Valerian and the City of a Thousand Planets
Valerian and the City of a Thousand Planets (French: Valérian et la Cité des mille planètes) is a 2017 space opera film[10] written and directed by Luc Besson, and produced by his wife, Virginie Besson-Silla. It is based on the French science fiction comics series Valérian and Laureline, written by Pierre Christin, illustrated by Jean-Claude Mézières, and published by Dargaud. It stars Dane DeHaan and Cara Delevingne as Valerian and Laureline, respectively, with Clive Owen, Rihanna, Ethan Hawke, Herbie Hancock, Kris Wu and Rutger Hauer in supporting roles. Besson independently financed and personally funded the film. With a production budget of around $223 million, it is both the most expensive European and the most expensive independent film ever made.[11]
Valerian and the City of a Thousand Planets
Valérian et la Cité des mille planètes
Luc Besson
Julien Rey
- EuropaCorp
- Valerian S.A.S.
- TF1 Films Production
- OCS
- TF1
- Fundamental Films
- BNP Paribas
- Orange Studio
- Novo Pictures
- Universum Film
- River Road Entertainment
- Belga Films Fund
- EuropaCorp Distribution (France)
- STXfilms (United States)
- China Film Group Corporation (China)
- Buena Vista International
Universum Film[2] (Germany) - Belga Films (Belgium)
- Gulf Film (United Arab Emirates)
- 17 July 2017 (Grauman's Chinese Theatre)
- 20 July 2017 (Germany)
- 21 July 2017 (United States)
- 26 July 2017 (France)
- 25 August 2017 (China)
- 26 August 2017 (Belgium)
- 27 November 2017 (United Arab Emirates)
137 minutes[3]
English
$226 million[2]
Valerian and the City of a Thousand Planets was released on 20 July 2017 in Germany by Buena Vista International and Universum Film, in the United States on 21 July by STXfilms, in France on 26 July by EuropaCorp Distribution, in China on 25 August by China Film Group, in Belgium on 26 August by Belga Films, and 27 November in United Arab Emirates by Gulf Film.[12][13] It received mixed reviews from critics, who criticized the plot and some of the casting, but praised the visuals. It grossed $225 million worldwide but, due to its high production and advertising costs, was considered a box-office bomb following its release in the United States.[14][15][16]
Plot[edit]
In the 28th century, cooperation between the Earth and extraterrestrial species has expanded the former International Space Station to the point its mass threatens to cause gravitational disruption to Earth itself. Relocated to deep space, it becomes Alpha, a space-traveling city inhabited by millions of species from thousands of planets. A police division was created by the United Human Federation to preserve peace throughout the galaxy, and amongst its staff are Valerian and his partner Laureline.
En route to a mission, Valerian had dreams of a planet, Mül, where a low-tech humanoid race is fishing for pearls containing energy using animals to replicate them. Mül was annihilated by a huge spacecraft that caused an explosion. Some of the inhabitants enter a discarded vessel and accidentally trap themselves inside, but the planet's princess Lihö-Minaa is stranded outside. Just before her death, she conveys an energy wave containing a telepathic message.
Valerian and Laureline are on a mission to retrieve the last "Mül converter", which is currently in the hands of black market dealer Igon Siruss. In a marketplace on planet Kirian in an alternate dimension, Valerian disrupts a meeting between Igon and two hooded figures who resemble the humanoids from his dream. They seek the converter, the small animal in his dream. Valerian and Laureline recover the converter and steal one of the energy pearls. Aboard their ship, Valerian learns that Mül was destroyed 30 years earlier, and all information about it is classified.
They return to Alpha where commander Arün Filitt informs them that the center of the station has been irradiated by an unknown force, rendering it highly toxic. Troops sent into the area have not returned, and the radiation is increasing. Laureline and Valerian are assigned to protect the commander during an interstation summit to discuss the crisis; against the commander's wishes, Laureline maintains possession of the converter.
