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The Decline of the West

The Decline of the West (German: Der Untergang des Abendlandes; more literally, The Downfall of the Occident) is a two-volume work by Oswald Spengler. The first volume, subtitled Form and Actuality, was published in the summer of 1918.[1] The second volume, subtitled Perspectives of World History, was published in 1922.[2] The definitive edition of both volumes was published in 1923.[3]

Author

Der Untergang des Abendlandes

Charles Francis Atkinson

German

1918 (Vol.I); 1922 (Vol.II)

Germany

1926

Print (hardcover and paperback)

507

Spengler introduced his book as a "Copernican overturning"—a specific metaphor of societal collapse—involving the rejection of the Eurocentric view of history, especially the division of history into the linear "ancient-medieval-modern" rubric.[4] According to Spengler, the meaningful units for history are not epochs but whole cultures which evolve as organisms. In his framework, the terms "culture" and "civilization" were given non-standard definitions and cultures are described as having lifespans of about a thousand years of flourishing, and a thousand years of decline. To Spengler, the natural lifespan of these groupings was to start as a "race"; become a "culture" as it flourished and produced new insights; and then become a "civilization". Spengler differed from others in not seeing the final civilization stage as necessarily "better" than the earlier stages; rather, the military expansion and self-assured confidence that accompanied the beginning of such a phase was a sign that the civilization had arrogantly decided it had already understood the world and would stop creating bold new ideas, which would eventually lead to a decline. For example, to Spengler, the Classical world's culture stage was in Greek and early Roman thought; the expansion of the Roman Empire was its civilization phase; and the collapse of the Roman and Byzantine Empires their decline. He believed that the West was in its "evening", similar to the late Roman Empire, and approaching its eventual decline despite its seeming power.


Spengler recognized at least eight high cultures: Babylonian, Egyptian, Chinese, Indian, Mesoamerican (Mayan/Aztec), Classical (Greek/Roman, "Apollonian"), the non-Babylonian Middle East ("Magian"), and Western or European ("Faustian"). Spengler combined a number of groups under the "Magian" label; "Semitic", Arabian, Persian, and the Abrahamic religions in general as originating from them (Judaism, Christianity, Islam). Similarly, he combined various Mediterranean cultures of antiquity including both Ancient Greece and Ancient Rome as "Apollonian", and modern Westerners as "Faustian". According to Spengler, the Western world was ending and the final season, the "winter" of Faustian Civilization, was being witnessed. In Spengler's depiction, Western Man was a proud but tragic figure because, while he strives and creates, he secretly knows the actual goal will never be reached.

Creation[edit]

Spengler said that he conceived the book sometime in 1911[5] and spent three years to finish the first draft. At the start of World War I, he began revising it and completed the first volume in 1917. It was published the following year when Spengler was 38 and was his first work, apart from his doctoral thesis on Heraclitus. The second volume was published in 1922. The first volume is subtitled Form and Actuality; the second volume is Perspectives of World-history. Spengler's own view of the aims and intentions of the work were described in the Prefaces and occasionally at other places such as in the preface to Man and Technics.[6]

Babylonian

Egyptiac

Indic

Sinic

(Mayan/Aztec)

Mesoamerican

or Classical (Greek/Roman)

Apollonian

Magian or

Arabian

or Western (European)

Faustian

Themes[edit]

Meaning of history[edit]

Spengler distinguished between ahistorical peoples and peoples caught up in world history. While he recognized that all people are a part of history, he said that only certain Cultures have a wider sense of historical involvement, meaning that some people see themselves as part of a grand historical design or tradition, while others view themselves in a self-contained manner and have no world-historical consciousness.


For Spengler, a world-historical view is about the meaning of history itself, breaking the historian or observer out of a crude, culturally parochial classification of history. By learning about different courses taken by other civilizations, people can better understand their own culture and identity. He said that those who still maintain a historical view of the world are the ones who continue to "make" history. Spengler said that life and humankind as a whole have an ultimate aim. However, he maintains a distinction between world-historical peoples, and ahistorical peoples—the former will have a historical destiny as part of a High Culture, while the latter will have a merely zoological fate. He said that world-historical man's destiny is self-fulfillment as a part of his Culture. Further, Spengler said that not only is pre-cultural man without history, he loses his historical weight as his Culture becomes exhausted and becomes a more and more defined Civilization.


