The Hobbit: The Desolation of Smaug
The Hobbit: The Desolation of Smaug is a 2013 epic high fantasy adventure film directed by Peter Jackson from a screenplay by Fran Walsh, Philippa Boyens, Jackson, and Guillermo del Toro, based on the 1937 novel The Hobbit by J. R. R. Tolkien. The sequel to 2012's The Hobbit: An Unexpected Journey, it is the second instalment in The Hobbit trilogy, acting as a prequel to Jackson's The Lord of the Rings trilogy.
The Hobbit:
The Desolation of Smaug
- Fran Walsh
- Philippa Boyens
- Peter Jackson
- Guillermo del Toro
- Carolynne Cunningham
- Zane Weiner
- Fran Walsh
- Peter Jackson
- 2 December 2013 (Los Angeles premiere)
- 12 December 2013 (New Zealand)
- 13 December 2013 (United States)
161 minutes[1]
English
$959 million[5]
The film follows the titular character Bilbo Baggins as he continues to accompany Thorin Oakenshield and his fellow dwarves on a quest to reclaim the Lonely Mountain from the dragon Smaug. Pursuing them are the vengeful orcs Azog the Defiler and his son Bolg, while Gandalf the Grey investigates the return of a long-forgotten evil force in the ruins of Dol Guldur. The ensemble cast includes Ian McKellen, Martin Freeman, Richard Armitage, Benedict Cumberbatch, Evangeline Lilly, Lee Pace, Luke Evans, Ken Stott, James Nesbitt, and Orlando Bloom.
The films were shot simultaneously in 3D at a projection rate of 48 frames per second, with principal photography taking place around New Zealand and at Pinewood Studios. Additional filming took place throughout May 2013.[6]
The Desolation of Smaug premiered in Los Angeles on 2 December 2013, and was then released on 12 December in New Zealand and on 13 December in the United States, by Warner Bros. Pictures. The film received mostly positive reviews and grossed $959 million at the worldwide box office, making it the fourth highest-grossing film of 2013. The film received numerous accolades; at the 86th Academy Awards, it was nominated for Best Sound Editing, Best Sound Mixing, and Best Visual Effects.
The final instalment of the trilogy, The Hobbit: The Battle of the Five Armies, was released in 2014.
Plot[edit]
Thorin Oakenshield and his company are being pursued by Azog and his Orc party. They are ushered by Gandalf to the nearby home of Beorn, a skin-changer who can take the form of a bear. That night, Azog is summoned to Dol Guldur by the Necromancer, who commands him to marshal his forces for war. Azog delegates the hunt for Thorin to his son Bolg. After telling the company about the dangers of Mirkwood, including the Necromancer's rise and the Wood-elves being dangerous, Beorn escorts the company to the borders of Mirkwood, where Gandalf discovers Black Speech imprinted on an old ruin. This, and a prior request by Galadriel, prompt him to investigate the tombs of the Nazgûl. He warns the company to remain on the path before leaving. Upon entering the forest, they lose their way and are ensnared by giant spiders. Bilbo frees the dwarves with the help of the invisibility ring. However, Bilbo begins to understand its dark influence after he drops the ring and brutally kills a spider to retrieve it.
The remaining spiders are killed by the Wood-elves led by Tauriel and Legolas, who capture the Dwarves and bring Thorin before their king, Thranduil. Thorin confronts the king about his neglect of the Dwarves of Erebor following Smaug's attack 60 years earlier and is consequently imprisoned with the other Dwarves. Bilbo, having avoided capture, arranges their escape via empty wine barrels that are sent downstream. They are pursued by the Wood-elves and ambushed by Bolg and his Orc party, engaging in a running three-way battle down the river. The Dwarves are able to escape both groups of pursuers, but Kíli is wounded with a Morgul shaft. Thranduil seals off his kingdom when an Orc captive reveals an evil army is amassing in the south, but Tauriel decides to leave and assist the Dwarves; Legolas goes after her. Meanwhile, Gandalf and Radagast investigate the tombs of the Nazgûl, which they find to be empty. Upon finding out that the Nine have been called to Dol Guldur, Gandalf correctly deduces that Sauron has returned, and is preparing for war.
