The Oak Ridge Boys
The Oak Ridge Boys are an American country and gospel vocal quartet originating in Oak Ridge, Tennessee. The group was founded in 1943 as the Oak Ridge Quartet. They became popular in Southern gospel during the 1950s. Their name was changed to the Oak Ridge Boys in the early 1960s, and they remained a gospel group until the mid-1970s, when they changed their image and concentrated on country music.[1][2]
The Oak Ridge Boys
The Oak Ridge Quartet (1947-1961)
Oak Ridge, Tennessee, U.S.
1947–present
- Duane Allen
- William Lee Golden
- Richard Sterban
- Joe Bonsall (retired from touring in 2024)
- Curly Kinsey
- Lon "Deacon" Freeman
- Wally Fowler
- Little Johnny New
- Monroe (Curley) Blaylock
- Bob Weber
- Pat Patterson
- Joe Allred
- Bob Prather
- Carlos Cook
- Calvin Newton
- Cat Freeman
- Les Roberson
- Ron Page
- Bill Smith
- Ronnie Page
- Smitty Gatlin
- Hobert Evans
- Bobby Clark
- Tommy Fairchild
- Herman Harper
- James Metz
- Little Willie Wynn
- Gary McSpadden
- Big Jim Hamill
- Noel Fox
- Glen Allred (guitar and fill in baritone)
- Steve Sanders
The lineup that produced their most well-known country and crossover hits ― such as "Elvira" (1981), "Bobbie Sue" (1982), and "American Made" (1983) ― consists of Duane Allen (lead vocals), Joe Bonsall (tenor), William Lee Golden (baritone), and Richard Sterban (bass). Golden and Allen joined the group in the mid-1960s, and Sterban and Bonsall joined in the early 1970s. Golden was removed from the group in 1987 and replaced by Steve Sanders until 1995, when he left and Golden rejoined.
The group was inducted into the Country Music Hall of Fame in 2015.
History[edit]
The Oak Ridge Quartet[edit]
The core group that would eventually lead to the Oak Ridge Boys was a country group called Wally Fowler and the Georgia Clodhoppers, formed in 1943 in Knoxville, Tennessee. They were requested to perform for staff members and their families restricted during World War II at the Oak Ridge National Laboratory in nearby Oak Ridge, Tennessee. They were asked to sing there so often that, eventually, they changed their name to the Oak Ridge Quartet, and because their most popular songs were gospel, Fowler decided to focus solely on Southern gospel music. At the time, the quartet was made up of Wally Fowler, Lon "Deacon" Freeman, Curly Kinsey, and Johnny New. This group began recording in 1947.[3] Wally Fowler and the Oak Ridge Quartet were members of the Grand Ole Opry in the 1940s.[4] In 1949, the other three men split from Fowler to form a new group, Curley Kinsey and the Tennessee Ridge Runners, so Fowler hired an existing group, the Calvary Quartet, to reform the Oak Ridge Quartet. Walt Cornell sang baritone for the Oak Ridge Quartet in the early 1950s. In 1957, Fowler sold the rights to the "Oak Ridge Quartet" name to group member Smitty Gatlin in exchange for forgiveness of a debt. As a result of more personnel changes, the group lost its tenor, so they lowered their arrangements and had Gatlin sing tenor, while the pianist, Tommy Fairchild, sang lead. They recorded an album for Cadence Records, then in 1958, they hired Willie Wynn to sing the tenor part, and Fairchild moved back exclusively to the piano. At this point, the group consisted of Fairchild at the piano, Wynn, Gatlin (singing lead), baritone Ron Page, and bass Herman Harper. They recorded an album on the Checker Records label, one on Starday, and three on Skylite. In 1961, Gatlin changed the group's name to "the Oak Ridge Boys" because their producer, Bud Praeger, thought "Oak Ridge Quartet" sounded too old-fashioned for their contemporary sound.
1962–1973[edit]
In 1962, Ron Page left, and the group hired Gary McSpadden (who had filled in for Jake Hess in the Statesmen Quartet) as baritone with the understanding from Jake Hess that when he was ready to start a group, he would recruit McSpadden. They recorded another album on Skylite, and then two groundbreaking albums on Warner Bros. Records. When Hess followed through on that promise, McSpadden quit to join a new group Hess was forming, the Imperials. Jim Hammill[5] (who later became a mainstay in the Kingsmen Quartet) was chosen to be his replacement. They made one album for Festival Records, one for Stateswood (Skylite's budget label), and two more for Skylite. Hammill did not get along with the rest of the group, and William Lee Golden, a newcomer to the music industry, felt that Hamill was hurting the group and asked the group if he could be Hammil's replacement. After Hamill's retirement from the group in 1964, Golden joined as baritone.
