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UFA GmbH

UFA GmbH, shortened to UFA (German: [ˈuːfa] ), is a film and television production company that unites all production activities of the media conglomerate Bertelsmann in Germany. The original UFA was established as Universum-Film Aktiengesellschaft on December 18, 1917, as a direct response to foreign competition in film and propaganda. UFA was founded by a consortium headed by Emil Georg von Stauß, a former Deutsche Bank board member.[1] In March 1927, Alfred Hugenberg, an influential German media entrepreneur and later Minister of the Economy and Minister of Agriculture and Nutrition in Adolf Hitler's cabinet, purchased UFA and transferred ownership of it to the Nazi Party in 1933.

Not to be confused with DEFA.

Company type

December 18, 1917 (1917-12-18), in Berlin, Germany

Worldwide

  • Fiction
  • Serial Drama
  • Show & Factual
  • Documentary

In 1942, as a result of the Nazi policy of "forcible coordination" known as the Gleichschaltung, UFA and all of its competitors, including Tobis, Terra, Bavaria Film and Wien-Film, were bundled together with Nazi-controlled foreign film production companies to form the super-corporation UFA-Film GmbH (Ufi), with headquarters in Berlin. After the Red Army occupied the UFA complex in 1945 in Babelsberg, and after the privatization of Bavaria and UFA in 1956 in West Germany, the company was restructured to form Universum Film AG and taken over by a consortium of banks. However, in film production and distribution, it failed to revive and went into receivership.


In 1964, Bertelsmann's Chief Representative, Manfred Köhnlechner, acquired the entire Universum Film AG holdings from Deutsche Bank, which had previously been the main UFA shareholder and which had determined the company's business policy as head of the shareholders' consortium. Köhnlechner bought UFA, which was heavily in debt, on behalf of Reinhard Mohn for roughly five million Deutschmarks. (Köhnlechner: "The question came up as to why not take the entire thing, it still had many gems.") Only a few months later, Köhnlechner also acquired the UFA-Filmtheaterkette, a movie theater chain, for almost eleven million Deutschmarks.[2][3]


In 1997, UFA and the Luxembourgish rival CLT established the joint venture CLT-UFA, which, following the takeover of British rival Pearson Television, was restructured as RTL Group in 2000. Now, UFA GmbH (UFA) works as a subsidiary of RTL Group's production division Fremantle, which had been formed out of Pearson TV, and is responsible for all production activities of Bertelsmann and FremantleMedia in Germany. Until August 2013, eight subsidiaries operated under the UFA umbrella: UFA Fernsehproduktion, UFA Entertainment, Grundy UFA, Grundy Light Entertainment, UFA Cinema, teamWorx, Phoenix Film and UFA Brand Communication.


In August 2013, UFA underwent an organizational restructuring that simplified the company down to three production divisions. Today, UFA Fiction, UFA Serial Drama, UFA Show & Factual and UFA Documentary are the four units responsible for production.

owned by Oskar Messter, a dominant German producer[6]

Messter Film

(Projektions Union), originally formed by Paul Davidson in Frankfurt, with the Templehof Studios in Oberlandstraße in Berlin-Tempelhof and in Weissensee; and the Union-Theater (U.T. or U.T- Lichtspiele) chain of some 50 cinemas[6]

PAGU

The entire German operation of (founded in 1906 by Ole Olsen) including Nordische Films, the production company Oliver-Film of David Oliver, cinemas, and a distribution company, was bought by UFA in 1918[7][8]

Nordisk Film

1922: (directed by Fritz Lang)

Dr. Mabuse the Gambler

1924: (directed by Fritz Lang)

Die Nibelungen

1924: (directed by F. W. Murnau; invention of the Unchained camera technique)

The Last Laugh

1927: (directed by Fritz Lang; first feature science fiction film)

Metropolis

1929: (directed by Fritz Lang; invention of the countdown)

Woman in the Moon

1930: (directed by Josef von Sternberg)

The Blue Angel

1930: (directed by Wilhelm Thiele)

The Three from the Filling Station

1930: (directed by Hanns Schwarz)

Burglars

1931: (directed by Erik Charell)