The company is smuggled into Esgaroth by a bargeman called Bard. Thorin promises the Master of Laketown a share of the mountain's treasure, and they are given arms and sent off to the mountain. Due to his injury, Kíli is forced to remain behind at Bard's home, tended to by Fíli, Óin, and Bofur. Bilbo discovers the hidden entrance in the Lonely Mountain and is sent inside to retrieve the Arkenstone. However, he accidentally awakens Smaug, who reveals his knowledge of both the dwarves' plot and the return of Sauron.
In Laketown, it is revealed that Bard is a descendant of the last ruler of Dale and possesses the last black arrow capable of killing Smaug. Bard attempts to bring the black arrow to the town's launcher, fearing what may happen in the mountain. However, he is arrested by the Master, charging his son to hide the arrow. Bolg and his Orc party infiltrate the town and attack the four Dwarves, but Tauriel and Legolas arrive and quickly dispatch them.
Meanwhile, Gandalf infiltrates Dol Guldur alone after sending Radagast to warn Galadriel of their discovery at the tombs. He finds and cures Thrain before they are ambushed by Azog. The Necromancer overpowers and defeats Gandalf and reveals himself as Sauron. Gandalf watches helplessly as Azog and an Orc army march from Dol Guldur towards the Lonely Mountain.
Inside the mountain, during a long chase, Bilbo and the Dwarves rekindle the mountain's forge using Smaug's flames and melt a large golden statue, hoping to bury Smaug alive in the molten gold. They do so, but Smaug emerges from the gold, stumbles out of the mountain and flies off to destroy Laketown as Bilbo watches in despair.
Additionally, Peter Jackson makes a cameo appearance in the film, reprising his role as the man eating a carrot in Bree, his daughter Katie portrays Barliman Butterbur's wife Betsy, Philippa Boyens's daughter Phoebe and scale double Kiran Shah appear as a waitress and a Hobbit in the Prancing Pony, James Nesbitt's daughters Peggy and Mary portray Sigrid and Tilda, the daughters of Bard, Stephen Colbert and his family along with WingNut Films' assistant Norman Kali and producer Zane Weiner appear as Lake-town spies, and editor Jabez Olssen appears as a fishmonger. Brian Sergent (who portrayed the Hobbit Ted Sandyman in the extended edition of Fellowship of the Ring) and Peter Vere-Jones (a frequent voice actor collaborator of Jackson's) provide the voices of the spiders in Mirkwood. This was the final performance of Vere-Jones before his death in January 2021.
Reception[edit]
Box office[edit]
The Hobbit: The Desolation of Smaug grossed $258.4 million in North America and $700.6 million in other countries for a worldwide total of $959 million.[5] Calculating in all expenses, Deadline Hollywood estimated that the film made a profit of $134.1 million.[39] It is the fourth highest-grossing 2013 film, and grossed $209 million worldwide on its opening weekend.[40]
In North America, The Desolation of Smaug earned $8.8 million during its midnight opening, making it the second-highest December showing ever, behind only the first instalment.[41] The film topped the box office on its opening day with $31.2 million.[42] It remained in first place throughout its opening weekend grossing $73.6 million, a 13% drop from its predecessor.[43] The Desolation of Smaug was in first place at the box office for three consecutive weekends.[44][45]
Outside North America, The Desolation of Smaug was released internationally on 16,405 screens.[46] The film earned $135.4 million in its opening weekend. Its largest openings occurred in China ($33.0 million),[47] Germany ($19.0 million) and the United Kingdom, Ireland and Malta ($15.2 million).[48] It topped the box office outside North America on four consecutive weekends[49] and five in total.[50] It is the highest-grossing film of 2013 in many European countries,[51] as well as in New Zealand and Fiji.[52]
Critical response[edit]