During the summit, unidentified humanoids suddenly attack, incapacitating everyone, and kidnapping Filitt. Valerian chases the kidnappers to the irradiated area but crashes his spaceplane. Laureline enlists alien information brokers known as Dogan Daguis to track Valerian and finds him at the edge of the irradiated zone. She is kidnapped by a primitive tribe, the Boulan Bathors of the planet Goara, and presented at their emperor's dinner as the choice course. Valerian infiltrates the tribe's territory with the help of the shape-shifting Bubble. They rescue Laureline and escape, but Bubble is fatally wounded.
Valerian and Laureline venture further into the irradiated area, and discover it is not dangerous, and that it contains the remains of an antique spacecraft. They reach a large, shielded hall where they find the humanoids, known as the Pearls, with an unconscious Filitt. The Pearls' leader, Emperor Haban Limaï, explains that his people lived peacefully on Mül until a battle occurred between the Federation and a hostile alien race. Filitt, the human commander, ordered the use of fusion missiles that disabled the enemy mothership and sent it crashing into the planet, destroying Mül. Upon her death, Princess Lihö-Minaa transferred her soul into Valerian's body.
The surviving Pearls were trapped in a downed spaceship from the battle, but they managed to repair it and learn human technology and history. Scrap ships took their vessel to Alpha, where they assimilated more knowledge from different species and built a ship of their own. They needed the converter and pearl in order to launch their ship and find a planet to recreate their homeworld. Filitt admits his role in the genocide but argues it was necessary to end the war and covers it up to prevent humans from losing credibility and influence in Alpha. Valerian and Laureline disagree, arguing that the commander is trying to avoid the consequences of his actions. When Filitt becomes belligerent, Valerian knocks him out.
Valerian hands over the pearl he took from Igon, and Laureline persuades him to return the converter. While the Pearls prepare their spacecraft for takeoff, Filitt's K-Tron robot soldiers attack the Pearls, and the government soldiers are sent to assist Valerian but are ultimately defeated. The spacecraft departs and Filitt is arrested. Valerian and Laureline are left adrift aboard an Apollo Command/Service Module, and Laureline answers Valerian's marriage proposal with a "maybe" as they wait for rescue.
Production[edit]
Development[edit]
Although Luc Besson loved the Valerian comics while growing up, he did not seriously consider adapting them into a movie until he was working on The Fifth Element. During development, Besson had hired Valerian illustrator Jean-Claude Mézières to work on the film, who asked Besson, "Why are you doing this shitty film? Why you don't do Valerian?"[21] At the time, Besson felt that making the film was "impossible" given the vast alien-to-human ratio.[21] The release of Avatar served as both a blessing and a curse for Besson; he has said, "technically, I could see that we can do everything now. The film proved that imagination is the only limit." However, he also felt that "James Cameron pushed all the levels so high", which made him believe that his script was not good enough, so he rewrote it.[21] Ultimately, the storyboarding for the film took seven months.[22]
The project was first publicly reported in 2012.[23] The two principal stars, Dane DeHaan and Cara Delevingne, were announced in May 2015.[24] On 19 August 2015, Clive Owen signed on to play Commander Arün Filitt in the film.[25] The budget, €197 million, is by far the largest ever assembled for a French film. Previously, Asterix at the Olympic Games was the most expensive, at €78 million, just ahead of Besson's The Fifth Element (€75 million).[26] By the end of August 2015, Besson said in an RTL radio interview that shooting the film in France was too expensive. Because it was filmed in a foreign language (English), Besson was unable to benefit from tax credits, despite preferring to produce the film in France and create jobs for 1,200 crew members.[26][27] The criteria to obtain these tax credits were then adapted accordingly. In May 2015, it was announced Fundamental Films would invest US$50 million in the film.[28]
Valerian and the City of a Thousand Planets Film Score
Reception[edit]
Box office[edit]
Valerian and the City of a Thousand Planets grossed $40.5 million in the United States and Canada and $184.7 million internationally (including $36.8 million in France), for a worldwide total of $225.2 million.[2] With a production budget around $180 million, the film would have needed to gross $400 million worldwide in order to break even and justify a sequel.[11]
