Katana VentraIP

Thomas Nast

Thomas Nast (/næst/; German: [nast]; September 26, 1840[1] – December 7, 1902) was a German-born American caricaturist and editorial cartoonist often considered to be the "Father of the American Cartoon".[2]

Thomas Nast

(1840-09-26)September 26, 1840

December 7, 1902(1902-12-07) (aged 62)

Guayaquil, Guayas, Ecuador

He was a sharp critic of "Boss" Tweed and the Tammany Hall Democratic party political machine. He created a modern version of Santa Claus (based on the traditional German figures of Saint Nicholas and Weihnachtsmann) and the political symbol of the elephant for the Republican Party (GOP). Contrary to popular belief, Nast did not create Uncle Sam (the male personification of the United States Federal Government), Columbia (the female personification of American values), or the Democratic donkey,[4] although he did popularize those symbols through his artwork. Nast was associated with the magazine Harper's Weekly from 1859 to 1860 and from 1862 until 1886. Nast's influence was so widespread that Theodore Roosevelt once said, "Thomas Nast was our best teacher."

Early life and education[edit]

Nast was born in military barracks in Landau, Bavaria, Germany (now in Rhineland-Palatinate), as his father was a trombonist in the Bavarian 9th regiment band.[5] Nast was the last child of Appolonia (née Abriss) and Joseph Thomas Nast. He had an older sister Andie; two other siblings had died before he was born. His father held political convictions that put him at odds with the Bavarian government, so in 1846, Joseph Nast left Landau, enlisting first on a French man-of-war and subsequently on an American ship.[6] He sent his wife and children to New York City, where they arrived in June 1846,[7] and at the end of his enlistment in 1850, he joined them there.[8]


Nast attended school in New York City from the age of six to 14. He did poorly at his lessons, but his passion for drawing was apparent from an early age. In 1854, at the age of 14, he was enrolled for about a year of study with Alfred Fredericks and Theodore Kaufmann, and then at the school of the National Academy of Design.[9][10] In 1856, he started working as a draftsman for Frank Leslie's Illustrated Newspaper.[11] His drawings appeared for the first time in Harper's Weekly on March 19, 1859,[12] when he illustrated a report exposing police corruption; Nast was 18 years old at that point.[13]

September 1868 Nast cartoon "This is a White Man's Government!"[a]

September 1868 Nast cartoon "This is a White Man's Government!"[a]

The Usual Irish Way of Doing Things, a Nast cartoon depicting a drunken Irishman lighting a powder keg. Published in Harper's Weekly, September 2, 1871

The Usual Irish Way of Doing Things, a Nast cartoon depicting a drunken Irishman lighting a powder keg. Published in Harper's Weekly, September 2, 1871

1871 Nast cartoon: "Move on! Has the Native American no rights that the naturalized American is bound to respect?"[b]

1871 Nast cartoon: "Move on! Has the Native American no rights that the naturalized American is bound to respect?"[b]

1879 Nast cartoon: "Red gentleman (Indian) to yellow gentleman (Chinese)[c]

1879 Nast cartoon: "Red gentleman (Indian) to yellow gentleman (Chinese)[c]

Nast's cartoon "Third Term Panic".[d]

Nast's cartoon "Third Term Panic".[d]

October 24, 1874, Nast cartoon "The Union as it was...This is a White Mans Government....the Lost cause...Worse than Slavery"

October 24, 1874, Nast cartoon "The Union as it was...This is a White Mans Government....the Lost cause...Worse than Slavery"

"Colored Rule in a Reconstructed(?) State (The members call each other thieves, liars, rascals, and cowards)", Harper's Weekly, March 14, 1874.[e]

"Colored Rule in a Reconstructed(?) State (The members call each other thieves, liars, rascals, and cowards)", Harper's Weekly, March 14, 1874.[e]

elephant[79]