Following the Los Angeles premiere, Metro noted that early critical reaction was "glowing", with critics describing it as a "spectacle",[53] while The Guardian reported that it was receiving "much stronger early reviews".[54] However, before the film's theatrical release, E! reported that reviews had been "mixed", but stated they were still "much better" than the previous film.[55] After the film's international release, MTV reported that the film has garnered a "positive" critical reaction,[56] while the Los Angeles Times stated the consensus is that the film "reinvigorates" the series, putting it "back on course".[57] On review aggregator Rotten Tomatoes the film has 75% approval rating with an average rating of 6.80/10 based on 252 reviews. The website's consensus reads, "While still slightly hamstrung by "middle chapter" narrative problems and its formidable length, The Desolation of Smaug represents a more confident, exciting second chapter for the Hobbit series."[58] On Metacritic, the film has a score of 66 out of 100 based on 44 reviews, indicating "generally favorable" reviews.[59] Audiences polled by CinemaScore, during the opening weekend, gave it an average grade of "A−" on a scale from A+ to F, down from the first film which scored an "A" grade.[43][60]
Nick de Semlyen of Empire awarded the film five stars out of five and wrote that "Middle-earth's got its mojo back. A huge improvement on the previous instalment, this takes our adventurers into uncharted territory and delivers spectacle by the ton",[61] while Richard Corliss of TIME declared it one of the top ten films of 2013, and wrote "In all, this is a splendid achievement, close to the grandeur of Jackson’s Lord of the Rings films."[62][63] Justin Chang of Variety wrote that "After a bumpy beginning with An Unexpected Journey, Peter Jackson's 'Hobbit' trilogy finds its footing in this much more exciting and purposeful second chapter."[64] Todd McCarthy of Hollywood Reporter wrote that "Nearly everything... represents an improvement over the first instalment of Peter Jackson's three-part adaptation of J.R.R. Tolkien's beloved creation." He also praised the High Frame Rate of The Desolation of Smaug as being better than that of An Unexpected Journey.[65] Mark Hughes, who reviewed the film for Forbes, was highly enthusiastic, and felt "The Desolation of Smaug is another grand entry in the Tolkien saga, raising the emotional and physical stakes while revealing more of the sinister forces," before concluding "It’s pleasing to see a filmmaker this in love with storytelling, this committed to creating entire worlds... that’s a rare thing indeed, and for it to turn out so well is even more rare. It’s a sight to behold, and you won’t be sorry you did."[66]
Peter Bradshaw of The Guardian scored the film four stars out of five, writing, "It's mysterious and strange, and yet Jackson also effortlessly conjures up that genial quality that distinguishes 'The Hobbit' from the more solemn 'Rings' stories."[67] Total Film also scored the film four stars out of five, but reviewer Matt Maytum noted that, in his opinion, the film suffered "from middle-act wobbles." Despite this, he praised the "rousing action... incredible visuals... and one stupendous dragon", and concluded his review saying "There’s a lot to admire in The Desolation of Smaug."[68] Jim Vejvoda, who reviewed the film for IGN, awarded it 8.5 out of 10, and felt "It's a breathlessly told, action-packed crowd-pleaser that restores the luster of the saga for those underwhelmed by its predecessor and leaves you excited for the final chapter in the trilogy."[69]
Conversely, Peter Travers, who reviewed the film for Rolling Stone, gave it two and a half stars out of four. He felt it was "a little less long and a little less boring" than the first instalment, and offered praise for the depiction of Smaug, saying "as a digital creation, Smaug is a bloody wonder of slithering fright." He was, however, very critical of the film's padding of a "slender novel", but concluded: "I'd endure another slog through Middle-Earth just to spend more time with Smaug".[70] Robbie Collin of The Daily Telegraph was even less admiring, and awarded it two stars out of five. He too criticised the decision to turn Tolkien's book into three films and felt Jackson "is mostly stalling for time: two or three truly great sequences tangled up in long beards and longer pit-stops." He continued, writing "There is an awful lot of Desolation to wade through before we arrive, weary and panting, on Smaug's rocky porch," and disapproved of the introduction of a love triangle to Tolkien's narrative, adding: "Maybe this really is what a lot of people want to see from a film version of The Hobbit, but let's at least accept that Tolkien would probably not have been among them."[71]