For example, Spengler classifies Classical and Indian civilizations as ahistorical, comparing them to the Egyptian and Western civilizations which developed conceptions of historical time. He sees all Cultures as equal in the study of world-historical development. This leads to a kind of historical relativism or dispensationalism. Historical data, in Spengler's mind, are an expression of their historical time, contingent upon and relative to that context. Thus, the insights of one era are not unshakable or valid in another time or Culture—"there are no eternal truths," and each individual has a duty to look beyond one's own Culture to see what individuals of other Cultures have with equal certainty created for themselves. He said that what is significant is not whether the past thinkers' insights are relevant today, but whether they were exceptionally relevant to the great facts of their own time.

warlord Shamil Basayev was given Decline as a gift by a Russian radio journalist. He reportedly read it in one night and he settled on his plan to organize life in the Chechen Republic of Ichkeria.[31]

Chechen

seems to have been heavily influenced by Spengler's The Decline of the West in his "Clash of Civilizations" theory.[32][33]

Samuel Huntington

an American professor, writer and orator who is best known for his work in the fields of comparative mythology and comparative religion, claimed that Decline of the West was the biggest influence on him.[34]

Joseph Campbell

reviewing the Decline of the West, said that "If... nothing else, it would still be one of the world's great Romantic poems".[35]

Northrop Frye

identified the book as a critical influence on his political conversion from far-left to far-right politics and his subsequent foundation of the British Union of Fascists.[36]

Oswald Mosley

named Spengler as one of his philosophical influences.[37]

Ludwig Wittgenstein

has listed The Decline of the West as one of the influences on her 1990 work of literary criticism Sexual Personae.[38]

Camille Paglia

referred repeatedly to Decline as a pivotal influence on his thoughts and work.[39]

William S. Burroughs

was deeply affected by Spengler's work, and referred to him often in his early lecture courses.[40][41][42]

Martin Heidegger

used many of Spengler's ideas in his books Cities in Flight.[43]

James Blish

wrote Imperium: The Philosophy of History and Politics, published under the pen name Ulick Varange in 1948. In its introduction, this book is described as a "sequel" to The Decline of the West.

Francis Parker Yockey

often refers to "Crisis", a concept which was influenced by Spengler, in Witness (it is mentioned in more than 50 pages, including the first page, where it is mentioned in a dozen places),[44] in Cold Friday (1964, more than 30 pages),[45] and in other pre-Hiss Case writings.[46][47] ("His central feeling, repeated in hundreds of statements and similies, is that the West is going into its Spenglerian twilight, a breaking down in which Communism is more a symptom than an agent."[48])

Whittaker Chambers

The title of book The Death of the West, is a reference to The Decline of the West

Pat Buchanan

's novel Decline and Fall is an allusion to both The Decline of the West and Edward Gibbon's The Decline and Fall of the Roman Empire

Evelyn Waugh

was heavily influenced by the book.

H. P. Lovecraft

was heavily influenced by the book. [49]

William Gaddis

Spengler, Oswald. The Decline of the West. Ed. Arthur Helps, and Helmut Werner. Trans. Charles F. Atkinson. Preface Hughes, H. Stuart. New York: Oxford UP, 1991.  0-19-506751-7

ISBN

Historic recurrence

Social cycle theory

1963 [1991]. The Rise of the West: A History of the Human Community [With a Retrospective Essay], University of Chicago Press, ISBN 978-0-226-56141-7. Synopsis, Table of Contents Summary and scrollable preview.

William H. McNeill

"Spengler's Decline of the West" in The Philosopher on Dover Beach, Manchester: Carcanet Press, 1990. ISBN 0-85635-857-6

Scruton, Roger

Spengler, Oswald, v. 1 (©1926) and v. 2 (©1928), Alfred A. Knopf

The Decline of the West

(in German)

Unabridged text