The Lion in Winter (1968 film)
The Lion in Winter is a 1968 historical drama centred on Henry II of England and his attempt to establish a line of succession during a family gathering at Christmas 1183. His efforts unleash both political and personal turmoil among his estranged wife Eleanor of Aquitaine, their three surviving sons, the French king, and the king's half-sister Alais, who is Henry's mistress. The film stars Peter O'Toole and Katharine Hepburn, was directed by Anthony Harvey, written by James Goldman, and produced by Joseph E. Levine, Jane C. Nusbaum, and Martin Poll. Actors John Castle, Anthony Hopkins (in his first major film role), Jane Merrow, Timothy Dalton (in his film debut) and Nigel Terry appear in support.
For the 1966 Broadway play, see The Lion in Winter.The Lion in Winter
The Lion in Winter
1966 play
by James Goldman
Color
- October 30, 1968
134 minutes
- United Kingdom
- United States
English
$4 million[1]
$22.3 million[2]
Based on Goldman's play "The Lion in Winter", the film was a commercial and critical success, winning three Academy Awards (including Hepburn's tie with Barbra Streisand for Best Actress, making Hepburn the first three-time winner in the category). A television remake of the film was released in 2003.
Production[edit]
Writing[edit]
The original stage production had not been a success, getting a bad review in The New York Times and losing $150,000. Producer Martin Poll optioned Goldman's novel Waldorf for the movies. They discussed Lion in Winter, which Poll had read and loved. He hired Goldman to write a screenplay.
Casting[edit]
Poll was meant to make a film with Joseph Levine and Peter O'Toole, The Ski Bum (which would be written by James Goldman's brother William). That project fell through and Poll suggested they do Lion in Winter instead.[3] O'Toole, who was 36, and had portrayed Henry II in 1964's Becket, plays him at age 50.
In October 1967, the actors rehearsed at Haymarket Theatre in London.[4] Production started in November 1967[5] and continued until May 1968.[6]
Filming[edit]
The film was shot at Ardmore Studios in Bray, County Wicklow, Ireland, and on location in Ireland, Wales (Marloes Sands),[7] and France at Abbaye de Montmajour, Arles; Château de Tarascon, Carcassonne; and Saône-et-Loire. In an interview Peter O'Toole said that Katharine Hepburn, who was sixty years old, was at her best early in the morning while he favoured starting work in the afternoon. They came to a compromise and shot their scenes from 8:30 to 16:00 each day.
The sculpted stone figures which appear during the main title sequence were discovered by the director along a driveway near a shooting location in France. They are portrayed as appearing on interior walls of the castle in the film.[8]
After the seeing the completed film, Albert R. Broccoli and Harry Saltzman offered Timothy Dalton the role of James Bond for the first time, as a replacement for Sean Connery in On Her Majesty's Secret Service (1969). Dalton declined because he felt he was too young, although he would later be cast in the role in The Living Daylights (1987) and Licence to Kill (1989).[9]
Reception[edit]
Box office[edit]
The film premiered on 30 October 1968 (29 December 1968 London premiere).
The film earned an estimated $6.4 million in distributor rentals in the domestic North American market during its initial year of release.[10] It was the 14th most popular movie at the U.S. box office in 1969.[11]
Critical[edit]
Renata Adler of The New York Times wrote that the film was "for the most part, outdoorsy and fun, full of the kind of plotting and action people used to go to just plain movies for."[12]
Variety called it "an intense, fierce, personal drama put across by outstanding performance of Peter O'Toole and Katharine Hepburn. Anthony Harvey, a relatively new director, has done excellent work with a generally strong cast, literate adaptation by the author, and superb production values assembled by Martin H. Poll, who produced for Joseph E. Levine presentation under the Embassy banner."[13]
Roger Ebert gave the film 4 stars out of 4, writing in 1968, "One of the joys which movies provide too rarely is the opportunity to see a literate script handled intelligently. 'The Lion in Winter' triumphs at that difficult task; not since 'A Man for All Seasons' have we had such capable handling of a story about ideas. But 'The Lion in Winter' also functions at an emotional level, and is the better film, I think."[14]
Charles Champlin of the Los Angeles Times declared, "Top honors for the most literate movie of the year, and for the finest and most imaginative and fascinating evocation of an historical time and place, can be awarded this very day to 'The Lion in Winter.'"[15]
Pauline Kael of The New Yorker was less positive, writing that the film miscalculated in attempting to elevate the melodramatic plot "with serious emotions, more or less authentic costumes and settings, pseudo-Stravinsky music, and historical pomp. And it just won't do to have actors carrying on as if this were a genuine, 'deep' historical play on the order of 'A Man for All Seasons' ... They're playing a camp historical play as if it were the real thing—delivering commercial near-poetry as if it were Shakespeare."[16]
In a mixed review for The Monthly Film Bulletin, David Wilson called Katharine Hepburn's performance "perhaps the crowning achievement of an extraordinary career" but described the film as a whole as being "essentially a piece of highly polished theatricality, and not much else if one looks beyond its insistently sophisticated surface gloss."[17]
Rotten Tomatoes collected 43 reviews through October 2021, amalgamating to a 91% approval and an average rating of 8.2/10. The critical consensus reads, "Sharper and wittier than your average period piece, The Lion in Winter is a tale of palace intrigue bolstered by fantastic performances from Peter O'Toole, Katharine Hepburn, and Anthony Hopkins in his big-screen debut."[18]