The group recorded another album for Starday and another on Skylite in 1965. In 1966, Gatlin left the group to become a minister of music, and on Golden's recommendation, Duane Allen, formerly of the Southernairs Quartet (and more recently baritone of the Prophets Quartet), was hired to replace him. With Willie Wynn still singing tenor and Herman Harper as bass, the group made another album for Skylite and one for United Artists, and then began recording on the Heart Warming label. Between 1966 and 1973, they made 12 albums with Heart Warming, and the company also released several compilation albums on which they were included during those years. The group also had an album on Vista (Heart Warming's budget label) that included unreleased songs from previous sessions. Harper left the group in 1968 to join the Don Light Talent Agency, before starting his own company, the Harper Agency, which remains one of the most reputable booking agencies in gospel music. Noel Fox, formerly of the Tennesseans and the Harvesters, took over the bass part. In 1970, the Oak Ridge Boys earned their first Grammy Award for "Talk About the Good Times".
In late October 1972, Richard Sterban, the bass with J. D. Sumner and the Stamps Quartet, left that group and joined the Oak Ridge Boys. The quartet that appeared on Hee Haw in 1972 consisted of Willie Wynn, Duane Allen, William Lee Golden, and Richard Sterban. Joe Bonsall, a Philadelphia native who was a member of the Keystone Quartet and recording on Duane Allen's Superior label, joined in April 1973. Sterban and Bonsall had both been in the Keystones during the late 1960s, recording much of the ORB's material. That same year, the Oak Ridge Boys recorded a single with Johnny Cash and the Carter Family, "Praise the Lord and Pass the Soup", that put them on the country charts for the first time. The group's lineup remained consistent for the next 15 years.
1974–1986[edit]
In the mid-1970s, the Oak Ridge Boys became involved with prominent country music promoter Jim Halsey, who as their new manager, began encouraging them to move from gospel music to broader country music—the most fundamental change in their history—and began arranging international appearances.[1][2][6][7]
After opening a series of shows for Roy Clark, the group moved in 1973 to the Columbia label, for which they made three albums and several singles. In early 1976, they toured Russia for three weeks with Roy Clark. They went from being one of the top acts on Heart Warming to nearly the bottom on Columbia in terms of promotion. Columbia did not serve the gospel radio stations like Heart Warming did, leaving the impression that the Oak Ridge Boys were leaving gospel music, which hurt the group's popularity among its core fan demographic. While promoting the single "Heaven Bound", the Oak Ridge Boys made appearances on The Mike Douglas Show and The Merv Griffin Show, both nationally syndicated in the United States and Canada. In 1976, despite having been picked by Paul Simon to sing backup on "Slip Slidin' Away", the group asked to be released from its contract with Columbia after its single, "Family Reunion", was only a lukewarm success. Columbia complied with the request, and the band immediately made a live album that was a mix of gospel and country on their own label.
In 1977, the Oak Ridge Boys fully switched from gospel to country with the release of their first ABC Records (later absorbed by MCA) album, Y'all Come Back Saloon. Two songs from that album reached the top five on the country charts, and their next album, Room Service, in 1978, gave them two more, including their first number-one hit, "I'll Be True to You". The Oak Ridge Boys Have Arrived was released in 1979, and Together followed in 1980. A compilation album simply titled Greatest Hits, containing 10 singles from the previous four albums, was released in the fall of 1980. This same year, the Oak Ridge Boys also made a brief cameo appearance on The Dukes of Hazzard (season two, "Granny Annie").
The group's sixth album, Fancy Free, released early in 1981, contained the Dallas Frazier–penned song "Elvira". This remains the group's most widely known song, and Fancy Free is their best-selling album. "Elvira" had been recorded by other artists, including Frazier himself in the late 1960s and the First Edition in 1970, but the Oak Ridge Boys were the first to have a hit with it. Their version of the song was a number-one country hit, and in July 1981 reached number five on the pop charts.
The doo-wop-style title track from Bobbie Sue, their seventh album, was another crossover hit, reaching number one on the country charts and number 12 on the pop charts. That album also spawned the group's first U.S.-released music video, for the song "So Fine". (A video was made for "Easy", from the Y'All Come Back Saloon album, but was never released in the U.S.) The group also recorded The Oak Ridge Boys Christmas album in 1982.
Their album American Made was released in January 1983. The title track was used as a TV advertisement for Miller Beer.
The group recorded three albums over the next three years. The late-1983 album Deliver provided two number-one singles, one of which, "I Guess It Never Hurts to Hurt Sometimes", was written by Randy VanWarmer, who had a hit in 1979 with "Just When I Needed You Most". Their next album was Greatest Hits 2, released in July 1984. Unlike the 1980 Greatest Hits album, this one included two new songs, "Everyday" and "Make My Life With You", both number-one country hits. In 1985, they released their 12th album, Step on Out. The title cut was written by ex-Byrd Chris Hillman and former Crawdaddy magazine editor Peter Knobler. The group recorded two albums in 1986, one of which was a second Christmas album, and in 1987, they recorded a single called "Take Pride in America", which was used in television public service announcements about recycling.
