Tinariwen
Tinariwen (Tamasheq: ⵜⵏⵔⵓⵏ; with vowels ⵜⵉⵏⴰⵔⵉⵡⵉⵏ; plural of ténéré meaning "desert"[1]) is a collective of Tuareg musicians from the Sahara region of northern Mali. Considered pioneers of desert blues, the group's guitar-driven style combines traditional Tuareg and African music with Western rock music. They have released nine albums since their formation and have toured internationally.
Tinariwen
1979–present
Independiente, EMMA Productions, Tribal Union, Wayward Records, Outside Music, World Village Records, Anti, Epitaph
The group was founded by Ibrahim Ag Alhabib; he and bandmates Alhassane Ag Touhami and Abdallah Ag Alhousseyni have all been present since 1979.[2][3] Tinariwen first started to gain a following outside the Sahara region in 2001 with the release of the album The Radio Tisdas Sessions. Their most recent album Amatssou was released in 2023.
The group has been nominated for Grammy Awards three times, and their 2012 album Tassili won the award for Best World Music Album in 2012.[4] NPR calls the group "music's true rebels",[5] AllMusic deems the group's music "a grassroots voice of rebellion",[6] and Slate calls the group "rock 'n' roll rebels whose rebellion, for once, wasn't just metaphorical".[7]
Biography[edit]
Background[edit]
At four years old, Ibrahim Ag Alhabib witnessed the execution of his father, a Tuareg rebel, during a 1963 uprising in Mali.[8] After seeing a western film in which a cowboy played a guitar,[9] Ag Alhabib built his own guitar out of a "plastic water can, a stick and some fishing wire", according to future bandmate Abdallah Ag Alhousseyni.[10] During his childhood, Ag Alhabib lived in Algeria in refugee camps near Bordj Badji Mokhtar and in the deserts around the southern city of Tamanrasset, where he was given a guitar by an Algerian man, who also taught him how to play the Algerian way of the Tergui music.[11]
Later, Ag Alhabib resided in Algeria and Libya with other Tuareg exiles. He acquired his first real acoustic guitar in 1979.[12] During this period he formed a band with Alhassane Ag Touhami and brothers Inteyeden and Liya Ag Ablil[13] to play at parties and weddings.[14] While the group had no official name, people began to call them Kel Tinariwen, which in the Tamashek language translates as "The People of the Deserts" or "The Desert Boys".[15]
In 1980 Libyan ruler Muammar al-Gaddafi put out a decree inviting all young Tuareg men who were living illegally in Libya to receive full military training. Gaddafi dreamed of forming a Saharan regiment, made up of young Tuareg fighters, to further his territorial ambitions in Chad, Niger, and elsewhere in the region.[16] Ag Alhabib and his bandmates answered the call and received nine months of training.[17] During such exercises, the band met additional Tuareg musicians and formed a loosely-organized collective to create songs about the issues facing the Tuareg people.[9] They built a makeshift studio and vowed to record music for free for anyone who supplied a blank cassette tape. The resulting homemade cassettes were traded widely throughout the Sahara region.[18]
In 1989 the collective left Libya and moved to Ag Alhabib's home country of Mali, where he returned to his home village of Tessalit for the first time in 26 years.[19] In 1990 the Tuareg people of Mali revolted against the government, with some of the musicians of the collective participating as rebel fighters. After a peace agreement known as the Tamanrasset Accords was reached in January 1991, the musicians left the rebel movement and devoted themselves to music full-time.[20] In 1991, some members of Tinariwen went to Abidjan, Côte d'Ivoire, to record a cassette at JBZ Studios and the album Kel Tinariwen was released later that year.[21] They played occasional gigs for far-flung Tuareg communities throughout the Sahara region, gaining word-of-mouth popularity among the Tuareg people.
Musical style and influence[edit]
Tinariwen's sound is primarily guitar-driven, in the style known as assouf among the Tuareg people.[63] The group's guitar style has its roots in West African music[64] and other traditional styles practiced by the Tuareg and Berber peoples,[65][66] and has often been characterized as "desert blues".[67] Tinariwen was also influenced by traditional Malian musicians, most notably Ali Farka Touré,[68] and regional pop singers like Rabah Driassa.[11] While the Tinariwen style is possibly a distant relative of blues music, via West African music, members of Tinariwen claim to have never heard actual American blues music until they began to travel internationally in the early 2000s.[9][69] Tinariwen was also influenced by American and British rock acts whose bootlegged albums had made it to the Sahara region, such as Dire Straits,[70] Santana,[71] Led Zeppelin,[72] Bob Dylan,[73] and Jimi Hendrix.[69]
Tinariwen has been named as a formative influence on a growing Tuareg rock scene, made up of younger musicians who were not rebels like the members of Tinariwen but have experienced their region's recent struggles with poverty and terrorism.[64] The band Imarhan is led by Sadam Iyad Moussa Ben Abderamane, who has collaborated with Tinariwen and is the nephew of bassist Eyadu ag Leche.[64] Kel Assouf[64] and Tamikrest[74] have gained notice as younger Tuareg rock bands that cite Tinariwen as a fundamental influence. The band Terakaft also consists of several musicians who have played with Tinariwen.[22]