Der Kongreß tanzt

1931: (directed by Robert Siodmak)

The Man in Search of His Murderer

1931: (directed by Hanns Schwarz)

Bombs on Monte Carlo

1931: (directed by Kurt Gerron)

My Wife, the Impostor

1932: (directed by Kurt Gerron)

Things Are Getting Better Already

1933: (directed by Friedrich Hollaender)

The Empress and I

1935: (directed by Leni Riefenstahl)

Triumph of the Will

1937: (directed by Karl Hartl)

The Man Who Was Sherlock Holmes

1938: (directed by Viktor Tourjansky)

Faded Melody

1941: (directed by Georg Jacoby; Germany's first feature film in color, Agfacolor)

Women Are Better Diplomats

1943: (directed by Josef von Báky; feature film in color celebrating UFA's 25th anniversary)

Münchhausen

1944: (directed by Helmut Weiss)

Die Feuerzangenbowle

1945: (directed by Veit Harlan; monumental propaganda film shortly before the fall of the Third Reich)

Kolberg

1945: (directed by Helmut Käutner)

Under the Bridges

UFA experienced a golden age in cinema from the 1920s to the 1940s. In this period, the company contributed significantly to the history of German film. The following are among UFA's most famous productions from those years:

studio history and notable productions

Studio Babelsberg

List of films featuring Berlin

Film studios in Berlin-Tempelhof:

Oberlandstraße (Berlin)

: Die UFA. Ein Beitrag zur Geschichte des deutschen Filmschaffens. UFA-Buchverlag, Berlin 1943.

Hans Traub

: Der deutsche Film im Spiegel der UFA. 25 Jahre Kampf und Vollendung. UFA-Buchverlag, Berlin 1943.

Otto Kriegk

Hanspeter Manz: Die UFA und der frühe deutsche Film. Sanssouci, Zürich 1963.

Die UFA – auf den Spuren einer großen Filmfabrik. Hrsg. Bezirksamt Tempelhof, Abteilung Volksbildung. Berlin 1987.

Michael Töteberg (Hrsg.): Das UFA-Buch. Kunst und Krisen, Stars und Regisseure, Wirtschaft und Politik. Zweitausendeins, Frankfurt am Main 1992.

Hans-Michael Bock

Rainer Rother (Hrsg.): Die UFA 1917–1945. Das deutsche Bildimperium. Deutsches Historisches Museum, Berlin 1992.

: Die UFA-Story. Geschichte eines Filmkonzerns. Hanser, München, Wien 2002. Also in English as The UFA Story: A Story of Germany's Greatest Film Company 1918-1945. University of California Press, 1999.

Klaus Kreimeier

Hans-Jürgen Tast (Hrsg.) Anton Weber (1904–1979) – Filmarchitekt bei der UFA. Schellerten 2005,  3-88842-030-X.

ISBN

Official website

– at www.filmportal.de, linked on August 1, 2013

o.V.: Traumfabrik und Staatskonzern. Die Geschichte der UFA.

Ateliers in Potsdam-Babelsberg|Ateliers in Potsdam-Babelsberg

Ateliers in Berlin-Tempelhof|Ateliers in Berlin-Tempelhof

Carl Froelich-Ateliers|Carl Froelich-Ateliers

Murnau-Stiftung, a legal successor of the old UFA

Murnau-Stiftung

(German only)

Exhibition and Museum for UFA Film Posters and Film Notices in the Pre-War Years

(independent of the studio)

Website of Universum Film GmbH, independent video provider

UFA and German film chronology

"Dream Factory and State Enterprise: the history of UFA"

Filmmuseum Potsdam

Studio Babelsberg

DEFA Film Library and Online Shop

Konrad Wolf College of Film and Television

(in English) on the Internet Movie Database

Wolf Bauer (film producer)

at filmportal.de

Wolf Bauer (film producer)

Wolf Bauer at UFA.de

(in German)

Interviews with Wolf Bauer in Die Zeit, Wirtschaftswoche and W&V

kress.de portrait of Wolf Bauer

in the 20th Century Press Archives of the ZBW

Documents and clippings about UFA GmbH