion pictures, the performance of the single "Energy" by the contestants on American Idol, and a song recorded for children's show Yo Gabba Gabba.
Band history[edit]
1991–1993: The Apples[edit]
In late 1991, Robert Schneider met Jim McIntyre on a commuter bus in Denver, Colorado.[3] Schneider had recently moved to Colorado from Ruston, Louisiana, and often initiated conversations with McIntyre. When Schneider asked McIntyre what his music interests were, McIntyre named his favorite band: The Beach Boys — a band Schneider was particularly fond of. Realizing that they shared many musical interests, McIntyre introduced Schneider to Hilarie Sidney. McIntyre already had a band called Von Hemmling in which McIntyre played bass and Sidney played drums. With Schneider, they discussed the idea of starting a band and perhaps a recording label. Schneider later met Chris Parfitt, who at the time was also already in a band (which Schneider unsuccessfully auditioned for on bass).[3] Schneider and Parfitt also became friends, however, and toyed with the idea of having a rock band similar to The Velvet Underground or Black Sabbath, with production qualities similar to that of The Beach Boys.[3]
Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company).[3] It was also at this time that the name The Apples came about, inspired by the Pink Floyd song "Apples and Oranges".[4]
The earliest incarnation of the band began to form in 1992 upon Schneider's return to Denver, first between Schneider and Parfitt, both of whom played guitar. The two recruited McIntyre and Sidney during the autumn of that year, practicing material through the winter. Their first few live shows took place the following January, many of which were with the band Felt Pilotes.[3] From February to April 1993, the band recorded their debut 7-inch EP, Tidal Wave, and released it in June as the first record ever to bear the Elephant 6 logo.
1994–1995: Hypnotic Suggestion and Fun Trick Noisemaker[edit]
Several conflicts would lead Parfitt to leave the band in early 1994.[3][5] John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound.[3] The band started work on a debut album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose.[3]
In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure.[6] Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio).
Now with an LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist.[3] Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s.
A significantly different band from the original 1992 four-piece, the official name of the band gradually became "the Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name – it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo."[7] McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities."[6]
1996–2005: Tone Soul Evolution to Velocity of Sound[edit]
The band continued touring through 1996, playing in Japan for the first time. Several early recording sessions were held at Pet Sounds for the band's second album, Tone Soul Evolution, but the members were dissatisfied with the quality of the recordings. The majority of the album's songs were re-recorded at Studio .45 in Hartford, Connecticut before the album's release.[3] In 1998, Chris McDuffie joined the band, playing various instruments including organs, synthesizers and assorted percussion. He would leave the band before Velocity of Sound was released in 2002.
Several more albums were released by the band through the years, including the psychedelic "concept EP",[8] Her Wallpaper Reverie, The Discovery of a World Inside the Moone and Velocity of Sound; both of the latter of which were progressively aimed at capturing the live sound of the band, which continued to tighten as they continued to perform hundreds of live shows (about 100 a year).[9] In particular, the 2002 album Velocity of Sound rejects most of the psych-pop production sensibilities that would come to be associated with the band, instead featuring stripped-down production and sparse, rock instrumentation.
The band members would also continue to pursue careers in side bands and solo projects, with Schneider producing several albums for Elephant 6 artists. Schneider and drummer Hilarie Sidney were married for a time, with a son Max born in 2000.[9] They have since been divorced.
The band went on a brief hiatus during 2004 as Schneider released the debut album from a new band called Ulysses and Sidney released the debut album from her new band The High Water Marks; both were released on Eenie Meenie Records. In 2005, the Apples in Stereo contributed "Liza Jane" to the Eenie Meenie compilation, Dimension Mix. It was also around this time that news began to circulate among various websites concerning the band's next studio album.