Republican Party

donkey (although the donkey was associated with the Democrats as early as 1837, Nast popularized the representation[80])

Democratic Party

Tammany Hall tiger, a symbol of 's political machine

Boss Tweed

a lanky avuncular personification of the United States (first drawn in the 1830s; Nast and John Tenniel added the goatee)

Uncle Sam

John Confucius, a variation of , a traditional caricature of a Chinese immigrant

John Chinaman

1871

The Fight at Dame Europa's School

Peace In Union, a 9 ft (2.7 m) by 12 ft (3.7 m) oil painting which depicts the surrender of General to General Ulysses S. Grant at Appomattox Courthouse in April 1865. The painting was a commission from Herman Kohlsaat in 1894. Upon its completion in 1895 it was presented as a gift to the citizens of Galena, Illinois.

Robert E. Lee

Adler, John, and Draper Hill. Doomed by Cartoon: How Cartoonist Thomas Nast and the New York Times Brought Down Boss Tweed and His Ring of Thieves (Morgan James Publishing, 2008) .

online

Adler, John. America's Most Influential Journalist and Premier Political Cartoonist: The Life, Times and Legacy of Thomas Nast (Harp Week Press, 2022).

Barrett, Ross. "On Forgetting: Thomas Nast, the Middle Class, and the Visual Culture of the Draft Riots." Prospects. 29 (2005): 25-55.

online

Boime, Albert. "Thomas Nast and French Art," American Art Journal. 4#1 (1972), pp. 43–65

in JSTOR

, ed. (1911). "Nast, Thomas" . Encyclopædia Britannica. Vol. 19 (11th ed.). Cambridge University Press. p. 251.

Chisholm, Hugh

Dewey, Donald. The Art of Ill Will: The Story of American Political Cartoons. (NYU Press, 2007).  0814719856 online

ISBN

Dorsch, Timothy, "Deeper Impressions of Thomas Nast and Joseph Keppler: Analyzing the Role of Political Cartoons in the Development and Perceptions of Late Nineteenth Century Group Images" (Thesis, U Central Florida, 2020).

online

Halloran, Fiona Deans (2012). Thomas Nast: The Father of Modern Political Cartoons. Chapel Hill, NC: The University of North Carolina Press.  9780807835876. Scholarly biography online

ISBN

(1978). Boss Tweed and the man who drew him. New York: Coward, McCann & Geoghegan. ISBN 9780698307063. LCCN 78005622. OCLC 1148013228. OL 4718805M.

Hoff, Syd

LCCN

Huntzicker, William E. "Thomas Nast, Harper’s Weekly, and the Election of 1876." in After the War (Routledge, 2017). 53-68.

online

Official website

; 600 of Nast's original drawings and published wood engravings

Thomas Nast collection at Princeton University Library

Billy Ireland Cartoon Library & Museum at Ohio State U.

National History Day Project about Thomas Nast

Elections 1860–1912

Nast cartoons from Ohio State University

More work by Thomas Nast

Nast cartoons focused on Chinese Exclusion. "Illustrating Chinese Exclusion"

Thomas Nast Civil War Pictures

Thomas Nast Caricatures of the Civil War, Reconstruction, Santa Claus, Napoleon, Catholicism, Boss Tweed, Tammany Hall and more.

Beach, Chandler B., ed. (1914). . The New Student's Reference Work . Chicago: F. E. Compton and Co.

"Nast, Thomas" 

The Thomas Nast Collection--Morristown & Morris Township Public Library, NJ

History Buff.

Thomas Nast on

a work by Thomas Nast from 1865 via the World Digital Library

"Emancipation,"

from the Museum of the City of New York Collections blog

Thomas Nast takes down Tammany: A cartoonist's crusade against a political boss

The Ohio State University Billy Ireland Cartoon Library & Museum: Thomas Nast

at Project Gutenberg

Works by Thomas Nast

at Internet Archive

Works by or about Thomas Nast