In North America, Valerian opened alongside Dunkirk and Girls Trip, and was initially projected to gross $20–25 million from 3,553 theaters, although some insiders believed it would open in the teens.[16][46] It made $6.5 million on its first day, including $1.7 million from Thursday night previews at 2,600 theaters, lowering weekend projections to $16.5 million. The film ended up debuting to $17 million, finishing 5th at the box office, leading Deadline Hollywood to already label the film a domestic box office bomb,[9] and causing an 8.31% fall of the EuropaCorp stock on the following Monday.[15] In its second weekend, the film dropped 62% to $6.4 million, finishing 8th at the box office.[47] In its third and fourth weekends the film made $2.4 million and $901,323, finishing 12th and 17th and dropping another 62% both times.[48]
Outside North America, the film opened in 16 markets alongside the US and made $6.5 million over its opening weekend, including $2.5 million in Germany.[49] In France, the film made $3.72 million (€3.19 million) on its first day, the second-best opening day of 2017 there behind Despicable Me 3.[50] In China, the film made $9.9 million on its first day from 78,000 screens, becoming the first film to displace Wolf Warriors 2 at the country's box office.[51] It went on to open to $29 million, topping the box office.[52] The largest territory for the film was China, with US$62.1 million.[2]
Critical response[edit]
Valerian and the City of a Thousand Planets received mixed reviews from critics, who praised its visuals while criticizing the plot and some of the casting.[16] On review aggregation website Rotten Tomatoes, the film has an approval rating of 48% based on 300 reviews, with an average rating of 5.50/10. The site's critical consensus reads, "Valerian and the City of a Thousand Planets uses sheer kinetic energy and visual thrills to overcome narrative obstacles and offer a viewing experience whose surreal pleasures often outweigh its flaws."[53] On Metacritic, which assigns a weighted average rating to reviews, the film has a score of 51 out of 100, based on reviews from 45 critics, indicating "mixed or average reviews".[54] On French entertainment information website AlloCiné, the film has an average grade of 3.0/5, based on 31 critics.[55] Audiences polled by CinemaScore gave the film an average grade of "B−" on an A+ to F scale.[9]
David Ehrlich of IndieWire gave the film a grade of B−, praising how "unapologetically idiosyncratic" the film is, while also saying "the vividness of this place only underscores the lifelessness of the people leading us through it .... There are 394 million stories on the City of a Thousand Planets, and Valerian's might be the only one we've seen before. Still, any excuse to visit this place is one worth taking."[56] Peter Sciretta of /Film touted the first half of Valerian as "unpredictable and bonkers insane", while calling the second half more formulaic and "far less exciting", though he still encouraged seeing the film in 3D "on the biggest screen possible".[57] Ignatiy Vishnevetsky of The A.V. Club wrote that it was "rare […] to see a film this extravagant that also feels, for better or worse, like the work of a single personality. The longer action scenes may not always rank with Besson's early '90s highlights [...] or the mania of the more recent Lucy, but there isn't a moment in this ludicrous, lushly self-indulgent movie that doesn't feel like its creator is having the time of his life."[58]
Todd McCarthy of The Hollywood Reporter gave a negative review, saying: "The Razzies don't need to wait until the end of the year to anoint a winner for 2017 ... Hollywood studio chiefs can breathe easy that, this time, at least, they'll escape blame for making a giant summer franchise picture that nobody wants to see, since this one's a French import."[59] A. O. Scott of The New York Times was also less than happy with the film, writing the effort "feels as if it were made up on the spot, by someone so delighted by the gaudy genre packaging at his disposal that he lost track of what was supposed to be inside."[60] National Public Radio film critic, Mark Jenkins, additionally wrote in a negative review that the film's "perspective often seems more 19th- than 26th-century, notably in a sequence where Laureline is captured by members of a hostile species and forced to don a white dress to be presented to their emperor. The blobby computer-generated creatures resemble natives from the most racist of Tarzan movies."[61]
Accolades[edit]
At the 44th Saturn Awards, Valerian and the City of a Thousand Planets was nominated for the Saturn Awards for Best Science Fiction Film, Best Production Design (Hugues Tissandier), and Best Costume Design (Olivier Bériot); all respectively lost to Blade Runner 2049 (2017), Black Panther (2018, Hannah Beachler), and Beauty and the Beast (2017, Jacqueline Durran).[62]