Theatre of Blood
Theatre of Blood (U.S. title: Theater of Blood) is a 1973 British horror comedy film directed by Douglas Hickox and starring Vincent Price and Diana Rigg.[3]
Theatre of Blood
Anthony Greville-Bell (screenplay),
Stanley Mann and John Kohn (idea)
Gustave Berne
Sam Jaffe
John Kohn
Stanley Mann
Cineman Productions[1]
- 16 March 1973 (Toronto)
- 5 April 1973 (United States)
- 7 June 1973 (United Kingdom)
104 minutes
United Kingdom
English
$1 million (U.S./ Canada rentals)[2]
Plot[edit]
After being humiliated by members of the Theatre Critics Guild at an awards ceremony, Shakespearean actor Edward Kendal Sheridan Lionheart is seen committing suicide by diving into the Thames from a great height. He survives and is rescued by a group of vagrants. Two years later, beginning on the Ides of March, Lionheart sets out to exact vengeance against the critics who failed to acclaim his genius, killing them one by one in ways very similar to murder scenes in the season of William Shakespeare's plays that he last performed. Before each murder, Lionheart recites the critic's damning review of his performance in the role.
The first critic, George Maxwell, is repeatedly stabbed by a mob of murderous homeless people, suggested by the murder of Julius Caesar in Julius Caesar. The second, Hector Snipe, is impaled with a spear, and his body is dragged away to appear at Maxwell's funeral tied to a horse's tail, replicating the murder of Hector in Troilus and Cressida. The third, Horace Sprout, is decapitated while sleeping, as is Cloten in Cymbeline. The fourth critic, Trevor Dickman, has his heart cut out by Shylock in The Merchant of Venice, the play being rewritten so that Antonio is forced to repay his debt with a pound of flesh. The fifth, Oliver Larding, is drowned in a barrel of wine, as is George Plantagenet, Duke of Clarence in Richard III.
For the next play, Romeo and Juliet, Lionheart lures the critic Peregrine Devlin to a fencing gymnasium, where he re-enacts the sword fight from the play. He badly wounds Devlin but chooses not to kill him at this juncture. The sixth critic to die, Solomon Psaltery, an obsessively jealous man, murders his wife Maisie, believing her to be unfaithful, as portrayed in Othello. Although Psaltery survives, his actions lead to his imprisonment, and he will likely die in prison. The seventh critic to die, Miss Chloe Moon, is electrocuted to replicate the burning of Joan of Arc in Henry VI, Part 1. The eighth critic to die, flamboyant gourmand Meredith Merridew, is force-fed pies made from the flesh of his two toy poodles until he chokes to death, replicating the demise of Queen Tamora in Titus Andronicus.
It is revealed that Lionheart is being aided by his adoring daughter Edwina. She kidnaps Devlin and brings him to the theatre, where Lionheart tells him to give him the award or be blinded with red-hot daggers, as happens to Gloucester in King Lear. He refuses, but the contraption meant to blind him gets stuck. Lionheart sets fire to the theatre. In the confusion, one of the vagrants kills Edwina by striking her on the head with the award statuette, unwittingly casting her in the role of Cordelia, Lear's youngest daughter. Lionheart retreats, carrying her body to the roof and delivering Lear's final monologue before the roof caves in, setting him ablaze and sending him to his death. Devlin, a critic even in the face of death, then gives Lionheart's performance a positive if mixed review.
Critical reception[edit]
Theatre of Blood maintains an 88% "fresh" approval rating on Rotten Tomatoes from 40 reviews with the Critics consensus "Deliciously campy and wonderfully funny, Theater of Blood features Vincent Price at his melodramatic best."
The Monthly Film Bulletin wrote: "Although his schematic vengeance invites comparison with that of the Abominable Dr. Phibes, ... Edward Lionheart happily turns out to be a villain of infinitely higher calibre. ... Douglas Hickox's direction is fairly adroit: he makes effective use of locations, and a constantly moving camera prevents the brazen theatricality of the whole scheme becoming too overt. He also sustains a reasonable amount of tension by keeping the murders on the level of grand guignol rather than farce; but in order to sustain our interest, it would have been necessary to reserve some surprises for the last third of the film, and here both script and direction begin to flag. The killing of Meredith Merridrew (Robert Morley) by forcing him to eat his pet poodles remains merely unpleasant, though Lionheart has by this time become such a generally sympathetic character that the conventional denouement is both tedious and irritating. Indeed, Price's superb antics have so effectively upstaged the other performers that the last remaining critic's refusal to alter his original judgment emerges as an act of crass stupidity rather than courage."[15]
The Los Angeles Times called it "quite possibly the best horror film Vincent Price has ever made. Certainly it affords him the best role he has ever had in the genre. A triumph of witty, stylish Grand Guignol, it allows Price to range richly between humour and pathos."[16]
Stage adaptation[edit]
The film was adapted for the stage by the British company Improbable, with Jim Broadbent playing Edward Lionheart and Rachael Stirling (Diana Rigg's daughter), playing Lionheart's daughter. The play differs from the film in that the critics are from British newspapers, including The Guardian and The Times, and the only set is an abandoned theatre. The play is again set in the 1970s, rather than being updated.[17] Most of the secondary characters were excised, including police, and the number of deaths reduced. The killings based on Othello and Cymbeline are omitted as they would have to take place outside the theatre and rely on secondary characters, such as the critics' wives. The name of Lionheart's daughter is changed from "Edwina" to "Miranda" to enhance the Shakespearean influence. The adaptation ran in London at the National Theatre between May and September 2005 and received mixed reviews.[18]
Vincent Price and Coral Browne[edit]
Diana Rigg introduced Vincent Price to his future wife Coral Browne during the making of the film. Browne recalled in a television documentary Caviar to the General in 1990 that she had not wanted to make "one of those scary Vincent Price movies", but she was persuaded to take the part of Chloe Moon by her friends Robert Morley and Michael Hordern, acknowledging that the film thus had a very strong cast. Rigg was unaware that Price was married.[10]